Usually I like to review books based around a summary of their plot, but as the title of this story is called 'Remembrance', I'll offer up some thoughts that feel a little more in keeping...
Though he'd long held an iconic – and in some ways almost mystical – status among Canadian writers, Alastair MacLeod really appeared on the radar for most readers in 2001 when his only novel, 'No Great Mischief', a quietly towering, multi-generational treatise on tradition and family ties, won the prestigious IMPAC Dublin Literary Award.
By that stage, he was already one of my small obsessions, had been from the day, some time in the early '90s, that I happened across a collection of his short stories while browsing the shelves of Cork City Library.
It was the title, a six-word poem: 'As Birds Bring Forth The Sun', that not only grabbed me but knocked the breath from my body. Knowing nothing about its author, I sat, started to read, and happily gave up an entire afternoon of my life to those pages. Then I took the book home and read it again and again, peeling back layers, pouring over the seamless sentences and losing myself within their rhythms. And two qualities stood out for me above all else: a sense of place that was absolute, and an utterly authentic voice. No one can read Alistair MacLeod's stories and not believe them.
At that point, I had already begun to write, though without any confidence or direction. His stories were a revelation. They read almost as memoir and had what Hemingway's stories had: an unwavering and indisputable truth, a sense of having been quarried from stone. Cape Breton was MacLeod's world, and the world of his people all the way back to the Highland Clearances, and it insinuated every pore of every word he wrote. But even though he kept his horizons close, the innate honesty of his work, and his relentless weighing of the human heart, ensured that it would always transcend the specific. His were the stories of people everywhere.
In 2010, I was invited, as part of a small group of Irish writers, to attend the 11th International Short Story Conference, being held that year in Toronto. My first question was whether or not Alistair MacLeod would be there. The answer was a thrilling yes.
Meeting our idols can often disappoint. Often, but not always.
On the afternoon of my reading, in a York University classroom, he was part of an audience of less than two dozen people. I attempted to pour a glass of water but was shaking so hard with nerves that I put ice everywhere. When I looked up from my book, his was the first face I saw, looking back at me and smiling ever so slightly. Afterwards he sought me out and told me how much he'd enjoyed my story, and though my natural insecurity insisted that I put his kind words down to politeness and even pity, I still felt immensely grateful, and proud.
And then, little by very little, I got to know him.
He was multiples of everything I had imagined he would be. Shortish, stocky and ruddy cheeked, decked out in a flat cap and with the Order of Canada, his nation's highest civilian honour, pinned proudly to his lapel, he was a man of gentle and generous nature, easy with stillness and easier still with smiles, a man whose voice when spinning some yarn held all the softness of a sigh.
Today, his vaunted reputation rests on a single novel and two books of stories, 'The Lost Salt Gift Of Blood' and the aforementioned, 'As Birds Bring Forth The Sun'. Following his IMPAC win, both collections were combined, along with two new stories for a sum total of sixteen, in a volume called 'Island', which should be essential reading not only for anyone with ambitions towards writing, but for anyone with a heartbeat.
In a career spanning nearly fifty years, he was anything but prolific, yet the precision and musicality of his language, and the wholeness and assurance of his vision, ensured that there was not a single missed note anywhere in the work. Few can boast as much.
Following on from that first time I met him, I had the immense pleasure of interviewing him by phone, an interview that I was doing for the Irish Examiner and which turned into a long, long chat about stories and books, of the sort that I'd hoped would never end. Our paths also crossed twice more, on both occasions in Cork, both for me memorable beyond easy words. The last time, months before his death, he gave a lovely reading from a new work, 'Remembrance', the seventeenth story he'd written and his first in over a decade. Though it's really a long short story (and is most easily accessed as an ebook, through all the usual outlets), it has the density, girth and quiet subtlety common to a lot of his best work and carries the sense of being something greater than its size. It's also a beautiful, poignant tale of war's aftermath, about how the present is always shaped by the past, and stands a most fitting closing note to a perfectly pitched career.