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One foot in the grave and counting
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Hardcover
Published October 21, 18
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About the author
David Renwick
16 books5 followersDavid Peter Renwick is an English television writer, best known for creation of the sitcom One Foot in the Grave and the mystery series Jonathan Creek.
On beginning his comedy career, he initially worked in a team with writing partner Andrew Marshall, the pair of them providing material to popular sketch shows such as The Two Ronnies and Not the Nine O'Clock News during the late 1970s and early 80s. One of the most celebrated sketches he wrote for the former was a parody of the BBC quiz programme Mastermind, where a "Charlie Smithers" chose to answer questions on the specialist subject "Answering the question before last", adapted from his "Answering one question behind all the time" sketch from their The Burkiss Way for BBC Radio 4. Their short-lived LWT series for ITV, End of Part One, was an attempt to transfer Burkiss-style humour to television. Later in the 1980s they also wrote for the sketch show Alexei Sayle's Stuff and Spike Milligan's There's a Lot of It About.
In 1982 they penned the comedy drama serial Whoops Apocalypse for LWT, based on the insanity of international politics in the age of nuclear weapons, and four years later they adapted the screenplay (changing most of the characters and situations completely) into a feature film version. In 1983 they wrote The Steam Video Company for Thames Television, a short comedy series based on very silly parodies of famous novels. This was followed in 1986 by Hot Metal for LWT, a six-part satire of the tabloid newspaper industry starring Robert Hardy, Geoffrey Palmer and John Gordon Sinclair. The show was a critical success and returned for a further six episodes in 1988 with a revised cast of Robert Hardy, Richard Wilson and Caroline Milmoe.
Renwick began writing solo in 1990 when he created the sitcom One Foot in the Grave, starring Richard Wilson, which was highly successful and went on to be a popular hit for the following decade. It also ran for four seasons as an American re-make entitled Cosby, starring Bill Cosby, although this is generally regarded as a poor adaptation of the original.
In 1997, Renwick devised the comedy-drama Jonathan Creek, based around the crime-solving abilities of the eponymous designer of magic tricks, played by comedian Alan Davies. As of 2009, twenty-seven episodes have been produced across four short-run series and four specials. The slow rate of production is partly due to Renwick's writing of the episodes, which he describes as being a painstaking process in which the intricacies of the plots take several months to work out.
He has also written for 'straight' television drama, contributing episodes to ITV's famous adaptations of Agatha Christie's Hercule Poirot mysteries, starring David Suchet. Renwick's fondness for rationalist murder mysteries with supernatural overtones, later developed fully in Jonathan Creek is evident in elements he added to the Poirot adaptations. In 1992, Renwick and co-writer Michael Baker received an Edgar Award from the Mystery Writers of America for the Poirot episode "The Lost Mine", which aired in the U.S. as part of the PBS anthology series Mystery!.
Most recently, another comedy-drama Renwick has penned, entitled Love Soup, starring Tamsin Greig and Michael Landes, premiered on BBC One on 27 September 2005. Renwick, and his ex writing partner Marshall, had cameo roles in an episode of the series as members of a television sitcom scriptwriting team.
He was awarded the Writers Guild Ronnie Barker Award at the British Comedy Awards 2008.
On beginning his comedy career, he initially worked in a team with writing partner Andrew Marshall, the pair of them providing material to popular sketch shows such as The Two Ronnies and Not the Nine O'Clock News during the late 1970s and early 80s. One of the most celebrated sketches he wrote for the former was a parody of the BBC quiz programme Mastermind, where a "Charlie Smithers" chose to answer questions on the specialist subject "Answering the question before last", adapted from his "Answering one question behind all the time" sketch from their The Burkiss Way for BBC Radio 4. Their short-lived LWT series for ITV, End of Part One, was an attempt to transfer Burkiss-style humour to television. Later in the 1980s they also wrote for the sketch show Alexei Sayle's Stuff and Spike Milligan's There's a Lot of It About.
