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366 pages, Hardcover
First published October 6, 2020
This book is for you if… you are, like me, smitten with the genre of young adult (mystery) thrillers. There's a bit of romance, but it's not really at the forefront of the plot. Homophobes stay away please, this is a safe and inclusive space, no room for you here.

‘Is there something you can do to help?
Listen up.
Let's try.’
Con:
⇢ desire to keep identiy as Seeker secret
⇢ mean reporter on her tracks
⇢ triggers everywhere
Pro:
⇢ cute new neighbour
⇢ thousands of laptop detectives at her disposal
⇢ them brains









“The world is full of missing people, and the sad truth is that many of them will never come home. But I believe there's a story behind every missing person, and maybe, just maybe, if we begin to dig up the details together, we can find our way to some more happy endings.”
✨ You can read the first three chapters on Tom's website here!![]()
"The idea for a podcast arrived about a year ago, on a night like tonight. I was lying awake in bed, wallowing in helplessness, when all of a sudden, something shifted. I'd had enough. There had to be something I could do."I like the fresh perspective this brings to the mixed-media podcast element of books like Sadie and I Killed Zoe Spanos. Plagued with sleepless nights and anxiety, Dee works through her feelings by assuming her Seeker identity to shine a light on countless other unsolved cases. She couldn't bring closure to Sibby's disappearance, but with her podcast she enlists the help of true crime fans to bring that closure to others. But she's been careful to keep her real life and her Seeker persona separate, so when another girl goes missing in her town it brings a lot of unresolved feelings up for her.
"But take it from me, even a sad ending is better than no ending at all, and that's always been my goal: to deliver an ending to as many unfinished stories as possible."The book begins with a flashback of the day Sibby went missing ten years in the past (okay, technically, it begins with a snippet of Dee's podcast introduction but that's not the point here), and the author conveyed so much information with the narrative voice's tone. The flashbacks feel exactly how a child would tell a story with the sentence structure and focus on seemingly inconsequential pieces of information... and it immediately made me so protective of Dee. Many mystery/thriller stories are told with the past and present interwoven together in a nonlinear exposition. But let me tell you: Tom Ryan impressed me with his use of this storytelling device with the tonal shift between flashbacks and present day POVs!
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