I should start this review by noting that I came into Phantom Heart with insanely high expectations. The Nevermore trilogy is one of my absolute favorite series, so when I heard Kelly Creigh was tackling a retelling of one of my favorite musicals, I was ecstatic. (I know Phantom of the Opera was a book first, but it’s a musical first and foremost for me.) That level of care and attention to detail, applied to Phantom? Yes, please! Still, I tried to temper my expectations leading up to the release of Phantom Heart - and for the most part, I think I succeeded. I didn't go into it expecting anything more than a good book. Even so, Phantom Heart, well–
It actually gets off to a really good start. I adored the first act; it was everything I expected from a Kelly Creigh novel and everything I wanted from a Phantom retelling: lush, Gothic, a bit swoony, a bit dark. For the most part, I enjoyed the book's last act as well, for all that it felt a bit rushed. But the middle...I'm not sure I've ever gone from loving a book to being tempted to DNF quite so fast.
Gothic Romance or Haunted House Horror
I went into Phantom Heart expecting a Gothic romance of some kind - a fair expectation in a Phantom of the Opera retelling. And at times - primarily the first and last act of the book (aka the parts I enjoyed) - it is that.
But there are also times where Phantom Heart loses almost any semblance of being a Gothic romance and devolves into something like straight horror (of the haunted house variety). I'm generally not a horror fan, so the whole haunted house/paranormal investigator sh** was not interesting to me. At times, it was even off-putting. (And the fact that Zedok had chapters in here that were basically him calling Lucas and co. idiots for their paranormal investigator methods didn't help anything).
Do We Have to Have a Love Triangle?
Look, I know Phantom of the Opera is a love triangle and all, but do we really have to have a love triangle? Cause the thing is, Phantom Heart would have been so much better without one.
For a lot of Phantom Heart, it feels like the book is too focused on the idea of the love triangle to actually develop Stephanie's relationship with either boy. It felt like the basis of both relationships, for long stretches of the book, was just basic lust/physical attraction (which isn't enough to build a compelling love triangle on, for me).
In terms of the two love interests-
When Stephanie and Erik spent extended periods of time together (primarily in the last act), I could almost see the romantic connection between them. The initial spark was there, and with a bit more time/attention, I think it would have burst into the flame of a great love story. As it stands, the intensity of their relationship in the climax of Phantom Heart feels kinda abrupt; they needed more time to get to (and show to the reader they've gotten to) that level of care for each other.
As for Lucas...Lucas sucks. (No real surprise there, given that I generally hate Raoul in Phantom of the Opera.)
Okay, so Lucas isn't actually completely terrible (though he's definitely got some characteristics that grate on me, especially as the book goes on). But a lot of my least favorite aspects of Phantom Heart stem from Lucas and his friends - the whole paranormal investigator/haunted house horror thing, a lot of the ultimately pointless detours from the plot (ex. Lucas' dance competition) - and honestly, I think the book would have been a lot stronger if Lucas and co. had been a less prominent part of it (the way Raoul honestly isn't a prominent part of Phantom).
(Also, there's a really uncomfortable undertone of ownership to the love triangle. There's definitely an aspect of that to the original Phantom, but I was expecting it to be lessprominent in a modern retelling, not more.)
A Missing Heart
Phantom Heart is a great Phantom of the Opera retelling in the sense that it hits plenty of familiar scenes/plot lines from Phantom - the falling chandelier, the boat ride, the duel in the graveyard - but it feels like it's missing the heart of the story.
What is that heart? I couldn't honestly tell you. All I know is as much as Phantom Heart looked like Phantom of the Opera, it didn't really feel like it.
(Probably the biggest place I felt the absence of Phantom's heart was in the relationship between Stephanie and Erik. I feel like so much of the relationship between Christine/Phantom is about their shared passion for music and what they give to each other. They elevate each other and, in some sense, act as a balm for each other's loneliness. And that...depth and consequence and heart just isn't really there in Stephanie and Erik's relationship.)
Misc. Thoughts
- The writing is clunky/inconsistent at times, especially in terms of how modern it sounds. It's also melodramatic in places. (There's a fine line between something being sweepingly Gothic and being ridiculous melodrama, and Phantom Heart periodically fell on the wrong side of that line.)
- It kind of feels like Stephanie loses her agency - or at least her role as the story's primary driving force - somewhere in the middle and never entirely gets it back. She's pretty passive/reactive in the back half of the book.
- Interestingly, a lot of the supporting cast of Phantom of the Opera seems to be absent from Phantom Heart. That's not necessarily a bad thing, but it's interesting to note that from as many characters as Phantom Heart has, I can really only map our three POV characters onto characters from Phantom.
- There are some really fun little nods to Phantom of the Opera - things like Lucas' last name being Cheney, which is pronounced very similarly to Chagny (i.e. Raoul, Viscount de Chagny - the character whose role Lucas fills).
Overall
I didn't like Phantom Heart nearly as much as I was hoping to - but I ended up liking it a lot more than I expected to in the middle of the book. It's far from a perfect book, but it ends up being a decent one (for all that it struggles to find a satisfying balance between its various elements/genres).
Will I read Phantom Heart again? Eh, probably not. But I most likely would read the sequel - if there is one.
(It's unclear, right now, if Phantom Heart is intended as a stand alone or as the beginning of a series. Goodreads has it listed as Phantom Heart, #1, but doesn't actually have an entry for a sequel and the book itself ends in such a way that it stands perfectly fine on its own - though it also leaves enough open that a sequel isn't out of the realm of possibility.)
3.5/5