I really enjoyed this. It's got a remarkably amusing set-up hidden in a joke: Amelia gets into an accident while she's driving a U-Haul to move in with her girlfriend, a girlfriend she hadn't been dating that long.
With her cat.
The paramedic, Finn, who responds helps her stay calm throughout the realization of a badly broken leg/foot, and through the stay in the hospital and heading home to live with her grandmother for a while—because her girlfriend doesn't even come back from New York to help her, and lives at the top of a three-storey building with only stairs.
What follows is sparks, attraction, both women realizing Amelia has to figure out what she might want with her original girlfriend (which doesn't take too long, happily, given said first girlfriend is quite literally just the worst, but in a way Amelia has to admit is a great deal her own fault), and then deciding how honest to be with each other about their developing feelings for each other.
I would be remiss in not mentioning the spice here, because holy-heck these women spark, spark well, spark often, and Rey and Clevenger deliver. I totally bought their connection from step one, and then when they got to bed with each other, it shifted them both into a vulnerability that really worked well. They let sex take the front-seat, rather than thinking much through, and letting themselves get caught up in their own heads.
That brings me to the only bump for me in this otherwise really enjoyable audiobook—they don't use their words, and then use the wrong words, then both misinterpret each others words. It's all in-character, it's a Romance staple, it's 100% done well, and it's also just a traditional part of romance that I often struggle with. I don't like when characters don't speak like adults. I really, really found Amelia frustrating on this level (and to a lesser degree, Finn), but like I said, it all lands perfectly within character, and it's a quirk of my reading enjoyment, not a condemnation of the book. I will always prefer external crisis moments to internal-between-the-characters issues (especially ones they literally just need to talk out).
One other tiny quibble: I've done serious physiotherapy (albeit my arm, rather than leg). I have had a broken leg, too, and blown a knee. While I can't say that Amelia doesn't mention having pain or fatigue a few times in the book (while she's in her cast, most specifically), thereafter we are told she's got physiotherapy to face down—but then we never see her go to a single appointment, nor any side-effects from doing so. Physiotherapy is exhausting and painful. But Amelia is back at work and doing her thing, having great (and often athletic/upright) sex, and never even mentions pain pills after her cast comes off. I get that recovery isn't romantic, but it felt like a set-up—physiotherapy was going to be a big deal post-removal of her cast—that just got dropped, and since I've been there, it struck me as an odd choice. I also like "caretaking" as a love language, so it felt like a missed opportunity.