A book for everyone about a book that is for everyone
I struggle to state how much I enjoyed this book. But I’ll try. Where I fail I’ll at least try to explain what the book is and why I think you should read it too.
I’ve skirted around Barth for several years now. I was introduced to Pauline Studies by Douglas Campbell (Who writes one of the essays in Part 4 of this book). I didn’t realise how influenced Campbell was by Barth, and in turn then how influenced I was by Barth. This makes sense now of why I then find myself liking theologians like Hauerwas and his friends. However, I never read Barth (stupidly) because someone in undergrad told me he was a Systematic Theologian. Ironically it was my Barthian teachers who convinced me that God wasn’t systematic and as such I then didn’t read Barth.
Lord have mercy!
A colleague changed my mind on this, after I completed my doctoral studies, by constantly quoting Barth and saying things I deeply agreed with. So I started to read Barth. But mostly his small books and sermons. To use Folsom’s metaphor throughout Church Dogmatics (CD) for Everyone, I skirted around the mountain that was Barth’s monumental Church Dogmatics, but lacked the proper guide to begin the hike to the top. I knew that I’d like CD, I wasn’t sure I’d understand it.
Folsom’s Church Dogmatics for Everyone (vol 1) is that guide that I was looking for. Not only has it confirmed that I personally should read more Barth, but that we all should if we are serious about Jesus. The gift that Folsom offers us here is a book that not only shows that Barth is for everyone, but that in this book maybe everyone can read Barth with Folsom as their guide.
The book is explicitly aimed at everyone - from theologians to ordinary church people. I think it offers something for everyone. To be frank, I’d be willing to give a book like this to a thoughtful atheist or skeptic on faith. I’ve also used it to frame discussions with children.
CD for Everyone is essentially divided into three sections, each wonderfully helpful in their own way. The first section is part one. Here Folsom orients you to CD. What is this 9,000 page, 13 volume, 6 million word thing that you are considering reading? Using some helpful metaphors, Folsom revisits CD repeatedly over 7 chapters offering new levels of detail on each pass - think about repeated snap shots of a mountain but beginning in space and ending up eventually at the trail head to hike said mountain. Each of these chapters now boast multiple bookmarks as they offer helpful graphs and outlines to serve as your map for CD. This section alone is worth the price of the book and I imagine many people feeling a sense of the possibility of reading CD after these short 7 chapters.
The second section consists of part two and three, divided helpfully into a focus on CD 1.1 and CD 1.2. The depth and insight here is outstanding. Highlights abound as Folsom tracks alongside Barth’s work. Those who have attempted Barth will know that in reading a translation from German that is now dated, combined with Barth’s sometimes overly verbose prose, can make understanding a lofty goal. Folsom allows you to read and understand quickly. There’s too much excellent content to offer a review of the actual content of these sections, but the outline that Folsom chooses for each chapter is worth mention.
Each chapter in parts 2 and 3 focuses on a particular paragraph of CD 1.1-2 (Barth’s paragraph and chapter structure is helpfully explained in Part 1 - even upon understanding it one is drawn to say a short prayer for Barth’s original editors and publishers.) Folsom then introduces each chapter with a Bold-printed focus statement to orient you to the focus of this chapter in his book. You are then given an introduction to the paragraph followed by a context section that reminds you that you are reading a book about another book. The context section locates you within CD - right down to how many pages Barth’s paragraph occupies, and the page numbers, which allows you to read alongside CD easily. He also overs a breakdown of the subsections of this paragraph. Following this you are offered another bold print statement, but this time it is Barth’s paragraph itself which is reproduced - the opening summaries that you find in CD. Folsom now presents his summary of this paragraphs section from CD. Following the substructure of CD you are offered very clear, extensive summary and details of what Barth is doing. Sometimes this is almost a bulleted list, sometimes fuller paragraphs reflecting the necessary way of summarising Barth’s style. Folsom writes this section so well it is hard to remember that you are reading Folsom and not Barth (he helpfully clarifies when he’s quoting verbatim). After this you are offered a commentary on the paragraph and contents. this is generally presented as a sequence of thesis statements. Then you have four brilliant contributions to each and every chapter with four sections the purpose of which is understood clearly from their titles: “Conclusion for the Church”, “Insight for Pastors”, “Insight for Theologians”, and “Clarifying Questions”. The quality of reflections here match the quality of the rest of the book. My confession as someone who preaches regularly is that I often wanted to simply export the clarifying questions into my Sunday sermons (Sidenote: This book should be essential reading for preachers - if it’s not apparent, Dogmatics is hugely taken up by the concern for what is said to the Church).
Finally in Part 4, the third section of the book, Folsom hands the keys over to experts from other fields to offer short essays on their perspectives on the worth of CD 1 for their field. Biblical Studies, Systematics, pastors, Mental Health, Spiritual Formation, and the Sciences all have a chance to reflect on this text. Each of these are worthy additions to the book, but I want to draw particular to two of the essays. Julie Canlis’ wonderful reflection on the value of CD 1 for Ordinary people is fantastic. Using D. F. Wallace’s “This is Water” metaphor she shows why reading Barth isn’t beyond the person in the pew. I would say this essay best supports the goal of the book of convincing the reader that Barth isn’t just accessible but necessary for the ordinary Jesus follower today. Similarly, Steve Guthrie’s defence of the value of Barth for Artists is a wonderful read. Barth is not often perceived as friend of artists - especially with his penchant for dogma and dismissal of natural theology. Using Manly Hopkins’ famous “Christ plays” poem, Guthrie shows how we are better positioned as theological artists if we listen to how Barth unpacks the revelation of the Trinity to us. You don’t need to read part 4 to understand Barth, but think of it as a wonderful bonus to this book. The multiple perspectives will help your reading of this book and Barth.
The best thing I can say about this book is that I was genuinely sad to finish it. I read it as slowly as possible - not simply to try and reduce the gap between this and the second volume’s release some months from now, but because I wanted to really reflect on what it was opening me up to. I’d happily recommend this book to anyone even remotely interested in Jesus that was open to seriously thinking about him and the world.
In sum, in my opinion, Folsom shows that not only can he write a book on Barth for Everyone, but that Barth’s Church Dogmatics are for Everyone.