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The Understudy
Immersed in the underbelly of the theatre world in the gritty streets of Sydney in 1973, this addictive debut will have you wondering just how dangerous ambition – and love – can be.
It’s opening night. The stage is set, the houselights have dimmed and the handsome male lead is waiting. This is your time. Your chance to prove you are so much more than the understudy.
You have worked so hard and would have done almost anything to get here. But not what they are accusing you of – never that. It’s simply bad luck that Australia’s darling of opera has gone missing, throwing the spotlight on you just as the whole world is watching history in the making.
But the show must go on and it’s all down to you. Take a deep breath and get ready to perform the role of your life.
It’s opening night. The stage is set, the houselights have dimmed and the handsome male lead is waiting. This is your time. Your chance to prove you are so much more than the understudy.
You have worked so hard and would have done almost anything to get here. But not what they are accusing you of – never that. It’s simply bad luck that Australia’s darling of opera has gone missing, throwing the spotlight on you just as the whole world is watching history in the making.
But the show must go on and it’s all down to you. Take a deep breath and get ready to perform the role of your life.
464 pages, Paperback
First published March 1, 2022
15 people are currently reading
408 people want to read
About the author
Julie Bennett
2 books52 followersJulie Bennett fell in love with words at a very young age and soon after leaving school began a career in libraries. In her late twenties she decided to follow her dream to write for a living and, after graduating university, became a journalist. In 2004 she launched a public relations company, which she still manages today. Julie lives with her wonderful husband, Bruce and their gorgeous kelpie cross cattle dog, Riley, within walking distance of the Sydney Opera House where she performed as a child extra back in 1973, the year it opened. 'The Lost Letters of Rose Carey' is Julie’s second novel. Her debut 'The Understudy' was published by Simon & Schuster in 2022.
Praise for The Understudy
'This piece of Australian historical fiction rings many bells for those who call this city home.' Glenn A Baker
‘A delicious read! A fascinating glimpse into the glamorous world of opera where innocence and betrayal is set against the seedy underbelly and glorious splendour of Sydney and the opening of our very own opera house.’ Tania Blanchard, author of The Girl from Munich
‘Julie Bennett's The Understudy is the best kind of historical fiction: a powerful love story blended with a mystery that keeps the reader guessing!’ Anita Abriel, author of The Light After War
‘A heady, genre-bending drama about ambition, performance, love, betrayal and passion … An enjoyable and page-turning read.’ Cass Moriarty, author of The Promise Seed
‘So evocative you can smell the scent of Sydney Harbour.' Pamela Hart, author of The Charleston Scandal
‘Julie Bennett has woven a spell that will entice the reader in and won’t let them go. Brava!’ Mary-Lou Stephens, author of The Last of the Apple Blossom
Find me on Facebook at
Julie Bennett Author
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Follow me on Instagram at
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Read more about The Understudy
https://www.simonandschuster.com.au/b...
Read more about The Lost Letters of Rose Carey
https://www.simonandschuster.com.au/b...
Praise for The Understudy
'This piece of Australian historical fiction rings many bells for those who call this city home.' Glenn A Baker
‘A delicious read! A fascinating glimpse into the glamorous world of opera where innocence and betrayal is set against the seedy underbelly and glorious splendour of Sydney and the opening of our very own opera house.’ Tania Blanchard, author of The Girl from Munich
‘Julie Bennett's The Understudy is the best kind of historical fiction: a powerful love story blended with a mystery that keeps the reader guessing!’ Anita Abriel, author of The Light After War
‘A heady, genre-bending drama about ambition, performance, love, betrayal and passion … An enjoyable and page-turning read.’ Cass Moriarty, author of The Promise Seed
‘So evocative you can smell the scent of Sydney Harbour.' Pamela Hart, author of The Charleston Scandal
‘Julie Bennett has woven a spell that will entice the reader in and won’t let them go. Brava!’ Mary-Lou Stephens, author of The Last of the Apple Blossom
Find me on Facebook at
Julie Bennett Author
https://www.facebook.com/Julie-Bennet...
Follow me on Instagram at
@julie_bennett_author
https://www.instagram.com/julie_benne...
Read more about The Understudy
https://www.simonandschuster.com.au/b...
Read more about The Lost Letters of Rose Carey
https://www.simonandschuster.com.au/b...
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Displaying 1 - 30 of 70 reviews
February 27, 2022
Sophie Carlton was the cover, the understudy for Margaret Gardiner in the opera, Madama Butterfly to be held in the new Sydney Opera House, which was to be opened by Queen Elizabeth and Prince Phillip. It was 1973 and Sophie’s heartfelt wish was to play opposite Armando Cecchi, the greatest Italian tenor of his generation, but there wasn’t much chance of that with his leading lady, Margaret Gardiner, ready to go on stage. But when Margaret went missing only hours before opening night, Sophie had her opportunity…
Sophie’s joy was tempered by not knowing where Margaret was. It seemed no one knew where she was or how long she’d be missing. Sophie, as Cio-Cio-San, and Armando as Mr Pinkerton, worked well together; their magic was obvious, and the newspapers the following day praised Sophie’s debut. But where was Margaret?
The Understudy is the debut novel by Australian author Julie Bennett and (in Ms Bennett’s words) was inspired by her own experience, performing as a child extra in the Australian Opera Company’s 1973 production of War and Peace. The intrigue and mystery of backstage, of the many cast and crew on the sidelines, and the under currents that rippled through the opera community, is well done. With Margaret’s early life set in 1953, and the main part of the novel in 1973, the entwined path of both Margaret and Sophie enables The Understudy to be an addictive and fascinating novel. An excellent debut which I recommend highly.
With thanks to Simon & Schuster AU for my uncorrected proof ARC to read in exchange for an honest review.
Sophie’s joy was tempered by not knowing where Margaret was. It seemed no one knew where she was or how long she’d be missing. Sophie, as Cio-Cio-San, and Armando as Mr Pinkerton, worked well together; their magic was obvious, and the newspapers the following day praised Sophie’s debut. But where was Margaret?
