4.5/5.
Heat Index: 6.5/5.
—Anastasia (the movie) but make it Gilded Age
—the bright lights of Broadwaaaay
—diamond in the rough/mentor
The Basics:
When con artist Leo Hardy finds orphan Josie singing on the streets, he comes up with his boldest scam yet: He'll pass Josie off as the Pendelton Baby, stolen from a wealthy family years ago and never returned. Not only can he collect the reward money—he'll also get his long-desired revenge against the Pendeltons for ruining his father (and by extension, Leo's own life). But the more time Leo spends with his ingenue, the harder it becomes for him to commit to the bit...
The Review:
Anastasia (1997) is a longtime favorite movie of mine, and in retrospect, Dimitri was for sure an early crush (and Dimitri and Anya were a formative couple). So when one of my favorite authors announced an Anastasia-inspired book, I was thrilled. And to be very clear, this owes MUCH more to the animated movie, and perhaps the Ingrid Bergman movie that in turn inspired aspects of the animated movie, versus the history of Anastasia. To me, that means it has a lot to live up to. Fortunately, Shupe does a great job—not that I ever doubted her.
While I really enjoyed our heroine, Josie, this is a more hero-forward book, and that's not a bad thing. Leo Hardy charmed me from the jump. He's a con artist, he's a smooth talker, he's got a truly tragic past that gives him something of a "secret little boy lost" heart. But it never feels like any of that is used to handwave what he's doing. I'd say this is overall a less angsty book on the Shupe Scale, but she really relishes in the conflict of Leo falling for Josie, feeling so much guilt over the fact that she's a pawn in his game, and building toward the inevitable emotional fallout of her finding out.
Possibly my favorite part of the animated Anastasia is the moment when Anya finds out that Dimitri has been running a con, and he's trying to desperately explain himself, and she's backing him into a corner, all "YOU LIED TO ME!" before backhanding him, essentially. It's very "I was half a virgin when I met you" but an animated children's film, and it is delicious.
All I can say is... this book follows through on the sense of betrayal. The punches? They are not at all pulled. And I! Was! About it!
For all that Leo is who got my heart here, you totally see why he's obsessed with Josie. She's not quite an innocent, but she does have a naivete that comes off as fresh and sweet. I really appreciated, too, that Shupe portrayed an ingenue type in a historical who's not actually a virgin. I feel, often, that romance—maybe especially historical romance—portrays women who aren't virgins as automatically vastly experienced and jaded. That's not Josie. Sure, she's had sex, and she's experienced enough as an orphan to have some degree of street smarts, but she's not a Woman of the World. Which, again, adds to the guilt as Leo leads her into this scheme.
(And does that set you up for a grovel? I mean. You tell me.)
Shupe really dives into the glitz of the Gilded Age stage here, because Josie thinks she's just on her way to be a staaar. You get a bit of real history here, the world feels completely tangible, and there's that sense of being swept away that a really good historical provides. Because Joanna Shupe writes a great historical, dude. She knows what she's doing.
Now, elephant in the room—yes, there's a dual first person POV here. Which is very unusual for historicals. It's not the first time Shupe has done this. She's written a couple of indie historical novellas with this angle, The Gangster's Prize and The Scandal of Rose, both of which I'd highly recommend. She writes fabulous mafia romances under the name Mila Finelli, all with this perspective. Personally? It really worked for me. I think that a lot of this was because Leo in particular thinks in this very slick way that brings the character further to life. I love her third person books, but she's really skillful with first person as well, and here it added a bit of freshness that fit the story.
The Sex:
While very hot, this is a little more of a slow burn than some of Shupe's other books, and as a result, there isn't quite as much sex on the page as her usual. But what we do get is excellent, explicit, and looooong. You don't get a carriagebang, but you might get a sleighbang.
And there's also a lot of humor derived from the fact that Leo is clearly panting after Josie, while she remains blissfully ignorant. Several times throughout this story, people are like "DO. NOT. FUCK. THAT. GIRL." and he's like "oh my god why do people keep telling me that" and it's because he's basically licking his chops whenever they're together. In front of people. I LIVED.
The Conclusion:
So glad to read a new historical from Joanna Shupe, and as per usual, it's great. This is an author who knows her craft, who knows how to knock a historical romance out of the park, and who's also trying new things. Trying new things is what people in this subgenre are going to have to do in an increasingly difficult market. That's just the reality. And I think that if you haven't read a historical romance before? This would be a great starting place.
Thanks to Avon and NetGalley for providing me with a copy of this book. All thoughts and opinions are my own.