I really wanted to like this one. This book shot up to the top of my To-Read pile the second I saw it. And how could it not? Look how cute it is! Even before I knew this was published by Scholastic, I saw it in my mind’s eye on the cardboard display stands of a Book Fair, shrink-wrapped in with a House Hyacinth necklace. But this world is rotten at its core. The metaphor of Spares as anyone who feels they don’t belong and has to find their place in the world is not lost on me. I’m the type of person that thinks it’s really important for literature for children in particular to have this kind of metaphor not just so they feel less alone in their struggles, but so they can learn to recognize and even overcome injustices in their own society. But there is a difference in being ostracized because butt-toad people decided you were different, and because you were cosmically deigned to be different. Imagine if three students from your graduating class were chosen completely at random to not graduate, were barred from ever taking GEDs or going to college, and the jobs they could find were basically slave labor. It does not matter how much of a good student they are, it does not matter how hard-working they are, it does not matter their family background or their social position, and it could be you. And if you ever question this system, you get turned into a literal animal. It would make some amount of sense if they actually filled a social niche, like it would sure be convenient if the Gran or the Uncle or anyone else involved in running the town didn’t have biases towards their own covens, but nothing is ever given. Not a single person, not even the main characters who now have to face oppression firsthand, ever questions whether it is right to deliberately choose three people each year to be the social pariahs. And Spares aren’t just loner kids, they are oppressed peoples. I got so mad during Pixel’s two scenes that I had to put the book down and pace around the house for an hour. There’s a plot point about a civil rights bill that would “expand Spare’s rights”, but we never see what rights Spares are now given permission to have (but only if they’re nice about it!) because the fact that Spares didn’t have those rights before might make the world seem really bad. It’s hard to get excited about your hypothetical House Hyacinth necklace if you’re sad that magic caste systems exist. Just looking at Ortega’s website suggests that there isn’t even an option to be a Spare in her coven quiz (which, yes, we need more fun quizzes and custom icons and merchandising to promote children’s books please). And even though Seven, Thorn, and Valley all get a happy ending, what’s going to happen next year when we decide three twelve-year-olds aren’t good enough to be in society unless they fight a scary monster and save the world? How many more children do we have to throw at the problem?
There are things to like about this book. The three main characters are really fun. My favorite is Valley; she’s immediately set up to be just a standard stock bully, but she ends up being really cool and interesting. I do kind of wish that she had committed to doing more mean things, but the fact that she didn’t and her thought process behind the mean things she did do makes her really fascinating. And I need more of the Oracle now. There’s a lot of fun worldbuilding details like how the town is run, the magical plants and how the Witchlings use them, and the intricacies of Toad Races. I will die on the hill that we need less vaguely European-inspired fantasy worlds. But even with the icky politics of the book aside, there’s still a lot to dislike about the writing. Writing mysteries in a magical world is inherently hard since the audience won’t know how the world works and can’t logically come to a conclusion without help, but there is too much telling and not showing in this book. Even as the villains were giving their evil monologues about why they did what they did, Seven has her own internal monologue about how they did what they did as if the reader couldn’t pay attention. I also really dislike how most of the character arcs resolved, especially Poppy and Pixel. Poor Pixel. Pixel needs her own series where she takes over the Twelve Towns, she deserves it.
There’s a line towards the end where Seven muses that it’s nobody’s fault that she is a Spare, and that’s the line that scares me the most. Let’s ignore the fact that the adults of this world did fail her by not getting rid of Spares in the first place, or at least never stopped the people who physically and emotionally abused them in broad daylight and made them work starvation wages. But even at the end of the book, the main character still views her otherness as something inherently negative. And considering that Spares are supposed to be a metaphor for any kind of otherness the reader can throw at them, I’m really concerned that kids who came to this book for comfort are going to start viewing their otherness as negative as well.
I really want to like this book, and I still want it to do well. It’s a really fun read once you can look past the politics, but dear lord do we live in a society. I will read the sequel. I read the summary and know it’s supposed to be about the witch Olympics, but my hope is that Seven, Valley, and Thorn end up making a coven for all Spares. That would actually make this book retroactively better in my opinion. But as it stands, I can’t recommend it.
If you want a cute witch adventure without icky politics, I recommend The Wee Free Men or A Hat Full of Sky by Terry Pratchett. They feature a witch who goes on a grand adventure, finds her place in the world, and earns the respect of both her peers and her elders despite coming from a disadvantageous background. A Hat Full of Sky in particular is in my top 3 favorite books of all time.
PS: I got Goose House. Which could not be farther from the truth, but I do like the reference.