The Understudy is the debut novel by Australian author Julie Bennett and (in Ms Bennett’s words) was inspired by her own experience, performing as a child extra in the Australian Opera Company’s 1973 production of War and Peace. The intrigue and mystery of backstage, of the many cast and crew on the sidelines, and the under currents that rippled through the opera community, is well done. With Margaret’s early life set in 1953, and the main part of the novel in 1973, the entwined path of both Margaret and Sophie enables The Understudy to be an addictive and fascinating novel. An excellent debut which I recommend highly.
With thanks to Simon & Schuster AU for my uncorrected proof ARC to read in exchange for an honest review.
May 6, 2022
On the book cover are these words from Tania Blanchard, Australian Author:
‘A delicious read.’
I would have to agree. I struggled to know what opening sentence to use for my review, but that caps it off nicely.
Disclaimer: When I joined Goodreads, I expected to revisit my old favourite classics and read all the latest best sellers. I’ve done that in part, but I’m also enjoying a string of very good novels by registered Goodreads authors. Like the others I have reviewed so far, I believe Julie Bennett deserves credit for her story.
Did I know what I was getting into with ‘The Understudy’?
I thought I did because it is billed as ‘historical fiction’. There is romance, intrigue, sex, deception and exciting descriptions of the world of opera, but then it sweeps us along and gives us a little of ‘who done it’.
I liked the different narrative time frames and switching from one protagonist to another, both in first person. A clever accomplishment.
‘A delicious read.’
I would have to agree. I struggled to know what opening sentence to use for my review, but that caps it off nicely.
Disclaimer: When I joined Goodreads, I expected to revisit my old favourite classics and read all the latest best sellers. I’ve done that in part, but I’m also enjoying a string of very good novels by registered Goodreads authors. Like the others I have reviewed so far, I believe Julie Bennett deserves credit for her story.
Did I know what I was getting into with ‘The Understudy’?
I thought I did because it is billed as ‘historical fiction’. There is romance, intrigue, sex, deception and exciting descriptions of the world of opera, but then it sweeps us along and gives us a little of ‘who done it’.
I liked the different narrative time frames and switching from one protagonist to another, both in first person. A clever accomplishment.
January 24, 2023
The scene is 1970’s Sydney, The Opera House, Madama Butterfly is the performance. Understudy Sophie never dreamed of stepping into the lead role, let alone on opening night. She did get her chance; gifted singer Margaret has disappeared and the understudy steps in.
Lies, sex, betrayal, a murky past and a twisted group of creatives form a soap opera feel story in a dual timeline from Margaret youth 1950’s and Sophie’s unease of filling in for a woman that is nowhere to be found. What is Margaret’s story and who is following Sophie?
Armando is the handsome lead, an Italian who Sophie falls for, and there are many scenes of sex and lust. I don’t have any real qualms regarding sex scenes, but many of these were leaning toward the hard core and I can’t say I was truly taken in. The initial intention was to sleep with him to advance her career.
None of the characters I had affinity for and I was reading to finish, thinking of the constant name soup feel and a general lacklustre vibe. This book was quite long and I felt it drag, needing a conclusion sooner rather than later. It was hard to keep going when I liked not one character.
This story showed a ruthless industry with rules for women, and different ones for men. The heads of the company also seemed to play by their own set of standards.
A well written debut which fell short for me, but others I am sure will enjoy more. With thanks to Simon & Schuster for my physical copy to read and review.
2.5★
Lies, sex, betrayal, a murky past and a twisted group of creatives form a soap opera feel story in a dual timeline from Margaret youth 1950’s and Sophie’s unease of filling in for a woman that is nowhere to be found. What is Margaret’s story and who is following Sophie?
Armando is the handsome lead, an Italian who Sophie falls for, and there are many scenes of sex and lust. I don’t have any real qualms regarding sex scenes, but many of these were leaning toward the hard core and I can’t say I was truly taken in. The initial intention was to sleep with him to advance her career.
None of the characters I had affinity for and I was reading to finish, thinking of the constant name soup feel and a general lacklustre vibe. This book was quite long and I felt it drag, needing a conclusion sooner rather than later. It was hard to keep going when I liked not one character.
This story showed a ruthless industry with rules for women, and different ones for men. The heads of the company also seemed to play by their own set of standards.
A well written debut which fell short for me, but others I am sure will enjoy more. With thanks to Simon & Schuster for my physical copy to read and review.
2.5★
November 2, 2022
The Understudy by Julie Bennett
Synopsis /
Immersed in the underbelly of the theatre world in the gritty streets of Sydney in 1973, this addictive debut will have you wondering just how dangerous ambition – and love – can be.
It’s opening night. The stage is set, the houselights have dimmed and the handsome male lead is waiting. This is your time. Your chance to prove you are so much more than the understudy.
You have worked so hard and would have done almost anything to get here. But not what they are accusing you of – never that. It’s simply bad luck that Australia’s darling of opera has gone missing, throwing the spotlight on you just as the whole world is watching history in the making.
But the show must go on and it’s all down to you. Take a deep breath and get ready to perform the role of your life.
My Thoughts /
The word ‘understudy’ means to learn (a role) in order to replace the regular actor or actress where necessary. The (plural) noun, ‘understudies’ means a performer who learns the role of another in order to serve as a replacement if necessary. So, the title of Australian author, Julie Bennett’s debut book, The Understudy, holds no mystery as to what this book is about. The inspiration to write The Understudy was twofold. Bennett had first-hand experience of living within the world of Opera - her father was offered a full-time role as a tenor with the Australian Opera Company, and later, found herself cast as an extra in the company's 1973 production of War & Peace.
The Sydney Opera House is a multi-venue performing arts centre located on the foreshore of Sydney Harbour. Designed by Danish architect Jørn Utzon but, completed by an Australian architectural team headed by Peter Hall, the building was formally opened by Queen Elizabeth II on 20 October 1973.
The story opens with the cast of Madama Butterfly well into rehearsals and shortly before opening night. It will be a most auspicious occasion. Performing at the newly opened Sydney Opera House, as well as having Queen Elizabeth II in attendance.
Madam Butterfly (in Italian, Madama Butterfly) is one of opera's most enduring tales of unrequited love. Puccini's poignant score follows the tragic tale of Cio Cio San (Madam Butterfly), a young Japanese girl who falls in love with American naval officer Lieutenant Benjamin Franklin Pinkerton, with devastating consequences.
