Lucy Mackintosh’s Shifting Grounds is a hyper-localised history of three significant sites within Auckland city. The first of these is Pukekawa, or the Auckland Domain; the second Maungakiekie, or One Tree Hill; and the third is the Ihumātao Peninsula and particularly the Ōtuataua Stonefields within. In each site, she considers its ‘deep’ history, looking at the ways the land has been utilised by different groups of people throughout time. A detailed investigation of documents, pictures, and archeological evidence supports the claims that she lays out throughout this document. The book appears to have been an extension of her doctoral thesis, though it is by no means dry or pedantic for all that. In fact, if anything, the text feels light, fluid, and companionable. This could be read by absolutely anyone and they’d all get something out of it in my opinion.
There is also a memory studies dimension to this text, where Mackintosh considers how, of these diverse uses, some as more prominently inscribed and emphasised on the current-day landscape than others to form a collective understanding of these sites that reflects what Raymond Williams in cultural studies would call a ‘selective tradition’. This is an idea that has caught on in a big way more recently in New Zealand and is increasingly as well an interest of my own. As a born and raised Aucklander it's hard not to feel a bit nostalgic, even a bit abashed, at the fact that I have been through many of these places hundreds of times without a consideration of how they came to be. So many of the odd features of our landscape — Maungakiekie’s Egyptian obelisk or the quaint English tearooms in the Domain — are normalised by their total familiarity. As I was reading this, so many small things suddenly struck me as alien and hard to reconcile with their surroundings. I honestly think that for many people this book could be transformative in the way it allows them to see the sites around them with new eyes and appreciate the way that history is not all distant events but also something inherent to our contemporary landscapes and the dirt under our feet.
As an aside, has there ever been a Bridget Williams Books book that hasn’t been absolutely worth the price of admission? I can’t really think of any other publisher in New Zealand as consistently excellent as this one. I think this book, one of their recent offerings, is an absolute excellent hit. Highly recommended.