This BFI Film Classics study of Tokyo Monogatari / Tokyo Story (1953) reveals the making, meaning and legacy behind Ozu Yasujiro’s masterpiece.
Ozu's moving family drama is universally acknowledged as one of the most significant Japanese films ever made. In its complex portrait of human motivation and lively sense of social space, it offers a profound and poignant insight into the generational shifts of post-war Japan.
Alastair Phillips provides an in-depth analysis of the film and its key locations - the city of Tokyo, the town of Onomichi and the coastal resort of Atami - with a discussion of its representation of Japanese society at a time of great cultural change. Drawing upon Japanese and English language sources, he situates the film within various contemporary critical and industrial contexts and examines the multiple international dimensions of Tokyo Story 's long after-life to understand its enormous contribution to global film culture.
I’ve read a number of books in this series, and this was one of the best so far. If I were rating it only against other books in the series, I would give it a 5. It is very insightful regarding the director’s intentions and feelings about the film, and about the techniques he used to fulfill those intentions. It very much enhanced my understanding and appreciation of this wonderful film.
Such a great read! I love how the production notes are intertwined with national and film histories, and tying in anecdotes and thoughts by Ozu himself and those close to him. The visuals (photos, film stills, posters, and other media coverage) complement the analyses about the city, the house, and societal changes in postwar Japan.