Leading soprano opera singer, Margaret Gardiner was cast in the role of Cio Cio San (Madam Butterfly). Playing opposite her, as Lieutenant Benjamin Franklin Pinkerton is Italian tenor, Armando Cecchi. Good looking, charismatic and obviously talented, some say Cecchi is the greatest tenor of his generation, and there was no doubt he was a definite drawcard for the Company.
Sophie Carlton was cast in the chorus of the production, but she also held the position of ‘understudy’ to Margaret Gardiner. This meant that Sophie had to know the role of Cio Cio San off by heart, as well as anything she needed to perform as a member of the chorus. Being offered the part of an understudy can sometimes be a disappointment, especially when your heart was set on something bigger, not to mention that within the Company, the term ‘understudy’ usually has negative connotations.
Told in a dual narrative by Margaret and Sophie, what follows is a story fuelled with ambition, passion, love, hate, and betrayal.
When Margaret Gardiner goes missing in mysterious circumstances only hours before opening night, all eyes are on Sophie Carlton. Sophie - The stage is ready, the lights have faded, the handsome Lieutenant Pinkerton is waiting on-stage for his leading lady. This is your time. Your chance to prove you are so much more than the understudy.
Bennett has filled her story with wonderfully interesting characters each with their own idiosyncrasies, insecurities and jealousies, egotistical ambitions, and secrets. The plot is juicy and filled with a cacophony of contrasting elements. Where is Margaret Gardiner? And who’s responsible for her shocking and sudden disappearance??
At the end of the day, when the curtain makes its final close, take a deep breath and remember, it’s all about the show. The show must go on.
Synopsis /
Immersed in the underbelly of the theatre world in the gritty streets of Sydney in 1973, this addictive debut will have you wondering just how dangerous ambition – and love – can be.
It’s opening night. The stage is set, the houselights have dimmed and the handsome male lead is waiting. This is your time. Your chance to prove you are so much more than the understudy.
You have worked so hard and would have done almost anything to get here. But not what they are accusing you of – never that. It’s simply bad luck that Australia’s darling of opera has gone missing, throwing the spotlight on you just as the whole world is watching history in the making.
But the show must go on and it’s all down to you. Take a deep breath and get ready to perform the role of your life.
My Thoughts /
The word ‘understudy’ means to learn (a role) in order to replace the regular actor or actress where necessary. The (plural) noun, ‘understudies’ means a performer who learns the role of another in order to serve as a replacement if necessary. So, the title of Australian author, Julie Bennett’s debut book, The Understudy, holds no mystery as to what this book is about. The inspiration to write The Understudy was twofold. Bennett had first-hand experience of living within the world of Opera - her father was offered a full-time role as a tenor with the Australian Opera Company, and later, found herself cast as an extra in the company's 1973 production of War & Peace.
The Sydney Opera House is a multi-venue performing arts centre located on the foreshore of Sydney Harbour. Designed by Danish architect Jørn Utzon but, completed by an Australian architectural team headed by Peter Hall, the building was formally opened by Queen Elizabeth II on 20 October 1973.
The story opens with the cast of Madama Butterfly well into rehearsals and shortly before opening night. It will be a most auspicious occasion. Performing at the newly opened Sydney Opera House, as well as having Queen Elizabeth II in attendance.
Madam Butterfly (in Italian, Madama Butterfly) is one of opera's most enduring tales of unrequited love. Puccini's poignant score follows the tragic tale of Cio Cio San (Madam Butterfly), a young Japanese girl who falls in love with American naval officer Lieutenant Benjamin Franklin Pinkerton, with devastating consequences.
Leading soprano opera singer, Margaret Gardiner was cast in the role of Cio Cio San (Madam Butterfly). Playing opposite her, as Lieutenant Benjamin Franklin Pinkerton is Italian tenor, Armando Cecchi. Good looking, charismatic and obviously talented, some say Cecchi is the greatest tenor of his generation, and there was no doubt he was a definite drawcard for the Company.
Sophie Carlton was cast in the chorus of the production, but she also held the position of ‘understudy’ to Margaret Gardiner. This meant that Sophie had to know the role of Cio Cio San off by heart, as well as anything she needed to perform as a member of the chorus. Being offered the part of an understudy can sometimes be a disappointment, especially when your heart was set on something bigger, not to mention that within the Company, the term ‘understudy’ usually has negative connotations.
Told in a dual narrative by Margaret and Sophie, what follows is a story fuelled with ambition, passion, love, hate, and betrayal.
When Margaret Gardiner goes missing in mysterious circumstances only hours before opening night, all eyes are on Sophie Carlton. Sophie - The stage is ready, the lights have faded, the handsome Lieutenant Pinkerton is waiting on-stage for his leading lady. This is your time. Your chance to prove you are so much more than the understudy.
Bennett has filled her story with wonderfully interesting characters each with their own idiosyncrasies, insecurities and jealousies, egotistical ambitions, and secrets. The plot is juicy and filled with a cacophony of contrasting elements. Where is Margaret Gardiner? And who’s responsible for her shocking and sudden disappearance??
At the end of the day, when the curtain makes its final close, take a deep breath and remember, it’s all about the show. The show must go on.
June 5, 2022
The Understudy is a debut novel for Julie Bennett. The novel is based loosely on Julie's own experience as an extra in the Australian Opera in 1973. Julie's father was also a tenor in the Australian Opera.
The book tells two stories, that of the lead Opera singer Margaret and the story of her understudy Sophie Carlton.
Margaret is a famous Australian Opera Singer and has been cast in the role of Madame Butterfly, at the opening of the brand new Sydney Opera House. Sophie has a role in the Chorus, but has also been cast as Margaret's understudy.
Sophie has wanted nothing else in life, but to sing the lead singer of an Opera and sing beside her all time idol, Armando Cecchi. When Margaret goes missing, Sophie can't believe her dream has finally come true.
Suspicions arise around the convenience of Margaret's disappearance, and Sophie is questioned by her employer and work mates. Sophie is doing well in her role, whilst she is filling in for Margaret, but the suspicions continue to rise and the Media are also rising suspicions.
I found the book difficult to put down, every 5 minutes I had spare, I was reading this book to find out what was happening with Sophie and if there had been an update on the missing Margaret.
