Seishu hat erfolgreich eine Kalligrafieschule eröffnet, aber eine Kleinigkeit hat er dabei nicht bedacht: Er muss Miete zahlen! Nun muss seine Schule zu einem Erfolg werden, doch dafür fehlt es ihm an zahlungsfähigen Schülern. Aber wo soll er die herbekommen?
World: Art is great, those little moments with Naru and Kawafuji shows you how beautiful and wonderfully important the art is. The world building is also solid with character based pieces and new status quos.
Story: The story is great, with the focus on Sensei and Kawafuji and their friendship. It’s well done, it’s not so subtle and fairly melodramatic but it’s really well done. I love the growth that these two characters have had since the start of the series. We also get some nice little stories with the other characters and their high school life.
Characters: Nice development with Kawafuji and Sensei. We’ve not really explored their friendship until now and it’s a nice little thing that happens here.
Handa-sensei incompetently tries to open his calligraphy school on a remote, rural Japanese island, but he may just get it off the ground with a little help from his friends. This is a low-key and gentle series, but I will certainly keep reading it as long as the creator keeps making it.
Even though Naru is not the main protagonist in this book...she's really the main attraction here.
A tiny force of nature..with a sad past..every so often she comes up with words of wisdom (that she just manages to pronounce) that shake Handa to his core.
I still love this series so much! It's one of the very first Manga series I started back in 2016 and I still love it so much. Handa-kun is a delight. Also, so relatable.
A lot happened in this volume, best of all Kawafuji came and was able to be friends with Handa again as well as teach him a thing or three about business, Handa finished his pickles, Handa’s finally getting a taste of reality and getting his school organized with his first student Higashino (and that hug and reaction had me laughing out loud!), and we had some February holidays. I really enjoyed Handa’s wrestle with reality, more specifically his catatonic “the kotatsu is so warm” stuff. In the past I know I’d sometimes be annoyed that the focus strayed from Handa too much to look at island life stuff, but I’ve come to enjoy the characters over time and I’m happy to get glimpses of what they’re doing wherever they are like the flashes to Ojou and Kirie in Tokyo or following the kids at school. I’d like some explanation for that shark Hiroshi was carrying on his bike...
I’m still not loving the calligraphy school idea, and the sample class, while improved with a fun idea with the flowers, did not give me a ton of confidence in Handa’s future success. I’m not sure I buy into his running ahead idea either, is Kawafuji falling behind by working for his dad in their art dealing business, is a school on a rural island really the way ahead? I suppose Handa will get experience he could use running a more serious school in the future. It just feels a bit like getting Yo-Yo Ma to teach intro cello, a renowned artist should have renowned students. I do think there’s definitely potential for interesting storylines moving forward exploring this new dimension of calligraphy that hasn’t been discussed before.
The Handa Calligraphy School is off to a brilliant start.
Well, not really. But that sure would be nice, wouldn't it?
It turns out starting a small business in a profession one's never considered prior to the present is a rather difficult task. Handa-sensei has no business sense, no intuition for the economics of independent work, and zero familiarity with the breadth of effort required to lay the foundation for long-term success. Fortunately, his buddy Kawafuji drops by to give him an earful.
BARAKAMON #15 focuses on Handa's terrible attempt at professionalism, Kawafuji's waning reluctance to help his best friend, and all the usual chaos and curiosities in the tiny island town. As hilarious as it is to watch Handa toe the line between success and failure with each passing heartbeat, there's a more serious undercurrent that propels him and Kawafuji forward. The through-narrative being that at the start, their friendship is in shambles. Is the gifted calligrapher just another spoiled and arrogant artist with no real understanding for how to contribute to the world at large? Or is the young sensei an insightful opportunist merely in need of support as he weaves and wanders into new territory?
The current volume nevertheless includes a handful of hysterical musings that pinch and pull at the young calligrapher's diligence from every direction. Handa is back on good terms with Higashino (but can't stop himself from defensively criticizing his enterprising neighbor). Everyone's favorite fujoshi, Tama, blows a fuse upon suspecting her sensei has thrown himself into "a dazzling scene of lovers torn between affection and hatred" (the poor girl actually passes out). And the Handa Calligraphy School's first use case in handwriting instruction devolves into chaos when Handa-sensei realizes that kids' attention spans are crap (but he's used to that by now. . .). BARAKAMON #15 is another brisk and delightful volume in a tender and long-running manga series.
"You and sensei running together don' make sense. Naru does long run with Hina too, but not slow like Hina. While running together's gobs of fun, we'd both come in last. The way Naru does it is run ahead and call out, "c'mere quick!" Like that. That way both of us get faster."
Gah! I really enjoyed the friendship in this volume!! It speaks volumes to the way Handa was supported!! His wild dreams seemed impossible made possible! I just really loved that for him and it just strengthed his relationship!!
In the early chapters of Barakamon, Handa struggled as a clueless city boy unused to country life. Now he’s struggling again—as a clueless person unused to basic adult responsibilities. And once more it’s up to Kawafuji to do the practical thinking for his sheltered artist friend. If you were hoping for more Kawafuji-style tough love, you’ll get it in this volume.
The Review
Handa has settled into the island community for a while now, but the calligraphy school arc has a similar vibe to Barakamon’s early chapters where he was struggling to adjust. This time, however, instead of being the clueless city boy learning how to live in the country, he’s the sheltered artist figuring out how to make a living. Yoshino-sensei makes clear just how sheltered Handa’s been when he discovers his father’s been paying rent for him all this time. When village chief informs Handa that his father now expects him to pay his own rent, the young calligrapher’s stunned speechless. What’s more, Handa doesn’t have even a basic grasp of how a calligraphy school functions as he’s only ever trained at home.
Handa’s definitely not the type of protagonist to figure these kinds of things by his own strength. Unfortunately, the islanders can’t offer much help in his latest endeavor, and he takes on an almost predatory view of his friends as prospective students. (Naru’s comparison of Handa to a sea anemone is quite funny). As such, it’s up to the friend who’s always handled the business aspects of Handa’s calligraphy—namely Kawafuji—to help with the business aspects of starting Handa’s school.
As a result, there are a lot of parallels with earlier chapters as Handa fails to plan ahead, gets overwhelmed to the point of paralysis, and exhibits no practical ability whatsoever to Kawafuji’s frustration. If you enjoy watching Handa’s occasional moments of brilliance amid mostly incompetent behavior, you’ll have a lot to like.
The remaining two chapters are brief holiday-themed stories. The first is Setsubun—Gotou style! As part of this Japanese holiday, children pelt a “demon” with beans, and you can easily guess whom the kids choose as their demon. Then we shift to the middle school for Valentine’s Day. There’s little romance to be had, but quite a few delusional girls.
Extras include bonus manga, translation notes, and another installment of “Barakamon News.”
These continues to be one of my favourite manga series ever. All the charm, all the humour and heart... it continues to be there volume after volume, and my love for the characters and the story continues to grow.
I wish they would translate these faster because I can't get enough. :')
Enjoyable seeing Handa make progress, with a lot of help, on his school idea. Also some spectacularly hilarious moments like the cutlass fish and Valentine's Day.