Millions are dying every minute. Heroes and villains alike are falling. Can the Justice League unite to find a way to stop the spread of death? Can they save humanity from extinction? Can they even save themselves? The key to survival may hinge on the last moments of one of the World’s Finest Heroes…
Once a professional juggler and fire eater, Tom Taylor is a #1 New York Times Bestselling, multi-award-winning comic book writer, playwright and screenwriter.
Well known for his work with DC Comics and Marvel, Taylor is the co-creator of NEVERLANDERS from Penguin Random House, SEVEN SECRETS from Boom Studios and the Aurealis-Award-winning graphic novel series THE DEEP. Taylor is also the Head Writer and Executive Producer of The Deep animated series, four seasons of which is broadcast in over 140 countries.
He is perhaps best known for the DC Comics series, DCEASED (Shadow Awards Winner), NIGHTWING (nominated for 5 Eisner Awards), SUPERMAN: SON OF KAL-EL (GLAAD Award Nominee), INJUSTICE: GODS AMONG US, SUICIDE SQUAD, EARTH 2 and BATMAN/SUPERMAN as well as Marvel's FRIENDLY NEIGHBORHOOD SPIDER-MAN, ALL NEW WOLVERINE, X-MEN: RED, DARK AGES and SUPERIOR IRON MAN. Taylor is also the writer of many Star Wars series, which include STAR WARS: INVASION and STAR WARS: BLOOD TIES (Stan Lee Excelsior Award winner). Taylor has written for Marvel, DC Comics, Dark Horse Comics, IDW Publishing, Boom Studios, Wildstorm, 2000 AD and Gestalt Comics.
WHOA! While the first issue of DCeased was fun and good setup, this issue was brutal and engaging the entire time.
So we pickup where the last one left off. Superman gets his son, Lois, and Damien to safety but before that we have Diana, Oliver, and Hal all chilling in a forest on their camping trip. of course things don't get well and someone turns! Then have Poison Ivy and Harley scene that has a big growing moment for the Joker's soon to be ex-girl. However, when she goes to say it's time to break up the Joker might not be who he used to be!
Man, this has so many twist and turns, so many OH shit moments, and a lot of heart. See, the key here is having our favorite characters feel. To see them scared, or worried, or hurt, but still be them instead of just a hollow version of themselves getting killed. I worry each page for one of my favorite characters to get killed and that's great. The art is wonderful, brutal, and nasty all in one. This is everything I could have hoped for and more.
One of the things I love about side series/different continuities is that they're not afraid to take risks. I mean, technically it means that the risks don't matter as much, since they're not permanent and all. But I still love seeing them happen, so that is what matters most to me. And boy, did they take risks in this issue! I can't say enough good things about it. In fact, I'm actively looking forward to the next issue in this series...is it out yet?
As good as the previous volume. The story continues to show the unstoppable advance of the virus and the increase in casualties among ordinary citizens and superheroes. A normal camping trip between Hal Jordan, Dinah and Oliver Queen turns into a nightmare with an interesting twist . Great work by Tom Taylor in enhancing the dramatic moments.
I would probably give this more of a 4.5/5 but still can’t believe how much I’m enjoying it. Zombie Hal Jordan against Dinah and Ollie was enough to sell me. Plus I’m digging the art as well besides weird looking Damian of course.
Much better than the first issue. Granted, this series seems like a DC Universe version of Stephen King’s “Cell”. Still, it’s quite enjoyable and I’m so happy to come across a story that is not afraid to kill off some main characters. I don’t care about canon. I’m glad to see it a tale off the beaten path.
This entire review has been hidden because of spoilers.
Lightning quick read. Picks up where issue #1 leaves off. Introduces Diana, Hal, and Oliver who are camping in the woods when the virus reaches them. Later there's a moment between Harley Quinn and Ivy before Harley makes a big life decision and prediction.
Still not sure what I think of this series yet. I think it's interesting that the zombies (because that's what they are lbr) are created via social media.
