TATE JAMES YOU ARE A SAVAGE.
Anarchy. Per usual, Tate is giving complex dimensions to this story. Of course, we have literal anarchy- a twisting, jaw dropping, swoony and heartbreaking narrative arc that keeps the pages turning. Chaotic action, danger, suspense, and delicious sexy times. But this story is really about the parallel EMOTIONAL anarchy- Hayden trying to come to terms with the shifting relationship dynamics all around here. New truths, new feelings, changing trust and intimacy, the fear and stigma of her own vulnerability. For so long, Hayden has led, has survived, in isolation- she revels in her fierce independence and self-sufficiency. She’s convinced herself she needs it for her image, when really it’s her safety blanket. And now she has to deal with the CHAOS of the relationships around her- that are surprisingly grounding, emotionally catalytic, liberating even. So this story is really about the chemistry- Hayden leaning into the relational anarchy of these three complicated men. Tate uses book two to really explore, challenge or strengthen, Hayden’s interests- while also intentionally starting to build their chemistry with each other.
Tate continues to innovate and elevate the reverse harem genre- and here we have the most interesting, most unique harem I’ve encouraged. The power dynamics, the nuanced relationships, the complicated histories- it makes for such a compelling chemistry. Reverse harem has long since been proclaimed as an extra-feminist romance genre, but Tate has once again redefined it. Giving Hayden ALL of the power- emotionally, even physically, within the relationship and without- is pinnacle feminst harem. This is a heroine completely realized as a character without them, and instead of the usual trope, Hayden herself is the hold out to intimacy. She’s the one holding back- while the men are besotted and unconditionally devoted. Men whose only connection and tie is HER. And each relationship is a different manifestation of aspects of her identities- a different match an emotional need. It’s truly brilliant, different, captivating. And I love how Tate is using contrast to elevate the beautiful intricacies of Hayden’s connection with each of the men. The juxtaposition of the sweet and the savage. How these realities can exist in different ways in all of them.
Surprising me yet again, Tate reveals so much in this story about the external mystery that it’s a bit terrifying- you know she’s got something even more brutal up her sleeve if we know this much of the game in book 2. And this story moves at a breakneck pace until the LITERAL worst cliffhanger Tate has ever written- I’ve never been so shocked, heartbroken, devastated, and desperate.