The book is full of love, suspicion, thrill and excitement. This is a good first novel, with a little room for improvement. Perhaps if the form of characters, I also found the ending a little rushed.
Thank you Simon and Schuster and Julie Bennett for gifting me this copy. In return for your generosity I offer you my review
3 Stars: It was a good book and well-crafted. I would recommend it to the right person.
Please visit my Facebook page and blog to see all of my past and future book reviews.
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The book tells two stories, that of the lead Opera singer Margaret and the story of her understudy Sophie Carlton.
Margaret is a famous Australian Opera Singer and has been cast in the role of Madame Butterfly, at the opening of the brand new Sydney Opera House. Sophie has a role in the Chorus, but has also been cast as Margaret's understudy.
Sophie has wanted nothing else in life, but to sing the lead singer of an Opera and sing beside her all time idol, Armando Cecchi. When Margaret goes missing, Sophie can't believe her dream has finally come true.
Suspicions arise around the convenience of Margaret's disappearance, and Sophie is questioned by her employer and work mates. Sophie is doing well in her role, whilst she is filling in for Margaret, but the suspicions continue to rise and the Media are also rising suspicions.
I found the book difficult to put down, every 5 minutes I had spare, I was reading this book to find out what was happening with Sophie and if there had been an update on the missing Margaret.
The book is full of love, suspicion, thrill and excitement. This is a good first novel, with a little room for improvement. Perhaps if the form of characters, I also found the ending a little rushed.
Thank you Simon and Schuster and Julie Bennett for gifting me this copy. In return for your generosity I offer you my review
3 Stars: It was a good book and well-crafted. I would recommend it to the right person.
Please visit my Facebook page and blog to see all of my past and future book reviews.
https://www.facebook.com/kyliesbookad...
https://kyliesbookaddictreviews.blogs...
January 16, 2023
This is a really well written story, a fabulous debut that takes us back to 1973 and the opening of The Sydney Opera House and the opera Madama Butterfly, we get to meet a cast of operatic players and see what some of them will go to, to get to the top.
Sophie Carlton is understudy to Australia’s top opera soprano Margaret Gardiner who is playing Cio-Cio-San in the famous opera and opening night Queen Elizabeth 11 and Prince Phillip will be there, such an exciting night for everyone but when Margaret goes missing and Sophie steps up to the lead she is thrilled but worried about Margaret.
Italian Tenor Armando Cecchi is playing Mr. Pinkerton and has performed with Margaret before but is pulled towards Sophie it is not long before there is a lot happening in their lives, accusations in the media speculation about why Margaret is missing and the love affair between Sophie and Armando, this all leads to some secrets being uncovered from the past.
I did very much enjoy this story and I thought the 1953 part of the story shed a lot of light on what was happening now even though the telling was worrying, I loved the telling of the opening of the Opera House and getting to know the characters in the story but I must be honest and say that I didn’t feel that I liked any of them really well but it is compelling reading I had to find out what happened and why. I would recommend this story to anyone who loves a good tale of love, revenge and drama.
My thanks to Simon and Schuster for my copy to read.
Sophie Carlton is understudy to Australia’s top opera soprano Margaret Gardiner who is playing Cio-Cio-San in the famous opera and opening night Queen Elizabeth 11 and Prince Phillip will be there, such an exciting night for everyone but when Margaret goes missing and Sophie steps up to the lead she is thrilled but worried about Margaret.
Italian Tenor Armando Cecchi is playing Mr. Pinkerton and has performed with Margaret before but is pulled towards Sophie it is not long before there is a lot happening in their lives, accusations in the media speculation about why Margaret is missing and the love affair between Sophie and Armando, this all leads to some secrets being uncovered from the past.
I did very much enjoy this story and I thought the 1953 part of the story shed a lot of light on what was happening now even though the telling was worrying, I loved the telling of the opening of the Opera House and getting to know the characters in the story but I must be honest and say that I didn’t feel that I liked any of them really well but it is compelling reading I had to find out what happened and why. I would recommend this story to anyone who loves a good tale of love, revenge and drama.
My thanks to Simon and Schuster for my copy to read.
June 10, 2022
The story starts with a prologue before moving to October 1973 where we meet Sophie Carlton who is understudy for Margaret Gardiner, Australia’s Prima Donna, to play the role of Cio-Cio San in Madame Butterfly. This opera is is for the opening of the Sydney Opera House and the much anticipated accompanying royal visit from Queen Elizabeth and Prince Phillip. Margaret will play opposite Italian tenor Armando Cecchi. When Margaret goes missing without any clues as to where she is or what has happened ,the show must go on.
With all the world watching, Sophie is called on to take the role but there are those who suspect Sophie has had something to do with Margaret’s disappearance since she then got the leading role. Plus an expensive puppet has gone missing, the puppet that Margaret gave to Sophie. Now Sophie can’t find it either. Is that a clue to Margaret’s disappearance? Despite nerves, Sophie takes full advantage of playing the lead and she becomes involved off stage with Armando. That leads to trouble.
I loved reading about the opera house opening, one of my favourite buildings, and places in Sydney I was familiar with. This is another story told in 2 time frames. As well as the one in 1973, there is one in 1953. I did not enjoy the 1953 story. I actually stopped reading this book for a time, as I grew sick of the sexual innuendo and promiscuity. I read another book before I felt inclined to go back to this one. I did because I did want to know what happened to Margaret and see how it all played out, even though I didn’t like any of the characters. So that is a definite point of thanks in the author’s favour, along with the marvellous descriptions of the city of Sydney and with the workings of the Opera and the time. I enjoyed that.
Wasn’t convincing need about some aspects not the ending though. But It is a debut novel and I am sure lots of people will love it. I was glad I read it and thanks to Simon And Schuster for my ARC to read and review. It is a story of ambition, betrayal, selfishness, vengeance, choices and consequences. Just a warning trigger, it does contain a rape scene .It also contains several sex scenes. Recommended as worth reading despite my reservations of some aspects.
With all the world watching, Sophie is called on to take the role but there are those who suspect Sophie has had something to do with Margaret’s disappearance since she then got the leading role. Plus an expensive puppet has gone missing, the puppet that Margaret gave to Sophie. Now Sophie can’t find it either. Is that a clue to Margaret’s disappearance? Despite nerves, Sophie takes full advantage of playing the lead and she becomes involved off stage with Armando. That leads to trouble.
