Four hour-long episodes of a story which sees the War Master escape from the Daleks by entering a universe similar to the Land of Fiction. Its effectiveness, or otherwise, relies on the listener knowing the works being subverted, which probably explains why two of these episodes worked for me and the other two did not.
The Wrath of Medusa – The first story in the collection is set in the world of Greek myth, specifically the myth of Perseus and Medusa. At least to begin with, this seems like it could have been a regular story with the Doctor, except that the Master’s motivations are different. That changes as things go on, with the Master ruthlessly changing things to get the outcome he wants and musing on the follies of heroism. It’s a less dark story than many Master stories, perhaps because so many of the characters are larger than life, but the body count remains high. The strongest story in the set, here the Master is antihero rather than villain, and much of the fun comes from the twisting of familiar tales. 4.5 stars.
The Shadow Master – Next we move to something that owes more to Hans Christian Andersen, albeit one of his more obscure later stories. It’s mostly narrated, and so may appeal to those more used to regular-style audiobooks than I am, but arguably also suffers from the unfamiliarity of the original. To be fair, that is addressed, with a summary of the original plot, and the point here is that the Master is dealing with the issue from a much earlier stage than the original protagonist. But what we end up with, beyond musings on literary inspiration more generally, is a choppy story with a relatively uninteresting viewpoint character that serves as a bridge from the mythic starting to the Victorian fiction of the later episodes but that, while it just about works, does little on its own. 3 stars.
The Adventure of the Deceased Doctor – The third story is based on the Sherlock Holmes stories, and is told primarily from the perspective of Doctor Watson. The meta-fictional nature of the narrative naturally leaves it feeling quite unlike Conan Doyle’s actual works, but here, the characters and setting are familiar enough that that isn’t an obstacle. For the most part, we get a fun pastiche of the originals, although there is one pointlessly gruesome scene that seems intended purely for shock value. The plot twists and turns, and, while you’re never in any doubt that the Master is the villain, quite what he’s up to doesn’t become apparent until towards the end. 4 stars.
The Master of Dorian Gray – Unfortunately, for me at least, the final story in the collection really doesn’t work. The inspiration is, of course, obvious, but without a reasonably detailed knowledge of the plot and characters of the original, the fact that they’re being subverted isn’t apparent. Quite possibly, if you do have that familiarity, the plot turns in this will be more effective than I found them, but I ended up more confused than anything else and the ending felt unsatisfying. In fact, while I think I understand what the Master was trying to do, it was not terribly clear how he was trying to do it, or what the point of the story was, since it just ends without doing anything with the larger concept of the collection. 2 stars.