"I wonder what it is like to live inside a church and witness that feeling of every day solace. I wonder what it is like to live inside her body and smell her scent from the inside."
———
TINGLE (edited by Jhoanna Lynn B. Cruz) is a collection of Philippine lesbian writing that explores the quiet yet powerful ways love, desire, and identity shape lives.
This collection, at its core, gathers voices that offer not just narratives of relationships but layered glimpses into how lesbians navigate affection, fear, belonging, and truth in a country where their presence is often erased.
What stands out most, however, is its portrayal of yearning as both universal and deeply personal. For example, desire in this collection moves between the familiar and the particular, thriving in the small crevices of daily experience where truth often hides. Perhaps it’s the longing glance, the fragile joy of a secret, or the slow ache of distance. These are emotions anyone can recognize, yes, but are rendered with the textures of specific lives shaped by class, geography, religion, family, and culture.
Equally compelling is the way intersectionality gives Tingle its power. It reminds readers that lesbian lives are not monolithic, that they are plural and diverse, and through this resists the reductive portrayals often forced upon them.
This richness is further amplified by the range of tones and themes that chart the spectrum of lesbian experience, including tenderness, conflict, joy, grief, and resilience. Some stories capture the innocence of a first crush, including the rush of discovery or the trembling sweetness of affection unspoken. Others, meanwhile, confront the complicated struggle of coming out, where vulnerability collides with fear of rejection, and where courage is both a necessity and a risk. Still others dwell on heartbreak that both devastates and defines since it is through loss that one learns what it means to fully inhabit the self.
Form also becomes part of the book’s strength. The short stories often employ restraint while the essays provide reflection and context that ground the anthology in lived realities. This diversity allows the book to move fluidly between intimacy and commentary, and between personal memory and broader cultural critique.
Ultimately, this is a book to be read, felt, and returned to. It is for anyone who wants to understand love, longing, and identity through the eyes of Filipina lesbians, or even for anyone who believes that the heart, in all its forms, deserves to be heard.