In 1982 they penned the comedy drama serial Whoops Apocalypse for LWT, based on the insanity of international politics in the age of nuclear weapons, and four years later they adapted the screenplay (changing most of the characters and situations completely) into a feature film version. In 1983 they wrote The Steam Video Company for Thames Television, a short comedy series based on very silly parodies of famous novels. This was followed in 1986 by Hot Metal for LWT, a six-part satire of the tabloid newspaper industry starring Robert Hardy, Geoffrey Palmer and John Gordon Sinclair. The show was a critical success and returned for a further six episodes in 1988 with a revised cast of Robert Hardy, Richard Wilson and Caroline Milmoe.
Renwick began writing solo in 1990 when he created the sitcom One Foot in the Grave, starring Richard Wilson, which was highly successful and went on to be a popular hit for the following decade. It also ran for four seasons as an American re-make entitled Cosby, starring Bill Cosby, although this is generally regarded as a poor adaptation of the original.
In 1997, Renwick devised the comedy-drama Jonathan Creek, based around the crime-solving abilities of the eponymous designer of magic tricks, played by comedian Alan Davies. As of 2009, twenty-seven episodes have been produced across four short-run series and four specials. The slow rate of production is partly due to Renwick's writing of the episodes, which he describes as being a painstaking process in which the intricacies of the plots take several months to work out.
He has also written for 'straight' television drama, contributing episodes to ITV's famous adaptations of Agatha Christie's Hercule Poirot mysteries, starring David Suchet. Renwick's fondness for rationalist murder mysteries with supernatural overtones, later developed fully in Jonathan Creek is evident in elements he added to the Poirot adaptations. In 1992, Renwick and co-writer Michael Baker received an Edgar Award from the Mystery Writers of America for the Poirot episode "The Lost Mine", which aired in the U.S. as part of the PBS anthology series Mystery!.
Most recently, another comedy-drama Renwick has penned, entitled Love Soup, starring Tamsin Greig and Michael Landes, premiered on BBC One on 27 September 2005. Renwick, and his ex writing partner Marshall, had cameo roles in an episode of the series as members of a television sitcom scriptwriting team.
He was awarded the Writers Guild Ronnie Barker Award at the British Comedy Awards 2008.
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Displaying 1 - 3 of 3 reviews
December 30, 2021
David Renwick returns - with Victor Meldrew in tow - ready to bestow yet more mishaps on Victor and anyone unlucky enough to be anywhere near him. As with the original TV novelisation there are familiar plots and gags woven into One Foot In The Grave And Counting, but even if I recognised them, care has been taken to do something new with them. I’m fairly certain there are entirely new set pieces here as well. The effect is of a gradually escalating series of disasters that leaves you more and more siding with the Meldrews’ neighbour Patrick, who is convinced Victor must be a malevolent force. What else would explain it all?
Often grotesquely funny, but again with that undercurrent of bleak humanity, this is a stronger book than the first one with a typically great ear for dialogue. The omniscient narrator still feels a little jarring, perhaps only because there is no equivalent in the show. Both books are as gleefully misanthropic as you’d hope.
Often grotesquely funny, but again with that undercurrent of bleak humanity, this is a stronger book than the first one with a typically great ear for dialogue. The omniscient narrator still feels a little jarring, perhaps only because there is no equivalent in the show. Both books are as gleefully misanthropic as you’d hope.
September 17, 2024
With this coming out in 2021 and being set in the present as opposed to the '90s I figured it would be more of a modernisation where Victor interacts with and gets aggravated by modern technology, social media etc. or at the very least there would be some new storylines. Instead this book is essentially just a novelisation of some of the later specials from the show with the occasional reference to "Twitter" and "Facebook" etc. thrown in. It's still entertaining and funny, but why set it in 2021 if you're not going to do anything with that gimmick.
June 12, 2022
Terrible.
Displaying 1 - 3 of 3 reviews