This is a strange book. Through the twelfth chapter the lead character, Rachel Hatch, isn’t much more than a secondary character, and one who is acting outside her own set of values as developed in the previous eight books. She’s dishonest with herself and with those around her. She’s indecisive. She freezes during a kidnapping. She runs away from danger. She dithers. This is not the Rachel Hatch we’ve read about previously.
We know from previous books that Rachel Hatch isn’t very good with personal relationships. Here, she can’t make up her mind between Alden Cruise and Dalton Savage and she’s keeping both men at arm’s length and balancing in the wind. She can’t make up her mind; she dithers. The Rachel Hatch in previous books doesn’t dither. Her love interests have always taken a back seat to the suspense that permeates each book. Here, they are neatly wrapped up and packaged for dismissal. While Hatch has no one to blame but herself, I find myself sorry for the way she is depicted in this book.
There is a disturbing scene where Rachel Hatch hears an alert about an oncoming tsunami, and she runs away. What!? The Rachel Hatch in previous books wouldn’t be running away. She’d be facing the situation and helping people in its wake, especially when she is in the home of Graham Benson’s widow. Surely Hatch would want to help Benson’s widow rather than “make a break for it” and running off? And what happened to the tsunami? In chapter 7, there are dire warnings on the television and sirens going off. Later, in chapter 14, it’s business as usual, and there’s no mention of the tsunami. This is a good example of “Chekhov’s gun,” where something is introduced on one act (or chapter) and is never seen again. Of what use is it?
She’s also way out of character the way she behaves during a kidnapping. She had so many choices and we’ve been privy to her actions under pressure for eight previous books. Here, she doesn’t want to shoot the driver of a getaway van, but rather than shoot out a tire or some such, she freezes, another first for the Hatch character.
Still another disappointment is the way Cruise misbehaves with Hatch. She could have stopped a kidnapping from happening but chose not to. Cruise jumped all over her, just a few chapters after telling Rachel he wanted them to quit their jobs and go open a diner somewhere together, thinking of a happily ever after with her. What a faithless love. No benefit of the doubt is offered to Hatch.
The town where most of the action takes place is spelled Fair Haven and Fairhaven, within a page of each other. There are other areas in the book that could use a good proofreading. Most errors are not horrible, but a proofreader would have found them, I expect.
The felons who perpetrated a kidnapping “were both hooded, so their faces were not easy for Hatch to make out.” If their faces were hooded, then their features couldn’t have been seen. Two paragraphs later, we read, “There was a grim look of determination and aggression on his [one of the kidnappers] face.” How could Rachel Hatch see through a hood?
I rated this book 2.5 stars and rounded down. This book reads as if it had been written by someone else. The style is different. The care that is evident in previous books, regarding both plot and characters, is missing here. It was disappointing and the ending isn’t worthy of any of the characters involved. I have enjoyed this series so much and I am genuinely sad that I’m not going to continue with it.