I'm mostly just giving this 4 stars though because DINAH LAUREL LANCE IS THE NEW GREEN LANTERN BYEEEEE
Wow! Some seriously amazing twists and turns in this horror story that is being created. Issue 2 is a slam dunk. Spoiler heroes die in this. Also the coolest thing happens to Black Canary.
Yeah this one is great. Tom taylor is a fantastic writer. Honestly hope he jumps onto batman after king leaves. Dude deserves a main gig on a big title.
The first issue of Tom Taylor’s “DCeased” event series seemed to be setting the stage for a sort of techno-zombie virus apocalypse scenario in the DC universe but this second issue wisely tweaks the concept a little bit. The infected are not mindless brain-craving undead monsters but something slightly different, an important distinction that gives the book a nice, kinda fresh spin (sorry, I don’t want to ruin the fun by revealing Taylor’s take). It’s still not quite a true horror book (it’s definitely your standard superhero comic, just with some horror elements plugged in, although the potential is definitely there for “DCeased” to go full-blown horror at some point) but I doubt genre fans will be too upset. Taylor does a nice job of weaving several story threads together, pulling in a handful of DC’s big capes, while allowing space for pathos in addition to all the action. Trevor Hairsine’s art is good throughout but it’s really the bloodier scenes that give him a chance to show off a little bit. It’s far from a perfect series but I’m gonna stick with “DCeased.”
(P.S. - The “Nightmare On Elm Street”-inspired variant cover by Yasmin Putri is absolutely stunning.)
Well, Tom Taylor once again proves he can do wonder if he is given freedom with his characters. The story gets more shocking, action packed, emotional and heartbreaking as we watch the world regress to madness through the eyes of our beloved characters. I really loved Taylor's method of taking individual character and telling their side of the tale rather than going for wholesale mayhem. And, damn, that last page did hit me right in the feels, and hard.
The drawing does its job in conveying the horror quite adeptly, but then again, the storytelling does drive the story here. I am just a bit worried if the writer can pull it off safely to the finish line, with the momentum he has created.
A marvelous second issue, I can't wait for more, wish this was weekly.
Ok, this is getting good. Still, I have 2 problems with the series; the pacing, which improved this issue but is still iffy, and the artwork. I REALLY dont like the art work. Some bits look nice but in general, its really poor. I’d say I enjoyed it around the same as issue 1, not sure which one i liked more as i liked different elements of each issue. However, the premise is really interesting and I like how Taylor is taking a lot of narrative risks (as it’s out of continuity). The story is amazing, and i love seeing the character interact. The plot twists are great. The pacing and artwork NEED to improve.
Issue #2 of DCeased is intense! The "zombie" virus has spread quickly and there were some shocking infections and deaths from it. Batman explains the victims aren't driven by a hunger for brains or flesh, they're just spreading death. So rather than zombies, they're referred to as the "anti-living." The virus is both biological and technological, so it can be spread through blood or digital imagery. I love that idea and how it's playing out. (Side note, I love seeing Harley and Ivy together!)
Loving each issue so far of DCeased. I actually read issues 1 and 2 of DCeased: Unkillables. Loved those two books and had to come back to the first series. I am borrowing these DCeased books from my adult son (normally we read different titles, but agree on a few).
Anyways, this is great zombie/superhero stuff. Taking out several big guns right off the bat. That takes guts! Love the special edition covers.
"I always suspected we'd have to destroy the internet to save the world."
Yeah, see, this is the kind of stuff that made me worry that it would be an overly facile thing.
Despite that, I'm really enjoying this. I kind of stalled out on Crisis on Infinite Earths, and--while this doesn't have the official Crisis branding--it feels just as guttingly apocalyptic as that miniseries did but it's also a lot more eventful and impactful.
Fantastically ghoulish and I loved it. Not every ending is a happy one, the good guy doesn't always have to get the girl! It was pretty dark for a comic, certainly puts the graphic into graphic novel.
Tom Taylor is pulling no punches, as this chapter brings brutality and soul-crushing emotion to the table. This isn't some half-hearted tale where the body count is raised with C listers, anybody is at risk here. Also, it's good that the art is more consistent this time around.