A solid autobiography, which felt honest and insightful.
At times, especially when describing his childhood it felt a bit like one of those look back documentaries as Matthew / Harry gave us some colour about the decade, historical context and various parallels and contrasts to todays values, especially in relation to the easy and safe world children experience growing up in todays world. His personal insights chronicling his path into medical school, practice and professionalism were one of the main reasons I wanted to read this, to find out more about the man under the oversized collar. His childhood obsession with explosives and fire forming his interest in chemistry and science, his introduction to the drama club while studying to become a doctor were excellent to read. Forming a double act doing medical based routines before moving away from the science link and discovering his solo surreal voice. There were some brutally honest tellings of his internal thoughts and anxieties whilst a doctor, being on call, panic in-front of patients relatives, incorrect information being delivered, admin errors and very often the wrong tone of voice. The anxieties coming back when he put himself forward in lockdown when he volunteered to help out and return from retirement to the medial sector in a time of crisis.
His rise to fame and the comedians he lived with, performed with and admire are all represented with a plethora of insightful anecdotes. His experiences at the Fringe and observations on how the festival has changed over the years were great. He also gave a surprising amount of attention to exposing his writing process, analysis of his and other comedians show structures, and of the various TV programs he was in. I find these parts the most interesting, as a lot of writers / comedians aren’t willing to disclose this.
The section about TV Burp was a highlight, as I always wondered how hectic and stressful it was for Harry and the rest of the writing team to sift through so much content, find things to riff on and make it funny.
His exposure of the pressure from TV bosses, the ratings battles, new show commissions were eye opening and showed it to be a roller coaster of stress, relying a lot on luck but constantly on the precipice of failure, often with no relation to the quality of the material. It covered the vast majority of his career that I’m aware of and then some… although other than a sentence or two it was strange that nothing was mentioned about You’ve Been Framed - I don’t known if there was a contractual clash, or perhaps a conflict with someone hence not mentioning it?
I don’t think I knew about his work on the X-Factor musical, which although I’m not a fan of the original show I think I would have found it to be one of the rare examples of me enjoying a musical - when it’s lampooning something else. The story of its development, seeing approval from Simon Cowell and in-jokes sounded very witty.
Listened on audiobook, read by Harry. It felt surprisingly short and I would of been happy for this to go into more detail, which I suppose is a good thing.