I loved reading about the opera house opening, one of my favourite buildings, and places in Sydney I was familiar with. This is another story told in 2 time frames. As well as the one in 1973, there is one in 1953. I did not enjoy the 1953 story. I actually stopped reading this book for a time, as I grew sick of the sexual innuendo and promiscuity. I read another book before I felt inclined to go back to this one. I did because I did want to know what happened to Margaret and see how it all played out, even though I didn’t like any of the characters. So that is a definite point of thanks in the author’s favour, along with the marvellous descriptions of the city of Sydney and with the workings of the Opera and the time. I enjoyed that.
Wasn’t convincing need about some aspects not the ending though. But It is a debut novel and I am sure lots of people will love it. I was glad I read it and thanks to Simon And Schuster for my ARC to read and review. It is a story of ambition, betrayal, selfishness, vengeance, choices and consequences. Just a warning trigger, it does contain a rape scene .It also contains several sex scenes. Recommended as worth reading despite my reservations of some aspects.
May 15, 2022
I found I was drawn into this story right from the beginning. Two opera singers; one at the top of her game the other, young and ambitious.
It’s 1973 and Margaret is the lead in Madama Butterfly to open at the newly built Sydney Opera House. Sophie is her understudy. She has her eye on the top and she has a plan and is prepared to do anything to succeed!
Told in a dual narrative by Margaret and Sophie, with both women having an air of mystery about them.
Living in Sydney myself I enjoyed all the mentions of the city landmarks and the headlines of the time. I can vividly remember the opening of the Opera House, the controversy over the design and going to see a performance with my school.
Julie Bennett has brought 1970’s Sydney to life through her meticulous attention to detail.
The story travels back to 1953 and Margaret’s early years in a bohemian Wooloomooloo which was both poignant and fascinating.
There is an intriguing mystery at the centre of the story and it’s final reveal took me completely by surprise.
Lies, deception, jealousy and vengeance….. The Understudy is an intriguing read!
Thank you to Beauty & Lace book club for my copy to read.
It’s 1973 and Margaret is the lead in Madama Butterfly to open at the newly built Sydney Opera House. Sophie is her understudy. She has her eye on the top and she has a plan and is prepared to do anything to succeed!
Told in a dual narrative by Margaret and Sophie, with both women having an air of mystery about them.
Living in Sydney myself I enjoyed all the mentions of the city landmarks and the headlines of the time. I can vividly remember the opening of the Opera House, the controversy over the design and going to see a performance with my school.
Julie Bennett has brought 1970’s Sydney to life through her meticulous attention to detail.
The story travels back to 1953 and Margaret’s early years in a bohemian Wooloomooloo which was both poignant and fascinating.
There is an intriguing mystery at the centre of the story and it’s final reveal took me completely by surprise.
Lies, deception, jealousy and vengeance….. The Understudy is an intriguing read!
Thank you to Beauty & Lace book club for my copy to read.
April 25, 2022
As a musician who played a few concerts in lesser halls of the Sydney Opera House around the time of its opening, I romped through this novel. Julie Bennett gives a telling portrayal of the political and indeed Machiavellian world of opera performers, their egos and power plays. She captures the 70's scene with telling eye for detail.
An enjoyable page-turner, highly recommended.
An enjoyable page-turner, highly recommended.
March 12, 2022
Enter the theatre and the world of opera and applaud the story in front of you.
Sydney 1973 and the city is buzzing as the Opera House is welcoming its first guests.
The Queen has arrived to celebrate opening night.
The stage is set for Madama Butterfly.
But even before the curtain rises there is drama behind the scenes.
Loved diva soprano Margaret Gardiner has gone missing.
And the show must go on.
Understudy Sophie Carlton is waiting in the wings for her chance at success.
She must do the performance of her life.
So she can continue being the leading lady until Margaret is found.
What has happened?
Where is Margaret?
And can Sophie pull off the role of a lifetime.
A tale of ambition, tragedy, romance, secrets, passion and expectations.
Julie has drawn on her own experience in the field to weave an engaging story of power, courage and grit.
A historical fiction that will grab the attention of many.
Another successful alumna of Fiona McIntosh’s famed master class, where I’m very impressed with the quality of writers that this course generates.
The reader will be effortlessly transported back in time to an era of music, arias, theatre and the spotlight.
Full of fascinating detail, compelling paragraphs and plot melodrama.
Sydney 1973 and the city is buzzing as the Opera House is welcoming its first guests.
The Queen has arrived to celebrate opening night.
The stage is set for Madama Butterfly.
But even before the curtain rises there is drama behind the scenes.
Loved diva soprano Margaret Gardiner has gone missing.
And the show must go on.
Understudy Sophie Carlton is waiting in the wings for her chance at success.
She must do the performance of her life.
So she can continue being the leading lady until Margaret is found.
What has happened?
Where is Margaret?
And can Sophie pull off the role of a lifetime.
A tale of ambition, tragedy, romance, secrets, passion and expectations.
Julie has drawn on her own experience in the field to weave an engaging story of power, courage and grit.
A historical fiction that will grab the attention of many.
Another successful alumna of Fiona McIntosh’s famed master class, where I’m very impressed with the quality of writers that this course generates.
The reader will be effortlessly transported back in time to an era of music, arias, theatre and the spotlight.
Full of fascinating detail, compelling paragraphs and plot melodrama.
February 19, 2022
The Understudy is a sexy, page-turner of a novel, full of intrigue, secrets and ambition set during the opening season of the Sydney Opera House in 1973. Julie Bennett has woven a spell that will entice the reader in and won’t let them go. Brava!
March 29, 2022
This book was a truly brilliant read, and one that I could not put down! Highly recommended and eagerly awaiting the next masterpiece from Julie Bennett!
March 1, 2022
4.5*
The Understudy is a sensational debut novel by Julie as she offers a drama filled tale from the first ever opening season at the Sydney Opera House in 1973. I quickly found myself engaged and eager to read the journey of the lead character, Sophie as she faces intrigue and drama in this fictional production. This was a time when Australia was growing and reaching out to the world and Julie’s writing captures the times eloquently.
