Лин Картер Представляет: Weird Tales

by Lin Carter, Robert E. Howard, Ramsey Campbell

Содержание:


Weird Tales 1 (антология)
Лин Картер. Предисловие (статья, перевод А. Сорочана), стр. 7-16
Роберт И. Говард, Лин Картер. Алые слёзы (рассказ), стр. 17-48
Рэмси Кэмпбелл. Там (рассказ), стр. 49-64
Лин Картер, Кларк Эштон Смит. Свет с полюса (рассказ, перевод А. Сорочана), стр. 65-79
Ханнес Бок. Кто-то по имени Гиборг (рассказ), стр. 80-104
Роберт Лаундес. Анналы Аркии (стихотворение, перевод Е. Беренштейна), стр. 105-106
Август Дерлет. Башня летучей мыши (рассказ), стр. 107-116
Карл Джекоби. Яма (рассказ), стр. 117-132
Танит Ли. Когда пробьют часы (рассказ), стр. 133-152
Роберт И. Говард. Красный гром (стихотворение, перевод Е. Беренштейна), стр. 153
Сибери Квинн. Когда-нибудь я убью тебя (рассказ), стр. 154-168
Мэри Элизабет Коунселман. Целитель (рассказ), стр. 169-188
Доктор Дэвид Х. Келлер. Дом без зеркал (рассказ), стр. 189-197
Лин Картер. Сны в Доме Уира (рассказ), стр. 198-215

Weird Tales 2 (антология)
Лин Картер. Вступление (статья, перевод А. Сорочана), стр. 219-227
Г. Ф. Лавкрафт, Роберт Х. Барлоу. Ночной океан (рассказ), стр. 228-258
Стив Резник Тем. Кен Блю (рассказ), стр. 259-271
Джозеф Пейн Бреннан. Страх (рассказ), стр. 272-293
Рэй Фарадей Нельсон. Грустный вальс (рассказ), стр. 294-307
Роберт И. Говард. Песнь виселицы (стихотворение, перевод Е. Беренштейна), стр. 308
Роберт Блох. Пир в аббатстве (рассказ), стр. 309-316
Мэри Элизабет Коунселман. Амулет Ламашту (рассказ), стр. 317-337
Лин Картер. Что-то в лунном свете (рассказ), стр. 338-354
Рэмси Кэмпбелл. Шутка (рассказ), стр. 355-374
Роберт Лаундес. Анналы Аркии (стихотворение, перевод Е. Беренштейна), стр. 375-376
Кларк Эштон Смит (закончено Лином Картером). Нисхождение в бездну (рассказ), стр. 377-387
Никтцин Диалхис. Сапфировая богиня (рассказ), стр. 388-426
Танит Ли. Башня Сомбрус (рассказ), стр. 427-439

448 pages, Hardcover

First published January 1, 2018

About the author

Lin Carter was an American author, editor, and critic best known for his influential role in fantasy literature during the mid-20th century. Born in St. Petersburg, Florida, he developed an early passion for myth, adventure stories, and imaginative fiction, drawing inspiration from authors such as Edgar Rice Burroughs, Robert E. Howard, H. P. Lovecraft, and J. R. R. Tolkien. After serving in the U.S. Army, Carter attended Columbia University, where he honed his literary skills and deepened his knowledge of classical and medieval literature, myth, and folklore — elements that would become central to his work.
Carter authored numerous novels, short stories, and critical studies, often working within the sword-and-sorcery and high fantasy traditions. His own creations, such as the “Thongor of Lemuria” series, paid homage to pulp-era adventure fiction while adding his distinctive voice and world-building style. His nonfiction book Tolkien: A Look Behind The Lord of the Rings was one of the first major studies of Tolkien’s work and its mythological roots, and it helped establish Carter as a knowledgeable commentator on fantasy literature.
Beyond his own writing, Carter was a central figure in bringing classic and forgotten works of fantasy back into print. As editor of the Ballantine Adult Fantasy series from 1969 to 1974, he curated and introduced dozens of volumes, reintroducing readers to authors such as William Morris, Lord Dunsany, E. R. Eddison, and James Branch Cabell. His introductions not only contextualized these works historically and literarily but also encouraged a new generation to explore the breadth of the fantasy tradition.
Carter was also active in the shared literary universe of the “Cthulhu Mythos,” expanding upon the creations of H. P. Lovecraft and other members of the “Lovecraft Circle.” His collaborations and solo contributions in this genre further cemented his reputation as both a creative writer and a literary preservationist.
In addition to fiction and criticism, Carter was an active member of several science fiction and fantasy organizations, including the Science Fiction Writers of America. He frequently appeared at conventions, where he was known for his enthusiasm, deep knowledge of the genre, and willingness to mentor aspiring writers.
Though sometimes critiqued for the derivative nature of some of his work, Carter’s influence on the fantasy revival of the late 20th century remains significant. His combination of creative output, editorial vision, and scholarly enthusiasm helped bridge the gap between the pulp traditions of the early 1900s and the expansive fantasy publishing boom that followed.
Lin Carter’s legacy endures through his own imaginative tales, his critical studies, and the many classic works he rescued from obscurity, ensuring their place in the canon of fantasy literature for generations to come.