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Cloudland

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The first story is of ice...

The shadow-monger dragged itself forwards in shrugs. It was a writhe of tentacles coiling around each other, groping the air then shrinking back. The cloud boy hunched over and pressed his face against the glass, so close Lucy could see his feathery lashes. She watched a tentacle of darkness like a living shadow pour over the boy's shoulder and wrap itself around his neck. Then with one quick sudden tug, the shadow-monger pulled the cloud boy back and smothered him in darkness. The next instant, Lucy found herself staring at blank blue sky.

After a year of endless rain, cities are flooded; families are living on rooftops. Called into a world above the clouds, Lucy stumbles across a strange society of injustice, weird beauty, and danger. With a few odd companions, Lucy must travel across Cloudland and face the seemingly impenetrable force of Kazia, the ice queen, in a bid to stop the world from drowning and the dawning of an Age of Ice.

Called into the clouds to face an icy enemy, will Lucy ever find her way home?

192 pages, Paperback

First published July 1, 2008

6 people want to read

About the author

Lisa Gorton

18 books10 followers
Lisa Gorton lives in Melbourne. Her first poetry collection, Press Release, was shortlisted for the Melbourne Prize Best Writing Award and the Mary Gilmore Award, and won the Victorian Premier’s Prize for Poetry. Lisa completed a doctorate at Oxford University on John Donne’s poetry and prose, winning the John Donne Society Award for Best Publication in Donne Studies. She received the inaugural Vincent Buckley Poetry Prize. Her novel for children, Cloudland, was one of The Age Books of the Year in 2009.

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782 reviews5 followers
August 16, 2017
This book was unsatisfying the whole way through. Although the underlying idea has much merit, the world-building fails, which makes it hard to read.

Characters: very 2d, grossly unloveable.

Had this been a children's book, rather than a YA, I might be feeling more charitable. I still don't think I would have liked it, but I would have accepted the paucity of plot (but not the banality of the language) much better.
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