Yūsei Matsui (松井優征 Matsui Yūsei?, born January 31, 1981 in Saitama, Japan) is a manga artist known for manga Majin Tantei Nougami Neuro. He was an assistant of Yoshio Sawai, the manga artist of Bobobo-bo Bo-bobo (Shirota Masakage made a cameo appearance in Shinsetsu Bobobo-bo Bo-bobo).
Diesmal fehlte irgendwie etwas :/ ich weiß aber nicht so genau was ~ hier hört auch der Anime auf. Es kommen dafür neue Charaktere vor, die unter Takauji dienen :D und ich freue mich sehr, die mehr in Action zu sehen.
Nous continuons de suivre avec délice cette époque de l’histoire japonaise, et ce, avec beaucoup d’intérêt. Il est indéniable de dire que le style de Yusei Matsui n’y est pas pour rien avec sa manière d’allier, actions, rebondissements, et faits historiques, le tout sur un second degré que j’apprécie tout particulièrement.
Tandis qu’une rébellion s’annonce contre le nouveau légat, un homme imbu de lui-même et insupportable, Tokiyuki notre héros fuyard va, avec l’aide de ses nouveaux compagnons, tenter de raisonner les guerriers du mieux qu’il le peut et avec sa toute sa verve.
Ce que je trouve génial avec The Elusive Samurai, c’est la façon dont est amenée l’histoire et dont sont présentés les différents protagonistes. Le mangaka s’appuie sur des faits historiques, mais pour passionner son lectorat (jeune et moins jeunes et pas forcément amateur d’Histoire) il use avec brio des codes propres au shônen qui donne du coup un récit fort, piquant drôle et loin d’être ennuyeux ! C’est même tout le contraire ! On nage en pleine aventure épique !
De plus, j’aime énormément les dessins de Yusei Matsui dont les expressions faciales de ces personnages sont un régal à observer. Comment réussir à parler d’histoire avec un grand H aux plus récalcitrants ? En vrai, je trouve qu’il y arrive très bien.
La vie du jeune Tokiyuki est très bien amenée et on suit son évolution dans une époque bien difficile et dangereuse.
Bref. Dans mon cas, j’aime toujours autant ce manga et comme d’habitude à la fin nous avons droit à quelques petits articles passionnants à lire sur cette époque du Japon peu connue.
Voilà un manga qui continue de m’enthousiasmer que je vous recommande !
The battles are getting better and better and the tactics the Elusive Warriors use are clever and so much fun to watch. The gags are great and you really care about Tokiyuki’s mission. I love this manga! Also learning bits about the actual history at the end of each volume is great.
EluSam's earlier volumes are like a nostalgic little treat for me. Alright, maybe not super nostalgic (its only been out for 2ish years) but it reminds me of my earlier college years haha. This volume covers the entirety of the Kokushi arc (no idea of the real name but going with the big bad's title for it I guess). And what a fun arc to cover! It's a fun battle-centric arc which starts to open up ELuSam's more strategic/war-focused arcs and chapter. Unlike some of the later arcs of this style there is less getting bogged down with excessive info dumps. Instead, we get a nice and well-paced arc. The focus is moreso on the tactics than the fights themself. Some might not enjoy this but I really do. I enjoy ELuSam when it is less focused on combat but rather the tactics or the "elusive" sections. It also means that there are less fight scenes with excessive speedlines! Which is always a pleasure. Although this volume/arc introduces the abstract battle maps (when you see them you'll know what I mean). I understand their use to save page space but they kinda irk me since I always blank when reading them and have to reread them a lot to understand them. But what fun is a EluSam volume without its fun cast of characters? Well we get introduced to a bunch of fun characters from the Kokushi Kiyohara (culturally-not-a-mime-but-looks-like-one-to-my-Western-ass guy) as well as the entirety of Yasaburo (whisker guy) and his entire troop. I really enjoy the new characters as they add a bunch of comedy and relief to what otherwise could have been a very dark arc. Idk how Matsui managed to make Yasaburo and his gang's want for death funny but he managed! We also are introduced to Hisashiban (that group of people that are strong and are always being commented on how young they are). While we don't get to see a lot of them it is a joy to see them as they play off of each other well. Props to Matsui for giving Kojiro some development in this volume. It wasn't much but its always a pleaasure to see the Elusive Warriors get development. The volume ends ends with a fun breather chapter and the beginning of the next scenario (one which I really like). Overall, a great volume that focuses on a singular plot point mostly but one thats a joy to read.
