Colette was the pen name of the French novelist and actress Sidonie-Gabrielle Colette. She is best known, at least in the English-speaking world, for her novella Gigi, which provided the plot for a famous Lerner & Loewe musical film and stage musical. She started her writing career penning the influential Claudine novels of books. The novel Chéri is often cited as her masterpiece.
You might ask me, "Cameron, why are you reading so much Colette when you give some books 3 stars?" Several reasons:
1. 3 stars is a positive rating for me. It means "I liked it."
2. Through the magic of Colette's books I get to live in turn-of-the 20th century Paris, which is the most fun.
3. I'm learning a lot about the aforementioned turn-of-the 20th century Paris, especially the daily life and the gender/sexual politics (aka the things that interest me about history).
4. Colette's literary-ness cannot be denied. Her turn of phrase and lush descriptions are on point.
...and the rest of my review seems to have vanished. That'll teach me to type a review on my phone. There goes my will to retype it.
5. Colette's "non-fiction," where-in she gossips about people she met. Over half of these stories have first-person narrators named Colette which ostensibly are non-fiction, are the best. Anyone who thinks gossip is a negative quality has no self-awareness, that's all I have to say.
In summary, there were some stories I liked a lot, and some stories I liked a little, and some I abhorred, because of terrible male narrators. These guys range from jerk to child predator, and being inside their heads is not fun, even if Colette doesn't necessarily seem to condone their behavior. (They still seem to get what they want.)
If you are intrigued by the positives listed, you should not read this book, you should just read The Vagabond, which is the best. If you've read the Vagabond, and you're not put off by my allusion to terrible male narrators, read this too.
This entire review has been hidden because of spoilers.
Écouté en audio livre grâce à Netgalley France, je remercie audiolib pour l'opportunité de découvrir ENFIN Colette, ce que je souhaite faire depuis des années sans sauter le pas.
Je ne savais pas à quoi m'attendre et j'ai aimé découvrir l'écriture incisive de l'autrice ainsi que les portraits de ses compagnons de vie. J'ai eu l'impression de lire des entrées de journal intime (alors que ce sont des textes écrits pour être publiés), les mots révélant les états d'âme de Colette sur ses choix de vie audacieux. La lecture par Elsa Lepoivre fut vraiment très agréable et j'ai trouvé sa voix très adaptée à l'autrice.
Je suis maintenant curieuse de la découvrir dans un texte plus long, pour voir si son style me plaît vraiment. Peut-être La Chatte qui semble un des plus connus.
an enjoyably varied selection of vignettes and short stories.
not at all what i expected (i really don't quite know why, but i'd understood it was a sort of memoir about growing up in the depths of the country).
very dense, almost poetic prose, and she's got a taste for somewhat esoteric vocabulary -- this one of the few books i've read in recent years where having the ebook's dictionary so close to hand really paid off. but it never felt like it was getting in the way of her flow of ideas.
C'est pas meilleur de Colette mai assez bien ces différents récit. Fidèle à elle. Part contre dans tout le livre il y a un véritable boulet qu'elle traîne, son obsession du vieillissement. C'est quelque chose d'extrêmement récurrent et dépeint sous différentes formes
Je conseille cet ouvrage, qui n'est pas le plus connu, pour un premier contact avec Colette ; c'est une collection de textes courts (on sait que cette autrice n'est jamais meilleure que dans la forme courte, qui sied mieux à son caractère intuitif et sensible) et qui, contrairement à d'autres recueils plus spécialisés, rassemble comme dans un bouquet les différentes facettes de Colette : la nature, les animaux, l'amour, le théâtre, la liberté, qui est un peu le fil conducteur, dans la suite de la fable qui ouvre le recueil et lui donne son titre. Je voudrais avoir lu plus tôt le beau texte "guérison". Et personne n'emploie mieux l'adjectif "insaisissable" que Colette.
"Me llamas danzarina, y, sin embargo, no sé bailar."
Fue una colección de historias cortas bastante hermosa, la mayoría adore en su prosa poética y entrebuscada que me hizo buscar el significado de varias palabras. Colette tiene una escritura no ligera, pero muy seductora y llena de matices tiernos y cínicos.
A quick book that I would recommend you reading in parts
Colette embarks us on a journey of multiple characters stories and lives, some more original than others, but all very provocative and modern for the time she wrote this
Theres a lot of sadness and anger in some stories but it is portrayed in a very poetic way, which I enjoyed as my first read from the author
J’ai bien aimé , des passages super jolis et poétiques, des amours lesbiennes, de transgression , ça c’est trop chouette ! L’attention portée aux animaux aussi, la fraîcheur … mais le format de petites nouvelles à chutes ne m’a pas enthousiasmée jusqu’à la fin…
It’s always hard to rate short stories, but this one was well-written (well, translated). Whether or not this was a real nightingale or the silencing of the author themself is open to the interpretation of the reader. A great, short read!
Dated in some ways (including constant references to bars, personalities and shows of the early 1900s) making it a rather difficult read. But her descriptions of cats are pure poetry!
This is a short stories book and I kind of liked some of them, some others I found painfully hard to get through haha so yeah mixed feelings (but mostly negative, also I'm reading this for school)
Après des années de snobisme (l'écriture est une affaire d'hommes, non?), j'ai enfin lu Colette. Une merveille de poésie. L'enfance, la mère, une maison, la nature.