#Binge Reviewing my previous Reads #History of Food and Cuisine
The Non-Serious Guide to Bengali Food by Arpan Roy is one of those rare books that manages to be both lighthearted and deeply rooted in the cultural gravity of food.
Written with an irreverent wit and playful anecdotes, the book takes readers on a roller-coaster ride through Bengal’s kitchens, where mishti and machh (sweets and fish) reign supreme, but not without quirks, contradictions, and hilariously human stories that elevate the cuisine from mere sustenance to a lived experience.
Arpan Roy’s approach is exactly what the title promises: non-serious. He doesn’t bog you down with pedantic history or encyclopedic detailing, but instead nudges you to see Bengali food through the lens of nostalgia, satire, and affectionate exaggeration.
He treats food not as a museum artefact but as an emotional register—every dish has its story, every flavour a memory, every debate about ilish (hilsa) versus chingri (prawns) a potential family drama. In that sense, the book reads like sitting at a Bengali adda (casual, spirited conversation) where food is always the centrepiece, whether you’re reminiscing about college canteen chops or your grandmother’s laborious posto-bata.
What makes the book sing is its tone. There’s laughter at Bengali eccentricities—our obsession with rice that borders on the spiritual, our sweet tooth that has given the world sandesh and rosogolla, and our culinary rituals that turn even everyday meals into ceremonies.
Yet, behind the jokes lies a deep respect for tradition. The author highlights how food in Bengal is inseparable from its literature, festivals, and politics. From Bibhutibhushan’s depictions of simple, rustic meals to Satyajit Ray’s cinematic frames of fish frying in mustard oil, Roy situates food as both aesthetic and survival, luxurious and humble.
The book also takes sly digs at modern “Bengali food” as marketed in restaurants across India and abroad. The author exposes how many so-called authentic dishes are bastardised versions of what Bengalis would actually eat at home. The performative butter-drenched kosha mangsho or the overly sweet mishti doi sold in chains become comic interludes in his narrative, reminding us that the heart of Bengali cuisine lies in the balance of flavours, not in excess.
What I found particularly engaging was Roy’s section on food memories. The descriptions of train journeys with food-laden tiffin carriers, Durga Puja bhog that transforms khichuri into nectar, and the universal Bengali ritual of buying “phuchka” (pani puri) from street vendors resonate with anyone who has grown up in Bengal or lived long enough to catch its culinary pulse. These stories may be exaggerated for comic effect, but they carry an authenticity that pure history books often lack.
The humour doesn’t dilute the seriousness of food’s role in identity. On the contrary, it sharpens it. Roy shows how food is never neutral in Bengal—it’s an argument, a marker of community, even a point of pride. The hilsa wars between East and West Bengal, the vegetarian versus non-vegetarian divides in certain families, and the eternal hunt for the perfect mishti shop all testify to how culinary choices shape cultural politics.
Arpan Roy’s writing makes you hungry—not just for food, but for conversations around food. It’s the kind of book you want to read on a leisurely afternoon with a plate of muri (puffed rice) and telebhaja (fried fritters) by your side. And perhaps that’s its greatest achievement: it doesn’t just describe Bengali cuisine; it embodies its spirit. Much like Bengali food itself, the book is layered, comforting, and surprisingly sharp at moments you least expect.
In the landscape of food writing, where the pendulum swings between sterile academic histories and glossy coffee-table cookbooks, The Non-Serious Guide to Bengali Food finds its niche. It is irreverent without being dismissive, celebratory without being hagiographic, and nostalgic without being maudlin.
For Bengalis, it’s a mirror that makes you laugh at yourself. For non-Bengalis, it’s an initiation into a world where food is less about recipes and more about relationships, rituals, and riotous joy.
A delightful, witty, and utterly satisfying read—much like the perfect plate of luchi and alur dom.