In Abigail, Daemon does an excellent job in establishing the characterization of Adrian Billard right from the onset. From his “fastidious” childhood, including his penchant for organizing his personal belongings, to becoming an adult, as part of the gay community through the Del Monico bar in Venice, Daemon clearly defines who Adrian is, which plays a part in the sequence of events later in the story.
After a date with a doctor that he initially thought stood him up, Adrian goes home to find an object on his doorstep, the eventual discovery of a baby in a two-foot long, oval-shaped wicker basket. Daemon masterfully writes this scene, using Adrian’s misconceptions as an exploration of his fears.
This is no ordinary baby. Little details, like the lamella-like scales, reptilian pupils and violet eyes make this a standout character.
The reader learns very little about the parents save for a handwritten note. So, Adrian attempts to take care of the baby. A feeding of two percent milk causes an unhappy effect all over the dining room table, floor and his clothes.
The baby brings about reactions that Adrian is unaccustomed to. A delivery driver with condemning looks shifts into a complete personality change. The baby brings about an eventual transformation in Adrian as well; disheveled hair, unshaven face, and wrinkled and carrot-stained shirts demonstrating a lack of his previous fastidious nature.
By the end of the book, taking place in a doctor’s office, the reader learns the true identity of the baby. By then, the baby has already taught Adrian an important lesson about accepting others no matter the sexual orientation or even different species.
A lesson the reader won’t soon forget.
The narrator provides just enough commentary, which gives some insight into not only living a gay lifestyle, but also details past encounters with less than tolerant people.