“Of course everything isn’t possible! Most things aren’t, actually. And of the things that are possible, most aren’t probable, either. The sooner you accept that, the happier you’ll be. I have no patience for wasting time pining over impossibilities. But that shouldn’t stop you from going for the things that are just possible.”
Wow. Hats off to Jeanne Roland for writing a 620+ page story that absolutely flew by. Many of the chapters are structured with an episodic flair that keeps the story gliding forward as smoothly as one of Tristan’s arrows! More than a few times, I found myself daydreaming about the alternate universe in which this book was turned into a tv series because it would be a great fit for one. A girl can dream!
Over 600 pages is a lot of time to spend with these characters, but they’re written so well that they continue to find ways to surprise you (Taran being a personal favorite of mine). There’s so much I could write about this story, but I’ll try to distill the main things that worked for me as a reader, as well as a few things that didn’t.
Like I mentioned above, the episodic nature of the story really works in its favor. I knew a chapter was going to be good when Marieke started out with something like, “I knew Tristan was crazy, but I didn’t know he was this crazy.” What proceeded almost always delivered, and you get to see Marieke and the Journeys in all manner of situations humorous, dramatic, and touching that really fleshes them out. We go a long way from her first impression of them as a “bunch of fops, thugs, and bullies.”
As part of their training at St. Sebastian’s, the Journeys have to compete in three competitions that end with two of them eliminated at each (as well as their squires), and you’re sorry to see them go. There’s never a moment when Marieke or Tristan feel too comfortable about their odds of succeeding, and the tension is high. They’re up against the best of the best, and their friendship and camaraderie is tested as they find ways to deal with each potential career-ending obstacle that manifests both on and off the field. And speaking of Marieke and Tristan…
I loved watching their bond develop throughout the book. As is clear from the blurb on the back, Marieke’s feelings for Tristan are more than platonic, but that doesn't detract from their friendship (though it does add a hearty dose of angst to their dynamic). But in truth, friendship–between all the Journeys–is really at the core of this story. As a squire in disguise, Marieke gets a once-in-a-lifetime opportunity to attend the premiere archery school in all of Ardennes, and she’s determined to make the most of it. She also gets the chance to form friendships with the Journeys that she wouldn’t have otherwise, and there’s a constant underlying thread of melancholy at the unavoidable truth that this can’t last forever.
And more than that, there’s another looming specter to contend with: Marieke can’t possibly go back to her old life after experiencing the world as a boy attending St. Sebastian’s.
“What would be possible for me as a girl, now? I could be a kitchen maid, if I’m lucky, or more likely, a drudge in a field. Even if by some miracle I could be a girl as privileged and lovely as Melissande, how could I stand to sit in the bleachers and watch the boys compete, when I’ve been out there with them myself?”
It's a really compelling situation, made all the more so by how well-written Marieke is. She’s not perfect by any means: she makes mistakes, has her moments of pettiness, nosiness, mean-spiritedness. But all of that is balanced by a good sense of humor, tenacity, stubbornness, quick-wittedness, and empathy. She’s had a lot of hard knocks in life by the time she’s only 15, and because of them, she’s become really good at rolling with the punches:
“Life is a shower of arrows. You just have to take them. But sometimes, you can find a way to survive even a mortal wound.”
Marieke’s easy to root for, and you really want to see her catch a few breaks. And she does. The highs are really high, and I could see (and hear) these cinematic moments of triumph in my head so clearly.
Now, all that being said, there are a few things that didn’t work so well for me.
Cue the subplot dealing with Marieke’s father’s murder. It wasn’t developed well enough in my opinion for something so central to her story. It’s mixed in with a political intrigue subplot, and it had a lot of potential, but even I ended up forgetting about it for long periods of time because the story forgets about it. Whenever it was brought back up, it was a bit jarring. I’d think, “Huh, that’s right. Marieke’s dad was murdered. Shouldn’t we be spending more time trying to suss that out?”
Marieke explains her lack of investigative initiative by saying she’s not ready to come to terms with or think about what happened to her dad, which I understand. But then later, she insists that revealing what happened to her dad is one of the main reasons she fled to St. Seb’s in the first place. I get what the story was trying to convey: Marieke herself is not even sure of her motivations at times. She's confused and overwhelmed. Even so, I couldn't help but feel this indecision was more of a convenience than an intentional choice, so that the story could spend more time focusing on the archery and relationship aspects.
With the slew of sudden revelations revealed at the end, things felt a bit contrived. The ending plot reveal would have made a bigger impact (and been more believable) if Marieke had made a more concerted effort to gather information on the sly during her time at St. Sebastian’s; she’s stubborn and reckless enough to do it. Yes, she’s heckin busy as a squire, but I think some of her shenanigans with the Journeys could have been swapped out for some sleuthing. Maybe I had the wrong expectations coming into the book, but I was a little disappointed with the way that played out. I’m excited (and hopeful) to see if it’s a bigger focus in the next book!
The other aspect that pulled me out of the story concerns some of the prose and dialogue. It’s very modern-sounding at times. Don’t get me wrong, Roland is a great writer, and if this was a novel set in a more contemporary period, I wouldn’t have thought twice about it. But it’s set in 14th-century Belgium. Obviously, it’s unreasonable to expect zero anachronisms in your story, and that’s not what Roland was going for, anyway. As she writes in her ending note:
“I have endeavored to avoid glaring anachronism in the telling of my tale whenever possible, and to present an image of medieval archery that is detailed and compelling. But I have also taken it as my guiding principle that the needs of storytelling should always trump the demands of strict historical accuracy, and so I hope I can be forgiven if on occasion I have stretched the truth a little.”
I absolutely agree with her there, and in my opinion, she largely succeeded at her goal. It’s just… really quite jarring to see words like “porn” or read phrases like “he scrolled through the list,” or “I literally couldn’t do it!” in a historical fiction like this. This isn’t a deal breaker by any means, but it did snag my attention.
Clearly, I really enjoyed Journeys, as evidenced by all my yappin (and I could have written more, a lot more). It gave me that bittersweet feeling you come to at the end of a great story, only soothed by the knowledge that there are not one, but two! more books in the series already published. During the last chapter, I had to physically place my hand on the page to stop my eyes from darting too far forward in my excitement, and the final sentence of the book is p-e-r-f-e-c-t. Roland found the perfect phrase to end the story on, no contest.
You should read it to see why :)