Erwin Olaf

by Erwin Olaf (Photographer), Walter Guadagnini (Contributor)

A complete overview of Dutch photographer Erwin Olaf’s highly stylized portraits Amsterdam-based Dutch photographer Erwin Olaf (born 1959) has long been considered one of today’s foremost practitioners of portrait photography, and the enigmatic and elusively contemplative atmospheres of his theatrical compositions are widely imitated. Saturated in somber yet luminous hues, and exactingly composed, Olaf’s color photographs, usually featuring only one or two people and set indoors, suggest dramatic narratives fraught with intangible restlessness. The attention to emotional character is scrupulous―as Olaf recently told Lyle Rxer in an interview, “you examine the state of the face, the person’s eyes, the small gestures, the way the muscles move slightly, and of course the influence of light and cropping to add to the intuitions you receive. These restrictions are the main reason why I feel more comfortable in my personal projects, where I can fantasize, or let’s say, I can create a world of my imagination.”

This concise catalog offers a journey through Olaf’s entire career to date, from the Chessmen series of the late 1980s that brought him international renown, and for which he was awarded the Young European Photographer Award in 1988, up to the recent Palm Springs project (2018). The volume includes a critical text by Walter Guadagnini and a conversation with the artist.

Genres: Photography, Art, Art and Photography

95 pages, Hardcover

First published January 1, 1995

About the author

Erwin Olaf was an internationally exhibiting artist whose diverse practice centered around society’s marginalized individuals, including women, people of color, and the LGBTQ+ community. In 2019 Olaf became a Knight of the Order of the Lion of the Netherlands after 500 works from his oeuvre were added to the collection of the Rijksmuseum. Taco Dibbits, Rijksmuseum director, called Olaf “one of the most important photographers of the final quarter of the 20th century”.

In 2018, Olaf completed a triptych of monumental photographic and filmic tableaux portraying periods of seismic change in major world cities, and the citizens embraced and othered by their urban progress. Like much of his work, it is contextualized by complex race relations, the devastation of economic divisions, and the complications of sexuality. Olaf has maintained an activistic approach to equality throughout his 40-year career after starting out documenting pre-AIDS gay liberation in Amsterdam’s nightlife in the 1980s.

A bold and sometimes controversial approach has earned the artist a number of prestigious collaborations, from Vogue and Louis Vuitton, to the Stedelijk Museum Amsterdam. He served as the official portrait artist for the Dutch royal family in 2017, and designed the national side of the euro coins for King Willem-Alexander in 2013. He has been awarded the Netherlands’ prestigious Johannes Vermeer Award, as well as Photographer of the Year at the International Color Awards, and Kunstbeeld magazine’s Dutch Artist of the Year.

Erwin Olaf has exhibited worldwide, including Centro de Arte Contemporáneo de Málaga, Málaga, Spain; Museu da Imagem e do Som, São Paulo, Brazil; Martin-Gropius-Bau, Berlin, Germany; Southeastern Center for Contemporary Art, Winston-Salem, North Carolina, USA; and Museo de Arte Contemporáneo, Santiago, Chile. In the spring of 2019, Olaf’s work was the subject of a double exhibition at Kunstmuseum The Hague and The Hague Museum of Photography, as well as a solo exhibition at the Shanghai Center of Photography and an exhibition at The Rijkmuseum of Amsterdam. In 2021, he will mount solo exhibitions at Kunsthalle München, Germany; the Suwon Museum of Art, Suwon, Korea. Olaf’s work is included in numerous private and public collections, such as the Rijksmuseum and Stedelijk Museum, both in Amsterdam, The Netherlands; Fonds National d’Art Contemporain, Paris, France; Museum Ludwig, Cologne, Germany; Museum Voorlinden, Wassenaar, The Netherlands, North Carolina Museum of Art, Raleigh, United States; Art Progressive Collection, United States, and the Pushkin Museum, Moscow, Russia.

Reviews

[Crystal Price · Rating 3 out of 5]

I watched a book flip through on YouTube for this book. It has no words, just all pictures. To say it's jarring, creepy, and oddly beautiful would be an understatement. Every picture tells a story. The more you really stare, the more you will unpack. I feel it's all up to interpretation, like most art.

[Paul H. · Rating 3 out of 5]

I like Philip-Lorca diCorcia too, but this is just thematic plagiarism, I think?