I requested DEAD FLIP because the cover is awesome and it gives me very Stranger Things vibes, which I’m sure is totally intentional. Plus, it’s (WHY???) historical fiction set in the 80s and early 90s so there’s a definite nostalgia factor going for me here. All of these things I appreciate.
What I didn’t appreciate was the absolute lack of formatting in the eARC I got. There’s no reason for that. I can handle no chapter breaks, but there was no or erratic paragraph, dialogue, and other formatting issues that made the book really hard to read. I’m pretty sure there was supposed to be a fair amount of italics in here too that wasn’t here. Not the author’s fault, of course. It’s the publisher’s, and it has an impact on how the story is consumed. I feel like right out of the gate the book’s in the negative because my copy was hard to read. Thankfully, I was able to get through it, but it took way more effort than it should have because of the zero formatting.
There’s nothing necessarily wrong with DEAD FLIP, but I don’t think it quite delivered either. The story’s pacing was a bit wonky and there’s no real tension in the story. For a horror novel, I wasn’t scared at all, nor could I really see where there should be any real creepy moments (because I don’t scare easily). The moments that were supposed to be scary fell flat because there’s no real surrounding tension, or lingering tension, to make them truly scary. DEAD FLIP, I think, is supposed to be a horror comedy, but it’s really just a teen drama with some tense moments in it.
This book is also indicative of YA novels now not actually being for the teen readers they’re supposed to be for. The incessant name dropping of nostalgic things, like Sam Goody and whatever other brands popped up, are not meant for teens. They would have no idea what any of these are. This is meant for adult readers who know what the author is talking about. I don’t have an issue with this kind of nostalgia in books. It just becomes glaringly apparent that this book isn’t really meant for the market it’s supposed to be targeted to. I think it works differently for books than it does for a TV show like Stranger Things because the nostalgia in something visual can just hang out in the background while the story unfolds. In writing, it has to be described so it’s actually in scene, taking up space within the narrative and forcing it to the forefront. I think there are ways to balance it (see: OUR CROOKED HEARTS) so that you get it dribbled throughout it being overwhelming, but in DEAD FLIP it’s overwhelming.
I liked Maz and Cori, but I didn’t like Sam as a character. I get why he acts the way he does, but I find his personality grating and I honestly was a-okay with him disappearing for a chunk of the book. There’s a chapter or two from his POV that I’m not sure were actually needed. Especially with the formatting issues, him talking to the voice in his head was hard to parse out who was supposed to be talking and when and it really just muddied the waters. A person like Sam is not someone I have the patience for in real life, so he was really off-putting reading it.
The ending was rather lackluster. Like the rest of the supposedly tense moments, there was just not a whole lot going on in the end and everything resolved rather quickly and neatly. I can see where the cheesy 80s horror should be coming in, and I appreciated that. But the story itself went out with a whimper.
Like I said, it’s not necessarily a bad story. There’s just not a whole lot going for it that’s all that engaging. I didn’t dislike it, but I didn’t so much like it either.
3
I received a copy of this book from the publisher through NetGalley in exchange for an honest review.