‘It was fantastic to play opposite him tonight. It might be the only time I ever do, though, I'm just the understudy.' I say it, but I don't want it to be true.’
Lead character, Sophie, is indeed the understudy in this tale and with two days until opening night, the famed lead operatic star Margaret Gardiner disappears. Thus ensues a tale of suspicion, intrigue and drama as people both wonder what happened to Margaret and would Sophie be able to fill her shoes? Indeed, all eyes turn to Sophie as she performs wonderfully well and questions are raised as to her involvement in the disappearance. Matters are compounded when she falls for her Italian leading man, Armando and her triumph may yet quickly turn to tragedy. Julie delivers this mystery marvellously well as she offers a dual time narrative stepping back to 1953 when Margaret Gardiner was a hopeful starting out much like Sophie in 1973. Both were ambitious women yet they begin to question if they have started down a dangerous path?
‘They say it is not your role, it is Margaret's role. You are Margaret's cover and now that Margaret is not here ... they are recasting the role.' I'm speechless for a moment 'What does that mean? Does it mean I'm not even the understudy anymore?'
Not only is this a wonderful story of passion and ambition, suspicion and tragedy but also Julie likewise opens a window for her readers to see an Australia from the 1950s and 1970s. I loved references pertaining to things such as the concerns over the Sydney Opera House, or the opening by Queen Elizabeth, or the BLF and Sydney Harbour with the fight for Woolloomooloo. Julie gives us all the glamour onstage, all the drama off stage with the turbulent backstreets of Sydney early of the 1970s.
‘I'll miss the fireworks tonight because I will be preparing to be on stage and so I allow myself the luxury of standing there for just a moment or two … I drink it all in. I am, I realise, witnessing history in the making.’
This is a story that held me captive as I followed Sophie in 1973 and Margaret in 1953 and an emerging country where social expectations were quickly evolving. There were excellent secondary characters with undercurrent subplots that provided great depth to this highly entertaining tale. I frantically turned pages to the very end to see how these two narratives would come to play out. This is a definite book to add to your list as Julie presents a fascinating tale.
‘The score calls for me to begin singing as I walk out, leading my friends. Oscar gives me a gentle push and I know this is my moment. This will be the first step I take towards becoming the principal I long to become. I project myself forward to a time when I am all I imagine myself to be. I let the moment fill me. Then I draw a deep breath and I begin to sing.’
This review is based on a complimentary copy from the publisher in exchange for an honest review. Opinions expressed in this review are completely my own. The quoted material may have changed in the final release.
The Understudy is a sensational debut novel by Julie as she offers a drama filled tale from the first ever opening season at the Sydney Opera House in 1973. I quickly found myself engaged and eager to read the journey of the lead character, Sophie as she faces intrigue and drama in this fictional production. This was a time when Australia was growing and reaching out to the world and Julie’s writing captures the times eloquently.
‘It was fantastic to play opposite him tonight. It might be the only time I ever do, though, I'm just the understudy.' I say it, but I don't want it to be true.’
Lead character, Sophie, is indeed the understudy in this tale and with two days until opening night, the famed lead operatic star Margaret Gardiner disappears. Thus ensues a tale of suspicion, intrigue and drama as people both wonder what happened to Margaret and would Sophie be able to fill her shoes? Indeed, all eyes turn to Sophie as she performs wonderfully well and questions are raised as to her involvement in the disappearance. Matters are compounded when she falls for her Italian leading man, Armando and her triumph may yet quickly turn to tragedy. Julie delivers this mystery marvellously well as she offers a dual time narrative stepping back to 1953 when Margaret Gardiner was a hopeful starting out much like Sophie in 1973. Both were ambitious women yet they begin to question if they have started down a dangerous path?
‘They say it is not your role, it is Margaret's role. You are Margaret's cover and now that Margaret is not here ... they are recasting the role.' I'm speechless for a moment 'What does that mean? Does it mean I'm not even the understudy anymore?'
Not only is this a wonderful story of passion and ambition, suspicion and tragedy but also Julie likewise opens a window for her readers to see an Australia from the 1950s and 1970s. I loved references pertaining to things such as the concerns over the Sydney Opera House, or the opening by Queen Elizabeth, or the BLF and Sydney Harbour with the fight for Woolloomooloo. Julie gives us all the glamour onstage, all the drama off stage with the turbulent backstreets of Sydney early of the 1970s.
‘I'll miss the fireworks tonight because I will be preparing to be on stage and so I allow myself the luxury of standing there for just a moment or two … I drink it all in. I am, I realise, witnessing history in the making.’
This is a story that held me captive as I followed Sophie in 1973 and Margaret in 1953 and an emerging country where social expectations were quickly evolving. There were excellent secondary characters with undercurrent subplots that provided great depth to this highly entertaining tale. I frantically turned pages to the very end to see how these two narratives would come to play out. This is a definite book to add to your list as Julie presents a fascinating tale.
‘The score calls for me to begin singing as I walk out, leading my friends. Oscar gives me a gentle push and I know this is my moment. This will be the first step I take towards becoming the principal I long to become. I project myself forward to a time when I am all I imagine myself to be. I let the moment fill me. Then I draw a deep breath and I begin to sing.’
This review is based on a complimentary copy from the publisher in exchange for an honest review. Opinions expressed in this review are completely my own. The quoted material may have changed in the final release.
October 23, 2022
Excellent novel. Not at all what I expected. The Diva and the Understudy. I never knew where the plot was going, never predictable and an astounding ending. The only novel set in the Sydney Opera House.
September 9, 2022
An excellent debut! I can’t wait to see what Julie Bennett will write next! Everything was just so operatic; the descriptions of the clothes…’the organza of her skirt shimmers, a glimpse of silver shoes, that self gathering fringe…’and the plot with the scheming and grudges..‘ambition, passion, betrayal…’ it all seems to be to be opera worthy! It is darker that I thought it would be, but completely loved it
March 3, 2024
This is one big sweeping operatIc saga that I devoured. The world of Sydney in the 1950s and 1970s comes alive in this meticulously researched novel. I loved being swept up in the world of opera and with a mystery at its heart, I kept turning the pages to its dramatic conclusion. An incredible debut and I can’t wait for the authors next book.
