Reviews of my books: http://cherylsnell.blogspot.com When I married into a Hindu Brahmin family, I began to write seriously as a way to penetrate the protocol of another culture. My novels, Shiva's Arms and Rescuing Ranu explore South Indian life, particularly the stage referred to as samsara.The term haunted me for awhile— samsara--the sibilance of a word that can connote drowning. I had been reading Indian writers—Lahiri, Desai, Divakaruni-- and was drawn to the stories of immigrant families thrashing in their domestic seas. The plight of characters who straddle two continents, the lives they make here, and the families they leave behind, raised the question: when one belongs to two cultures, which part of a divided self goes, and what stays? It's a recurring question in my work. Besides my novels, I have written eight other books. Most recently, my poetry was chosen by Dorianne Laux for inclusion in the Best of the Net Anthology, and one of my collections of poetry, Prisoner's Dilemma, won the Lopside Press Chapbook Competition. When I'm not writing, I like to cook in the Indian idiom, and I play a mean classical piano.
MULTIVERSE by Cheryl Snell is a short collection of poignant poems that edge the idea of a MULTIple universe replacing the concept of a simple UNIverse. But lest the reader be afraid that the scientific aspect of this premise is prevalent in this collection, it must be pointed out that despite the original 'idea' of the title, the poems in this collection are immediately accessible, very beautiful works indeed.
The flow and meaningful content of this book of poems by a seasoned writer is made even more seductive by the addition of expressionistic paintings by Janet Snell. Rarely have poems been so well 'illustrated' or at least so integrated as they are by the two Snells working in tandem. At the heart of these poems and art is a sense of home, of the sounds of and sense of night, and the radiant meanderings of on seasonal strokes. And yet Snell knows how to bring all of nature together, to include humans, in a touching manner. For example:
DYING SEASON By the time our father bolted from his sickbed to squeeze the nurse's breast, we'd worked ourselves into a frenzy of waiting.
When he fell back on the pillow, He's sleeping, we whispered. He can't hear our words' mad buzz.
Outside, a dragonfly, transparent wings on a blue-tinged stick, hovered above a broken cricket dragging though the backyard thatch.
It rose up, sudden as a mind changing, and the room sagged with breath held against the last thing we wanted to see: a pair of wings escaping, the world left out of reach.
This is a collection of poems to be lingered over, like reminders of first views or experiences we usually keep to ourselves for fear that speaking of them will make them lost to us. Snell has captured these moments and we can only hope she will continue to write such tender thoughts as well as in MULTIVERSE. Grady Harp
"Multiverse" is a collection of poems inspired by science but grounded in the everyday, where a pitcher can strike out a seagull and newlyweds orbit each other like shepherd moons. The author is not afraid of the dark---she brings to light a disgruntled God, the death throes of a star, what occurs when a soul escapes a body. One of the early collaborations by the sisters Snell.
I really like this chapbook from MiPO. Both Snells' (author and painter) works soar in this lovely book. It was interesting to watch the movement of fear between the poems: first in the scent of violets, then to "Fight or Flight" and the heart's leaping, and the "Risk" with its phobias. A nervous and wonderful collection of art fused with poetry.
Thank you for sending me the recommendation! I so enjoyed the writings, and the art, was amazing! It piece went so well with the words, beside it. I am going to email the link to some friends. thank you again!