In the world of poetry, whether here in Goodreads, in a library or a bookstore you’ll discover a range of verse from the amateur to the scholarly. Antonio Eramo’s poetry epitomizes the creme of the scholarly.
His verse (and voice) is not to be casually read since the substantial meat of each piece requires the reader’s full attention. His words may challenge, delight or intimidate the reader. The poet covers controversy (“We live in a generation petrified into believing the genocide of our liberties is the only path to a prosperous tomorrow. Yet it is not the harsh rhetoric of a slamming fist that insists we genuflect. Instead, it is the open palm of the ever-calm beggar that robs us blind. Cloaked in the falsehoods of altruism, the ayes pocket our sympathetic aesthetic.) from Our Brothers Keeper, remembrance (“I will remember the place though I might forget the way on that windy autumn day when sun warmed my face, heart started to race as minds ran astray lost in our grace…. never to stay flowers sway; lovers chase misplace all gray lay… trace remember the place”) from Flowers Sway; Lovers Chase and fear (“My greatest fear is that I write something so clear that no one says anything at all. I simply drift away like a leaf in the fall and wait for the snow to absorb the sound of the call I never got beneath the white of crystalline thought I rot irate in all I wrote.”) from My Greatest Fear among various topics.
As can consequentially be observed the poetry within Cicadas Serenade challenges the reader to think, to realize the innate poetry in everyday speech, to break convention (no four line verse, free or rhymed) and to create carefully crafted word play through imagery. This book exemplifies the rarified air of poetry present only near the summit of sublimity.
I highly recommend it.