February 27, 2022
The Understudy is a debut novel by Australian author Julie Bennett and takes us into the world of Opera and the opening of the Sydney Opera House in the 1970’s.
Sophie is cast as the understudy of Margaret Gardiner who has the joint title role in the opera of Madama Butterfly alongside the charismatic Italian Armando. When Margaret suddenly goes missing Sophia is thrust into the lead role to great acclaim for her performances from all around her.
What follows is a story of love, loss, passion and intrigue- what happened to Margaret? This story is told in two timelines with Margaret’s story set in the 1950’s and Sophie’s in the 1970’s. Great descriptions of the Opera House and the issues that were apparent at that time in Sydney in the 70’s.
Julie is another graduate of Fiona McIntosh’s masterclass and has been on my radar for quite some time. I am amazed at the quality of writers that are coming out of this programme.
The Understudy takes us to a place behind the scenes that was fascinating to learn about and was a definite 5 star read for me. Perfect for readers of Women’s Fiction and Australian stories.
Thank you to Net Galley and Simon & Schuster for the ARC in exchange for an honest review.
Sophie is cast as the understudy of Margaret Gardiner who has the joint title role in the opera of Madama Butterfly alongside the charismatic Italian Armando. When Margaret suddenly goes missing Sophia is thrust into the lead role to great acclaim for her performances from all around her.
What follows is a story of love, loss, passion and intrigue- what happened to Margaret? This story is told in two timelines with Margaret’s story set in the 1950’s and Sophie’s in the 1970’s. Great descriptions of the Opera House and the issues that were apparent at that time in Sydney in the 70’s.
Julie is another graduate of Fiona McIntosh’s masterclass and has been on my radar for quite some time. I am amazed at the quality of writers that are coming out of this programme.
The Understudy takes us to a place behind the scenes that was fascinating to learn about and was a definite 5 star read for me. Perfect for readers of Women’s Fiction and Australian stories.
Thank you to Net Galley and Simon & Schuster for the ARC in exchange for an honest review.
July 28, 2022
I was hooked from the very beginning, a delightfully intriguing novel that is most definitely a page turner. I didn’t want the story to end.
Thank you for the opportunity to be able to become entwined within the world of the amazing characters that you made come to life x
I recommend that all my friends go out and grab yourself a copy of this brilliant novel.
Thank you for the opportunity to be able to become entwined within the world of the amazing characters that you made come to life x
I recommend that all my friends go out and grab yourself a copy of this brilliant novel.
March 29, 2022
"The Understudy" is set in 1953, and then 1973, Julie Bennett brings the world of Opera, and the Sydney Opera House to life. I'm not really an Opera fan, but I found this book fascinating. I couldn't put this down! A Truly Wonderful Read! Brava!
May 14, 2022
4.5 stars.
Wow! What an incredible debut novel. It had everything I love in a work of historical fiction, an incredibly well researched time period, even better that it was a time in Australia’s history that I haven’t read much about, a smorgasbord of well defined characters, and a storyline that hooks you from the start and a secrecy that keeps you guessing till the end.
I would love to see this made into a movie or tv series.
I tore through this book in an afternoon and I cannot wait to see what Julie Bennett does next.
A big thank you to Simon & Schuster for my copy.
Wow! What an incredible debut novel. It had everything I love in a work of historical fiction, an incredibly well researched time period, even better that it was a time in Australia’s history that I haven’t read much about, a smorgasbord of well defined characters, and a storyline that hooks you from the start and a secrecy that keeps you guessing till the end.
I would love to see this made into a movie or tv series.
I tore through this book in an afternoon and I cannot wait to see what Julie Bennett does next.
A big thank you to Simon & Schuster for my copy.
April 13, 2022
Great read. Once you start that's it!!!
August 20, 2022
Great read. Loved the ending!
October 23, 2022
A clever opera about opera. Full of intrigue, love, betrayal and nasty, nasty villains!
April 1, 2022
Intriguing, clever and refreshingly unique … ‘The Understudy’ hooked me from its prologue and held me captivate through its beautifully teased-out revelations right until the last page. Impeccably researched, this wonderful debut novel wove a fascinating and twisty tale against a backdrop period of Australian history we don’t usually hear too much about. I was enthralled.
March 1, 2022
A novel that is full of surprises, that appears to be one thing and morphs into another, a genre-bender, is a delight to read because you are never sure quite where the story will take you next. The prologue of The Understudy (Simon and Schuster 2022) by debut author Julie Bennett, is a harrowing and sinister scene of violence that would be at home in any good crime novel. Then, in the first chapter, it switches speeds to an historical romance. Set in the dual timelines of 1953 and 1973, the narrative centres on rising Australian opera star Sophie Carlton, the understudy for diva Margaret Gardiner who is singing the principal role in Madame Butterfly in front of the queen at the official opening of the Sydney Opera House. Margaret’s leading man is Italian star Armando Cecci, who in turn is understudied by Ben Anson. When Margaret goes missing the day before opening night, and Sophie must play the leading role, she is equal parts thrilled and nervous. This is the big chance she has always hoped one day would come, one that her mentor Lady Napier has been encouraging her to dream for, but it is tainted by the strange events around Margaret’s disappearance and the subtly voiced hints that Sophie herself might have had something to do with it.
The weeks go on and the mystery surrounding Margaret’s disappearance only deepens. There is a cast of wonderfully interesting characters, like an Agatha Christie novel, some with richly drawn backstories and some remaining infuriatingly enigmatic. There is Bruno, Armando’s curious manservant; Janet and Steve, Sophie’s well-meaning friends; the shadowy Geoff; there is the cast and chorus of the opera; and the management team of the operatic organisation. There are many different motivations at play, and some of the characters’ reasons and motives only become obvious as the story unfolds.
The tale goes back and forth in time. The 1970’s is a vibrant and lively decade of openness, feminism and culture – the establishment of the Opera House one step in Australia’s journey towards international recognition in the arts. But the narrative alternates with the story of what happened to one of the characters in the 1950’s, a time of propriety and expectations, of familial obligations; a time when dark secrets form and remain hidden for several decades.
