What do you think?
Rate this book
Schopenhauer: I. Life and Writings / II. Theory of Knowledge / III. Metaphysics of the Will / IV. Æsthetics / V. Ethics / VI. Historical Significance
An Introduction to the life and thought of one of the world's greatest philosophers.
CHAPTER I. Life and Writings
Arthur Schopenhauer may be distinctively described as the greatest philosophic writer of his century. So evident is this that he has sometimes been regarded as having more importance in literature than in philosophy; but this is an error. As a metaphysician he is second to no one since Kant. Others of his age have surpassed him in system and in comprehensiveness; but no one has had a firmer grasp of the essential and fundamental problems of philosophy…
CHAPTER II. Theory of Knowledge
The title of Schopenhauer’s chief work is rendered in the English translation, The World as Will and Idea . Here the term ‘idea’ is used in the sense it had for Locke and Berkeley; namely, any object of mental activity. Thus it includes not merely imagery, but also perception. Since Hume distinguished ideas’ from ‘impressions,’ it has tended to be specialised in the former sense. The German word, Vorstellung , which it is used to render, conveys the generalised meaning of the Lockian ‘idea,’ now frequently expressed in English and French philosophical works by the more technical term ‘presentation’ or ‘representation.’ By Schopenhauer himself the word ‘Idea’ was used exclusively in the sense of the Platonic Idea, which, as we shall see, plays an important part in his philosophy...
CHAPTER III. Metaphysics of the Will
We have seen that scientific explanation does not go beyond presentations ordered in space and time. This is just as true of the sciences of causation—the ‘ætiological’ sciences—as it is of mathematical science. All that we learn from Mechanics, Physics, Chemistry and Physiology, is ‘how, in accordance with an infallible rule, one determinate state of matter necessarily follows how a determinate change necessarily conditions and brings on another determinate change.’ This knowledge does not satisfy us. We wish to learn the significance of phenomena; but we find that from outside, while we view them as presentations, their inner meaning is for ever inaccessible…
CHAPTER IV. Æsthetics
A portion of Schopenhauer’s system by which its pessimism is considerably mitigated is his theory of the Beautiful and of Fine Art. The characteristic of æsthetic contemplation is, he finds, that intellect throws off the yoke and subsists purely for itself as clear mirror of the world, free from all subjection to practical purposes of the will. In this state of freedom, temporary painlessness is attained. The theory starts from his adaptation of the Platonic Ideas…
CHAPTER V. Ethics
Permanent redemption from the suffering of the world is to be found only in the holiness of the ascetic; but to this there are many stages, constituting the generally accepted human virtues. Of these Schopenhauer has a rational account to give in terms of his philosophy; and if the last stage does not seem to follow by logical sequence from the others, this is only what is to be expected; for it is reached, in his view, by a sort of miracle. To the highest kind of intuitive knowledge, from which the ascetic denial of the will proceeds, artistic contemplation ought to prepare the way; and so also, on his principles, ought the practice of justice and goodness…
CHAPTER VI. Historical Significance
Whatever may be thought of the pessimism by which Schopenhauer’s mood is distinguished from that of his precursors, few will fail to recognise that special doctrines of his system contain at least a large portion of truth. His theories of Art, of Genius, and of Love are enough to found an enduring reputation for any thinker, even if there were nothing else of value in his writings. But there is much else, both in systematic construction and in the illumination of detail…
CHAPTER I. Life and Writings
Arthur Schopenhauer may be distinctively described as the greatest philosophic writer of his century. So evident is this that he has sometimes been regarded as having more importance in literature than in philosophy; but this is an error. As a metaphysician he is second to no one since Kant. Others of his age have surpassed him in system and in comprehensiveness; but no one has had a firmer grasp of the essential and fundamental problems of philosophy…
CHAPTER II. Theory of Knowledge
The title of Schopenhauer’s chief work is rendered in the English translation, The World as Will and Idea . Here the term ‘idea’ is used in the sense it had for Locke and Berkeley; namely, any object of mental activity. Thus it includes not merely imagery, but also perception. Since Hume distinguished ideas’ from ‘impressions,’ it has tended to be specialised in the former sense. The German word, Vorstellung , which it is used to render, conveys the generalised meaning of the Lockian ‘idea,’ now frequently expressed in English and French philosophical works by the more technical term ‘presentation’ or ‘representation.’ By Schopenhauer himself the word ‘Idea’ was used exclusively in the sense of the Platonic Idea, which, as we shall see, plays an important part in his philosophy...
CHAPTER III. Metaphysics of the Will
We have seen that scientific explanation does not go beyond presentations ordered in space and time. This is just as true of the sciences of causation—the ‘ætiological’ sciences—as it is of mathematical science. All that we learn from Mechanics, Physics, Chemistry and Physiology, is ‘how, in accordance with an infallible rule, one determinate state of matter necessarily follows how a determinate change necessarily conditions and brings on another determinate change.’ This knowledge does not satisfy us. We wish to learn the significance of phenomena; but we find that from outside, while we view them as presentations, their inner meaning is for ever inaccessible…
CHAPTER IV. Æsthetics
A portion of Schopenhauer’s system by which its pessimism is considerably mitigated is his theory of the Beautiful and of Fine Art. The characteristic of æsthetic contemplation is, he finds, that intellect throws off the yoke and subsists purely for itself as clear mirror of the world, free from all subjection to practical purposes of the will. In this state of freedom, temporary painlessness is attained. The theory starts from his adaptation of the Platonic Ideas…
CHAPTER V. Ethics
Permanent redemption from the suffering of the world is to be found only in the holiness of the ascetic; but to this there are many stages, constituting the generally accepted human virtues. Of these Schopenhauer has a rational account to give in terms of his philosophy; and if the last stage does not seem to follow by logical sequence from the others, this is only what is to be expected; for it is reached, in his view, by a sort of miracle. To the highest kind of intuitive knowledge, from which the ascetic denial of the will proceeds, artistic contemplation ought to prepare the way; and so also, on his principles, ought the practice of justice and goodness…
CHAPTER VI. Historical Significance
Whatever may be thought of the pessimism by which Schopenhauer’s mood is distinguished from that of his precursors, few will fail to recognise that special doctrines of his system contain at least a large portion of truth. His theories of Art, of Genius, and of Love are enough to found an enduring reputation for any thinker, even if there were nothing else of value in his writings. But there is much else, both in systematic construction and in the illumination of detail…
76 pages, Paperback
Published May 21, 2021
Ratings & Reviews
Friends & Following
Create a free account to discover what your friends think of this book!
Community Reviews
No one has reviewed this book yet.