In the mid-nineties, DC Comics published Batman Black and White, which consisted of eight-page black and white Batman stories, written and drawn by numerous creators, and has been a series that has been revived again and again over the years. Now that DC has decided to take this approach with some of the iconic characters such as Superman and Wonder Woman, each with their own unique twist, Marvel has decided to follow their rival and what creations of theirs can be given the treatment.
With Wolverine: Black, White & Blood, originally published as four single issues, there are twelve short stories about the history of arguably the most popular X-Men character (except for Kitty Pryde, of course), as told by numerous writers and artists.
I don’t want to delve too deeply into the stories themselves, which is really more of a technical exercise for artists to show off their work in black and white, but there are some definite highlights. Opening the book is “The Beast Within Him” by Gerry Duggan and Adam Kubert, where we see Wolverine during his Weapon X period, where he is tested to fight off various enemies including one giant beast. I’m usually not a fan of Kubert’s art, which can look rough, but the way he crafts the action here, particularly with an astonishing double page spread, Kubert is at his peak.
With much of the storytelling that is built upon action set-pieces, which primarily uses the red colouring for the blood-splattering, there is only a small handful of stories that applies some characterisation, such as the Chris Claremont/Salvador Larroca story “Do We Die Today?”, on Wolverine gets to interact with Kitty Pryde. Hands down the best story goes to “32 Warriors and a Broken Heart” by John Ridley and Jorge Fornés, a Japan-centric narrative in which Wolverine goes a family revelation whilst fighting an array of enemies. From Ridley’s touching characterisation to Fornés’ Mazzuchelli-esque illustrations, it makes you wish for a Wolverine series by these two creators.
With a diverse range of art-styles, the quality can differ, from the grittiness of Declan Shalvey, to the blandness of Greg Land and then the busyness of Chris Bachalo. However, as one of the few Marvel titles to be published in the Treasury Edition, I couldn’t think of a better way to read this mostly successful compilation of stories showcasing the violent side of the eponymous X-Man.