Always a pleasure to let Margaret Weis sweep you away for a few hundred pages. After reading the War of the Souls a year ago, over twenty years since devouring everything Dragonlance as a teenager, I was surprised to find how much I still enjoyed Weis and Hickman's writing. I was eager to continue Mina's story as well, although I wouldn't consider her one of the strengths of the War of the Souls books. Amber and Blood is the third book of the Dark Disciple trilogy and brings Mina's story full circle, literally back to the dramatic opening scene when she appears in a flash of lightning and meets Galdar the minotaur. Without Hickman, there is something a little more careless (and perhaps carefree) about the writing, but it's still got the same quick humour, snappy dialogue and a dense feeling of fantasy immersion. It's always been a neat trick, to turn books intended to connect and extent a roleplay setting into genuinely absorbing fantasy epics. The War of the Souls did that magnificently. The Dark Disciple has some loose ends to tidy up but it also leaves many of the previous stories by the wayside. The fate of the elves has been left (unfortunately) to someone else to tell, their woes a mere historical backdrop. Instead, Weis chooses to focus on her Mina, the red-haired mysterious girl who was loved by Goldmoon and favoured by the Dark Queen, who was a vessel of power yet whose name was chanted and loved by thousands.
Weis makes some interesting and daring decisions and, on the whole, it makes sense. All of the Dragonlance books have the shadow of the Gods looming over the plot, true Grecian plotters and manipulators. Here Weis pulls the Gods truly onto the centre stage as their strive to fill the void left by the Dark Queen. Mina is seduced by Chemosh and he strives for supremacy against the other evil deities while the good pantheon does its usual frustrating thing of trying not to interfere and leave the mortals to decide their fate. For all the popularity of fantasy books about Gods (particularly the Greeks), from Riordan to Gaiman, Weis manages here to create the best homage to their ancient, meddling Greek Gods that I have read. Chemosh and the others are full of betrayals, insecurities, passions and power. Together with Mina, the God of Death forms a legion of undead, vampiric seducers. There is something darkly comic in the plot. It lacks the urgency and the threat of earlier Dragonlance books. It feels like we are mixed up in the games of the Gods and not in a struggle for survival. Even the heroes, the monk Rhys and the obligatory kender sidekick Nightshade, are difficult to take too seriously. Mortal agency is in short supply and the old sense of physical adventuring is limited because whenever the plot requires it the Gods engineer some form of transportation to take the story all over the continent. It makes the story feel a bit forced, cobbled together, and rushed.
However, it didn't take away too much of my enjoyment. I found Rhys's spiritual journey engaging. The machinations of the Gods, particularly Chemosh and Zeboim, were wickedly fun, almost like a more lighthearted Sandman. The gruesome, fat Death Knight Krell allows for some almost slapstick actions scenes. Nightshade is a lovely character, full of all the affection that Weis conjures up for her little characters, those that always make a difference in the end. Gerard, hero of the War of the Souls, and Jenna, make excellent cameos and the balance of contemplation, dialogue and action is nicely poised. Mina is the most problematic character and sympathy for her is a troubled thing. In the third book of the trilogy she reverts to her child form as guilt for her past actions catch up with her. The revelations of her origins are, while not surprisingly, well used to explain Mina and her plight. It becomes Rhys's job to champion her agency, her right to choose, and take her back to Godshome to confront the father who abandoned her and reunite with the minotaur who cared for her, to face the demons of her acts of evil and define herself in the face of the Gods who would possess her. There are definitely flaws in this trilogy and each book does retread some of the same ground, explaining everything too often, but overall I think it was a success and an intriguing read, one that fleshes out the fascinating Dragonlance deities and gives Mina a disturbing and sometimes beautiful narrative and an identity of her own.