Emily Dickinson, a poet that many of us are familiar with, has written many poems that are appropriate and relatable to children. The "Poetry for Young People" series features a collection of her poems that children may enjoy. The poems are beautifully written about nature, from the meadows to the sea, animals including birds and dogs, people, insects, the weather and changing seasons and death. One poem is actually about poetry itself. The illustrations are done by Chi Chung, where many of the images take up an entire page illustrating one point in each poem. Almost on every page in the book there is an illustration, while some are small and only enhance the poetry, and other larger, more detailed images provide deeper meaning and understanding. The images are truly artistic and elegant, with a rich variety of colors and free flowing lines that reflect Dickinson's poetry and aesthetic. I particularly like this series of her poems because it includes interesting introduction about the author. For example, I learned that Emily Dickinson mostly stayed in her home as she got older, and wrote about the ordinary things in life making them seem amazing. I also learned that she planted flowers in her garden in Amherst, Massachusetts so nature inspired her, and her poems were light and witty, which differed from the more common dark and serious poetry of her time period. This collection of poems includes insightful commentary and definitions of words that adults and children may not know. I definitely recommend this book and rate it five stars because we can use Emily Dickinson's poetry as a standard for which other poetry can be compared too.
Emily Dickinson's Poetry for Young People is comprised of high quality literary and artistic elements and memorable poems because of rhythm, compactness and surprise, figurative language, sound patterns and emotional intensity. Dickinson's poems are written in a rhythm called iambic, which shows that she strives her poems to be spoken similar to the rhythm one speaks naturally. She wrote her poems in a patterned and structured way, where lines one and three of her poems have eight syllables and lines two and four have six syllables. Every line usually starts with an unaccented syllable and then is followed by an accented syllable. For example, "To tell your name the livelong day" is one line in her poems that has eight syllables and starts with a pattern of unaccented to accented syllables. Most of Emily's poems have more unaccented syllables and the rhythm moves quickly because of the very short lines often connected by dashes. This could mean her poems are lighthearted and the speaker of the poem is cheerful. Her poems are very compact and surprising, and are written in four line stanzas. Her longest poem in the whole collection is only about six stanzas long. Yet, Dickinson manages to say and express a lot within a few short words. For example, in her short poem with no title, she writes "An Everywhere of Silver / With Ropes of Sand/ To keep it from effacing / The Track called Land. First, this surprises the reader because it is challenging the reader to guess what she is writing about because this is a unique description. Here, Emily writes about the ocean, and perhaps the ocean is so abundant and easily accessible that "it is everywhere". The sand is erasing the marks that the ocean leaves or the sand is keeping or avoiding the ocean from effacing the land. She also writes about the track called land, as if land is unfamiliar to the reader, and land may easily appear and disappear, which we see as one watches the waves on the beach. This example shows how compact Dickinson's poems are, in that one word has many meanings. It clearly took me a lot more words to even try to explain part of the meaning of the poem than the poem itself. With only one stanza of her poems, Dickinson is able to create an entire image that the reader can visualize.
Dickinson's poems contain a lot of figurative language that contributes to the imagery and meaning of her poems. For example, in her poem that starts with the line "The moon was but a chin of gold" she compares the moon to a girl, who's "forehead is of amplest blonde" and her eyes are like the "summer dew" while the universe is her shoe. Dickinson is personifying the moon as a girl who watches over the whole universe. She uses synesthesia to help the reader see concrete images from her abstract ideas. In this poem, the moon is privileged to be the "remotest star" but she might pass by your "twinkling door". This comparison is creative because most people know the moon is far away and remote but because she might pass by your door one day. Dickinson is taking the abstract idea of a distant moon and bringing that moon closer to the reader so that the moon will be just as likely to come by your door as your neighbor is. Her figurative language she includes in her poems makes the reader use of their five senses, from remembering smells and sounds. Dickinson also uses a lot of sound patterns so certain words are stressed and remembered and her poems flow well. In most of her last stanzas of every poem, line two and four rhyme. Usually, the rhymes are perfect as she rhymes words such as "toll" and "soul" and "way" and "day". Dickinson gives us a sense of conclusion and that everything is all right when her poems wrap up so perfectly. However, she also uses slant rhymes or off rhymes. In this collection of poems, I've noticed off rhymes on the last words of certain lines such as "bee" and aristocracy" as well as "beauty" and "antiquity". Another pattern she uses is extended metaphor. In Dickinson's poem, "Hope is the things with feathers", she compares hope to a variety of things and feelings throughout twelve lines. Lastly, even though her poems are generally light, they do have a lot of emotional intensity. For example, in one of her poems she says "I dwell in possibility/ A fairer house than Prose/ More numerous of windows/ Superior of Doors". She is giving the reader imagery of living in a house of possibility, most likely a house of poetry. She compares why poetry is better than prose, just as a house with more doors and windows is more open and has a bigger sense of freedom. The reader is receiving an emotional experience of being in a big house while reading an extended metaphor poem at the same time. Overall, due to all these literary and artistic elements which are abundant in Emily Dickinson's writing, this collection of poems that focused on nature, surprises and riddles, are a great way to introduce poetry to kids, as long as one doesn't overwhelm kids with the difficult vocabulary and the complexity of meanings that most of these poems contain.