Kiyohara is now the Kokushi of Shinano, and as such does not feel obligated to follow the rules established by the previous administration, including the taxation of the second crop. The citizens are less than pleased. In northern Shinano, Hoshina Yasaburo raises an army to rebel against this oppression, but Suwa feels they have no chance of victory. He sends Tokiyuki and his elusive warriors to convince Hoshina to abandon his plan and to help him and his men to escape. To be on the safe side, however, Suwa will not permit the girls to go, as there may be fighting.
When Tokiyuki and the others catch up to Hoshina and his men, they realize how deeply committed they are to dying for what they believe in. He finds a sympathetic ear in Shinomiya and strategizes with him about an escape route. But can he convince the stubborn man that this is the way to go? Will he have to battle him to get him to listen?
One thing Tokiyuki really misses about home is the fresh fish he was used to, especially sashimi. But where they are located, fish spoil long before they can arrive. So it’s up to the Elusive Warriors to find a way for their Lord to have his fish and make him happy.
Takauji and his brother Tadayoshi have brought an element of youth to Kamakura, being younger than the previous rulers, the HoJo, and they are working at restoring the city and maintaining order. Sadamune is determined to do his part for his new boss by rooting out any remaining Hojo. He has no proof, but he is very suspicious of one young fellow (Tokiyuki in disguise) and decides to put him to the test. He requests a gift from Suwa, and asks that Chojomaru-dono/Tokiyuki bring it and then take back the return gift. To refuse this request would only make him more suspicious. Sadamune is still miffed at being bested by the young boy the previous year and is determined to look closely at him. Can this end well for Tokiyuki?
I really enjoy reading Yusei Matsui’s interpretation of historical events and people. His sense of humor is just as sharp as it was in Assassination Classroom. I also like the notes at the end about life in feudal Japan. I hope Tokiyuki bests Sadamune. That man has something wrong with him lol. Can’t wait for the next volume!
Yusei Matsui follow up manga after Assassination Classroom show his range of story telling and art. The Elusive Samurai follows a young boy after his family lands have been stolen and his family murdered by a traitor. He escapes and finds a hiding place at a temple with a small group of young friends the eight year old boy builds a life. He learns and bides his time for revenge and plans to take back his land and people and punish the traitor.
Each volume has 10 pages at the end explaining historical details and the society of the time period. Important battles are broken down into strategy lessons. I loved learning about Japanese history and the art is magnificent. I can’t wait to read more!
Makin hari makin cocok jadi pemimpin, ya. Tapi pada vol. ini aku mulai mempertanyakan penggunaan anak-anak sebagai tokoh sentral dalam perang berdarah ini. Semacam, bayangin seandainya tokoh bukan anak² tapi orang dewasa apakah bakal berkurang daya tariknya atau sama sama aja? Apa masuk akal atau terlalu nekan ya?
Ada beberapa ciri khas taktik perang disebut salah satunya kemampuan berpikir waras menjauhi tipu muslihat dari bayangan pikiran sendiri. Ini hal yang menarik kalau bahas sejarah 😳
Suka deh sama Tuan Muda, semacam keinginan hidup lebih penting untuk generasi selanjutnya daripada sekadar siap mati. Suara yang dilontarkan penulis pny pandangan berbeda ttg harga diri.
Tokiyuki and the Elusive Warriors are sent to aid Hoshina Yasaburo in their conflict with Governor Kiyohara. Yasaburo is determined to die with honor, but the Elusive Warriors have other plans - win by surviving to fight another day. Tricks, ambushes, feints, and sheer courage help persuade Yasaburo and his warriors of the wisdom of this plan. But then Tokiyuki gets personally summoned to meet with Sadamune! Will he survive this encounter? We will need to read the next volume to find out!
Thanks Netgalley for the opportunity to read this volume!
Okay, this volume was equal parts hilarious and nightmare inducing. Matsui is truly a brilliant artist, capable of depicting intense, bloody action scenes, gut-busting comedic moments, and horrifying abominations. Speaking of nightmares, that adult's disappointment that Ayako's too young to be his mistress *throws up*
I don't want to say more because so much happened and I don't want to spoil, but this was an incredible solid volume. A true testament to Matsui's talent as a mangaka.
this arc was really nice because it furthered the characters through their dynamics and the overall theme of persevering being more important than just dying was executed quite well. i don't agree with the statement but the perspective through which matsui does it, you kind of get where he's coming from for sure.
The art is pretty outlandish at times which is enjoyable. And the use of modern symbols is funny but I think takes away from the historical setting and makes it hard to take seriously. I am personally still enjoying it, however I can understand why it is poorly rated.