Captivating erotica and an overdriven ride through heaven and hell
What strikes the most about McFarren's novel is the fact that it delivers, with outstanding mastery and a very precise and eloquent writing style, a frenetic and gruesome adventure that got enough punch on its own in order to offer a passionate reading experience that doesn't demand the reader a close following of the ongoing Gehenna series (even though this second installment should be taken as a treat, a not-so-subtle invitation, to crawl bloody-fevered towards the mayhem of the first book —Soul Seeker—, a new take on horror fiction).
Annihilation provides a very inventive approach to contemporary syncretic mythology, always under the guise and the talent of a multifaceted fiction story about the contingencies and consequences of the "the day after the revolution", as Žižek loves to point out, mixing with potency and chilling ease Tolkien's Middle Ages, with Celtic and Christian traditions (it even contains an almost imperceptible nod —and twist— to the iconography of demons). McFarren is able to convey, through a very particular use of language, certitude, and confidence to the reader, even when addressing a tale that interweaves disloyalties with honorable characters, basic instincts with very tender romantic bits (almost prone to teenager stories), raw erotic descriptions with isolated landscapes of ambition, nature (regardless if it takes place between the mist of England or the desertic outer rim of Hell), and psychological trauma.
The novel, crossed by the spark of a certain Barkerian wink, unfolds through rampage and vertigo. Its own personality emerges along with its characters, self-absorbed demons, sex freaks, spiteful angels, sand-papered wounded faces, power-thirsty leaders, war, medieval torture, mental torment, hellish knives, and hooks: an absolute Feast of Plenty, a Theater of Pain, but nurtured by the proper amount of humor, adventure, and literary stamina.
The corridors, of which McFarren alerts us right at the beginning's beautiful poem, resembles the never-allowed-to-leave ones of Hotel California's demonic verse. As the 1976's Asylum record, McFarren's next book is a tempting invitation impossible to refuse; as Lucinda's Hell... as hell itself.