Bennett juggles three distinct genres or styles in this book, and while each competes for precedence, she manages to combine them to create a uniquely crafted story that will appeal to many readers. The first is the most obvious: an historical romance. Both the 50’s and 70’s plots are filled with desire, passion, romance, love, friendship, loyalty, betrayal, lust and power. The sex is impassioned, enthusiastic and fervent; the romantic entanglements are infused with a mix of self-doubt, lust disguised as ambition, endearing love and unsentimental attachments.
The second theme is the sense of place – mostly set in Sydney in the 70’s at the unveiling of the new Opera House in the midst of a vivacious, pulsating and flamboyant artistic time, with the performing arts beginning to make a splash in the social pages. It is here that the author’s own personal experience comes to the fore in informing the writing of this novel – as a child, Bennett was an extra in the operatic War and Peace, one of the first performances at the Opera House, and her sense of music, art, theatre, greasepaint and the dynamics of an artistic community really shine through. In her words, the smell of the building itself, ‘of salt, sea, concrete and earth’, conjure the Green Room and the stage door and the huge concert halls themselves. Peopled with characters with artistic temperaments, dominant egos, thinly veiled jealousies, or frail insecurities, this aspect of the novel sings with authenticity.
And the third – unexpected – thread to this story is almost that of a crime or a whodunnit. Margaret Gardiner’s disappearance and the subsequent search for her, the hunt for whoever may have done her harm, the suspicion that falls on various other characters, and the chilling flashbacks to events 20 years earlier, all contribute to a deliciously sinister tone that only becomes more compelling as the novel goes on. When I began this book, I assumed it would tread a certain path, but by halfway through, it had become obvious that there was much more going on than I had at first thought. The second half of the book is genuinely surprising and unexpected.
And that’s why this novel is a genre-bender – is it romance? Historical fiction? A crime/mystery? An engaging rendering of the artistic life? It is all of these combined, and thus makes for an enjoyable and page-turning read. Fans of Natasha Lester, Kayte Nunn, Alison Booth and Mary-Rose MacColl will enjoy this novel.
The weeks go on and the mystery surrounding Margaret’s disappearance only deepens. There is a cast of wonderfully interesting characters, like an Agatha Christie novel, some with richly drawn backstories and some remaining infuriatingly enigmatic. There is Bruno, Armando’s curious manservant; Janet and Steve, Sophie’s well-meaning friends; the shadowy Geoff; there is the cast and chorus of the opera; and the management team of the operatic organisation. There are many different motivations at play, and some of the characters’ reasons and motives only become obvious as the story unfolds.
The tale goes back and forth in time. The 1970’s is a vibrant and lively decade of openness, feminism and culture – the establishment of the Opera House one step in Australia’s journey towards international recognition in the arts. But the narrative alternates with the story of what happened to one of the characters in the 1950’s, a time of propriety and expectations, of familial obligations; a time when dark secrets form and remain hidden for several decades.
Bennett juggles three distinct genres or styles in this book, and while each competes for precedence, she manages to combine them to create a uniquely crafted story that will appeal to many readers. The first is the most obvious: an historical romance. Both the 50’s and 70’s plots are filled with desire, passion, romance, love, friendship, loyalty, betrayal, lust and power. The sex is impassioned, enthusiastic and fervent; the romantic entanglements are infused with a mix of self-doubt, lust disguised as ambition, endearing love and unsentimental attachments.
The second theme is the sense of place – mostly set in Sydney in the 70’s at the unveiling of the new Opera House in the midst of a vivacious, pulsating and flamboyant artistic time, with the performing arts beginning to make a splash in the social pages. It is here that the author’s own personal experience comes to the fore in informing the writing of this novel – as a child, Bennett was an extra in the operatic War and Peace, one of the first performances at the Opera House, and her sense of music, art, theatre, greasepaint and the dynamics of an artistic community really shine through. In her words, the smell of the building itself, ‘of salt, sea, concrete and earth’, conjure the Green Room and the stage door and the huge concert halls themselves. Peopled with characters with artistic temperaments, dominant egos, thinly veiled jealousies, or frail insecurities, this aspect of the novel sings with authenticity.
And the third – unexpected – thread to this story is almost that of a crime or a whodunnit. Margaret Gardiner’s disappearance and the subsequent search for her, the hunt for whoever may have done her harm, the suspicion that falls on various other characters, and the chilling flashbacks to events 20 years earlier, all contribute to a deliciously sinister tone that only becomes more compelling as the novel goes on. When I began this book, I assumed it would tread a certain path, but by halfway through, it had become obvious that there was much more going on than I had at first thought. The second half of the book is genuinely surprising and unexpected.
And that’s why this novel is a genre-bender – is it romance? Historical fiction? A crime/mystery? An engaging rendering of the artistic life? It is all of these combined, and thus makes for an enjoyable and page-turning read. Fans of Natasha Lester, Kayte Nunn, Alison Booth and Mary-Rose MacColl will enjoy this novel.
May 31, 2022
Really enjoyed this experience of the operatic world and the roller coaster some of the characters experienced at the whim of management and the press! Quite a twisting and surprising plot as we see the implications of decisions made, past and present! Also enjoyed the location, the time settings and who wouldn’t enjoy reading the romance and drama with an Italian opera star!
August 1, 2022
Quite a few people recommended this book to me and I actually really enjoyed it and its little twists and turns. I also read it in a couple of days so THAT tells you it was a good read for me. I found the book to me wonderfully captivating and highly entertaining.
May 25, 2022
Excellent engaging read. The audiobook was narrated really well!!
August 20, 2023
LOVED IT! I was gripped until the end.
January 6, 2023
Who can you trust in the world of Opera to succeed from Understudy to leading lady. Set in Sydney performing Butterfly for the Queen. When one leading lady goes missing, the Understudy shall take her place.
You will be immersed into the dreams of making it into the world of Opera. The skills and believing in yourself, who to trust, the media ploys, and not falling in love with the wrong person.
Two women follow their dreams, but you will be taken into twists and turns. Someone will take revenge from past wrongs.
Really enjoyed.
You will be immersed into the dreams of making it into the world of Opera. The skills and believing in yourself, who to trust, the media ploys, and not falling in love with the wrong person.
Two women follow their dreams, but you will be taken into twists and turns. Someone will take revenge from past wrongs.
Really enjoyed.
This entire review has been hidden because of spoilers.
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