Num vilarejo na Sicília vive tio Simone, um homem em idade avançada e em segundas núpcias, que tenta há anos ter um filho, sem sucesso. Lá também vive Liolá, jovem de hábitos “livres”, pai de três crianças de diferentes genitoras, das quais cuida com a ajuda de sua mãe, Ninfa. O destino desses dois homens se cruzará graças à Mita, pretendente que fora desprezada por Simone e que se envolve com Liolá para chamar a atenção daquele que a desprezou.
Luigi Pirandello; Agrigento (28 June 1867 – Rome 10 December 1936) was an Italian dramatist, novelist, poet, and short story writer whose greatest contributions were his plays.
He was awarded the 1934 Nobel Prize in Literature for "his bold and ingenious revival of dramatic and scenic art"
Pirandello's works include novels, hundreds of short stories, and about 40 plays, some of which are written in Sicilian. Pirandello's tragic farces are often seen as forerunners of the Theatre of the Absurd.
Dopo aver letto 'Liolà' con un po' di perplessità (scusate la rima) ho seguitato la lettura anche di 'Così è se vi pare' e Pirandello come sempre non delude per l'imprevedibilità dei suoi personaggi e del filo caotico delle sue trame, che come funamboli danzano sempre sull'orlo del baratro, oscillando tra la follia e la realtà.
A young guy is impregnating all the girls in the village; he thinks he's a cool dude because he's supporting three of his kids, but who knows how many kids he really has (probably thirty). Then there's this other character (an old guy who's just as creepy as the young guy) who likes to beat his wife in front of the neighbors. It's supposed to be a comedy.
Not a play for reading, having been adapted with folk singing to make for a performance piece without which the show lacks that magic. I didn't really warm to any of the characters, whose moral values are steeped in early 20th century Sicily. Possibly one is supposed to warm to Liola because he sings and takes care of his children, but I found him manipulative and morally bankrupt, and his manipulations of the women and old man Simeone seem motivated by little more than ego.
The play won't endear itself to fans of Six Characters In Search of an Author, as there's no post-modernist angle to intrigue and confuse.