“How long till we get to Hellstone, Daddy?” (Location 87) In this flashback scene, Percy Denton’s mother corrects him in that the proper name of the town to which they were headed was called “Hailstone.” Yet, by the time one is halfway through with this Comixology Original graphic novel, one knows that Percy’s “error” was entirely too true. Hailstone: Volume 1 reminds me of Joe R. Lansdale’s The Steam Man or one of his Jonah Hex stories for D.C. And I don’t know if it was a typographical error for “Dear God” when faced with a monstrosity, but “Dead God” in Location 89 was, at least, Freudian for this type of story.
The narrative of Hailstone: Volume 1 begins on a forest path with a frightening disappearance. One quickly discovers that the disappearance is only the latest in a series of mysterious disappearances. Sheriff Denton is the protagonist who is both haunted by nightmares of his own missing son, as well as confusion as to why the commanding officer of the local army post/factory is so uncooperative. Slightly more than halfway through the volume, one discovers the horrific secret behind both the disappearances and the military man’s reticence to help in the town’s crisis. Woven in between the town and military outpost situation is a series of Native American scenes which seem to indicate unfinished business. But one can be assured that the unfinished business will be dealt with before the end of the graphic novel.
Despite a significant amount of violence in the resolution of the story (some of it predictable, but foreshadowed subtly and appropriately), the story ends with a marvelous sentiment regarding peace and what it takes to put an end to violence. However unattainable the ideal is (Location 118), the key to resisting those whose only goal is power and more power is certainly the only possible hope for humanity.
As is typical in many graphic novels, the back matter is filled with concept art and behind-the-scenes presentations. I particularly liked “The Making of a Comics Page” (Location 120) but I was not disappointed in the character studies/concept art (Locations 121-124) or the colorful Cover Gallery (Locations 126-132) in the least.
If I were in a comics shop (although my friendly neighborhood shop with the extremely erudite and friendly proprietor shut down several years ago), I might have picked up a physical copy of Hailstone: Volume 1 (if such were published) just on its resemblance to The Steam Man (even though it is not steampunk by any means). It certainly eliminates any sense that these Comixology Originals are inferior to Marvel, Dark Horse, Dynamite, and D.C. Fortunately, I was able to read this courtesy of an Amazon promotion, but it was as good or better than some comics I’ve purchased for download.