I'll preface this by saying that I'm not Christian in the slightest. In fact, I bought this book because someone in some fandom or another was chatting about it and I just had to know. Nevertheless, I am confirmed Presbyterian and I have read the entire Bible (yes, the whole thing) and done Bible studies and have gone to Bible camp, and have a decent understanding of Christian theology and lore. I've also been reading for a long, long time and the bulk of my own writing work is based in the erotic and the taboo. That is to say that my mind is in the gutter and some of my interpretations of events in this book might be colored by that.
Full disclosure: I stopped reading after Chapter 6, but I did make notes and marginalia inside the book so I will be basing my review on the notes that I made up until that point.
The prologue immediately struck me as odd. Particularly two statements that occur back to back. Context: Our main character is a child and a gruff sailor gets down on his knees and receives a kiss from her. In a little bit of head-jumping, we get his perspective here and it was a little...weird. "The innocent peck always made the sailor blush. He almost felt ashamed to receive such affection from an innocent child." My immediate reaction was...why??? The next line clears this up: "He was dirty, done dirty things, and yet here was a pure child who loved him without hesitation." My impulse was to read this as an odd fascination (fetishization? [not inherently bad but out of place in a "Christian" story]) with the purity of youth and the impurity of a grown man. As many of us have learned from the Marquis de Sade, sometimes the disgust you feel for something is part of the allure...
The rest of the prologue was relatively uneventful and set up a lot of the expectations we could bring with us for the rest of the book: unreliable narrator, head-jumping, emotional whiplash, conceptual whiplash, general confusion, and insufficient narrative build-up/pay-off.
The inconsistencies and faulty logic of the narrative were rampant. If we do the math correctly, Emma, our FMC, is 19 years old but refers to other characters as "Adults" and she mentally seems to relate to young children running and playing. She is an adult. I think this is where some of the critiques come from when it comes to people accidentally believing that there's an age gap between Emma and the MMC, Liam but there's actually no significant age gap at all. It's just that Emma is ridiculously childish.
In fact, Emma's characterization is more than just childish. She's depicted as practically psychopathic. She has an inexplicable fear of men based on nothing (that we know of) that revolves around fantasizing that they'll commit violent sexual atrocities (this magically doesn't apply to the only guy she hates in the narrative, conveniently the MMC), she fantasizes about causing men pain, she pinches the MMC, she consistently disrespects authority, and she displays random bouts of rage and oscillates between tactless arrogance and meek anxiety. Her inappropriate laughter, lying, intrusive thoughts, and inability to properly prepare for expected outcomes all lead me to recommend a very very very highly-paid psychologist and maybe some Thorazine. Overall, she presents as profoundly unhinged. There's an instance in which she's being sassy toward Liam and states, "Oh, we women cuss. We just don't say so in front of men [...] otherwise, we might shake you men's sensibilities." A very interesting bit of dialogue for a girl who literally cannot interact with men without thinking about being raped and who throws up at bad news. Her inconsistent emotions and bizarre characterization make her sound scary.
Liam, our MMC and stand-in for Kylo-Ren (complete with scar on his face), is equally unhinged, mentally comparing drinking alcohol to molesting children while also having conflicting intrusive thoughts that make it almost seem like God is talking directly to him which was a little jarring. Similarly jarring is his insistence in Chapter 6 that his sister could not be seriously injured because "God wouldn't do that" when, as we all know by now: God let his other sisters experience horrors beyond comprehension and God invented childhood cancers...so... Anyway, I digress. He's a warrior who's afraid of blood and viscera, he's never hurt a soul in his life, and he's boo-hoo traumatized to the point where when his sisters go off to live their own lives, he acts as if they're abandoning him because he somehow failed them. They're your sisters, not your wife, buddy. This man desperately needs a serotonin reuptake inhibitor and he also needs to learn how to flirt with a woman because how he does so toward Emma is appalling. It's not flirting, it's negging, and it's inappropriate, unacceptable, and extremely ungentlemanly.
The lore and world-building is confusing. Magic exists but there are no definitive rules for it. "Magi" are a thing and so is prophecy despite both of these classically being prohibited from Christian theological histories. In fact, one of the secondary characters, Summer Eyes, is definitely going to the fourth Bolgia of Malebolge (Dante's Inferno reference for you) and her head is going to be twisted backward for all eternity. There's a reference to the story of Jonah and the Whale from Biblical histories which opens up a huge can of worms here because actual Christian lore exists in a completely made-up fantasy world. So what about the real-life actual place where Jonah lived? What about Jesus? Was Jesus still born in Bethlehem? Where is this fantasy map in relation to Nazareth? How does magic's existence alter the ways in which Jesus' miracles are perceived? What time period does this story exist within and...where are all the Jewish people? Was Jesus a Magi? Are there church services anywhere? Is magic bestowed upon certain people by God? If so, what made Jesus identifiable as His son? What is the difference between magic and miracle?
Anywho, the whole first six chapters are littered with spelling errors, grammatical mishaps, and bizarre inconsistencies. I can't really give you any spoilers because there's nothing to spoil as Emma and Kylo--I mean, Liam, are just being whiny little directionless babies. You wanna read a trainwreck of a book? This one's for you. I really do hope that Abigail keeps writing because there's really no way to get worse than this so she can only go up from here.