I am a HUGE Buffy fan, so I was highly anticipating this novel— and I’m here to report that it’s a mixed bag, filled with a lot to love and not so much love.
Things I liked:
- The writing style. This book very much felt like Buffy, the show, in terms of voice and setting. It really felt like the early three seasons of the show. If you miss that vibe, I think you’ll enjoy it here in this book. It also seemed like the writer was trying to imagine this story as if it could take place on screen, and I thought that was charming; for example, there are reasons integrated into the plot for returning immortal characters to appear the actor’s actual age.
- The new Scoobies. I really enjoyed the new characters and how they were related to the old Scoobies in surprisingly fun ways. Jake was easily my favorite, a cute werewolf boy who has a good heart. The friendships within the group were also strong, I thought.
- References to the show. There are so many references scattered throughout the book, and if you’re a big fan, they’ll all make you smile! Some are very in your face, especially at the beginning, but then others are subtle. It felt like this book had the perfect amount of throwbacks.
- The old Scoobies. Unlike the previous Slayer YA duology, this book really leans into making some of the OG Scoobies integral to the story. Seeing them interact with the new generation was really fun, and especially seeing them interact with one another in present day. Willow and Oz specifically have a lot explored with them, and I’m here for the concept of that. Spike and Vi (Felicia Day’s minor character from season 7) also have a lot to do. And besides them, off the top of my head, we get some cameos and mentions of Xander, Dawn, Buffy, Faith, Giles, Angel, and Andrew as well.
- The new continuity. Also unlike the Slayer YA duology, this book establishes its own continuity post-season 7. I’m a diehard comics canon fan, so I appreciated Slayer trying (but also kinda failing) to keep with the canon, but it just didn’t work and I’m sure it was confusing for new readers and fans who didn’t read a decade of comics material. In Every Generation scraps all of that, and while I would have loved to keep with continuity for my OCD sake— having a new continuity was exciting! Not knowing where these OG characters have been was interesting and I wanted to get to know them again. If this book had tried to stay with comics canon, like Slayer tried, I think it would have failed.
- The fanfiction-y aspect. This book seems to know what it is: published Buffy fanfiction. Some people will take that to mean that this book isn’t good then, but that’s not true! Much fanfiction is great! And this reads like someone who has dabbled in Buffy fanfic back in the day (a compliment!). And besides, any novel continuing the show’s narrative is just inevitably going to feel like fanfiction; let’s accept that. So if you go into this knowing what it is and appreciating what it is, I think you could enjoy it too. And since we’ve established that this is just one of a few continuities post-season 7, don’t hate on it just for existing and or see it as trying to replace another continuity; it’s a choose-your-own-adventure game! And this fanfiction-y option has a lot of fun in it!
Things I disliked:
- How Willow’s sexuality was portrayed. To start off, Willow, the iconic lesbian witch, was magically impregnated because of a side effect from a spell— something she apparently didn’t have any consent in. That sucks! The Buffy and Angel shows have a history of treating female characters awfully in terms of pregnancy storylines, so I’m a tad surprised the lesson wasn’t learned here; and with the lesbian character, it sucks in a whole new way. But wait! There’s more!! The book is pretty dismissive of Willow’s lesbian identity in order to fuel a “will they, won’t they”-esque trope between her and Oz. I’m all for exploring a complicated relationship between Willow and Oz, as it’s ripe for material with them having dated and her since having realized she’s gay, but… this ain’t it. The narration and multiple characters question if Willow and Oz are currently together romantically because they’re sort-of “co-parenting” (which is cute, ngl). The thing is, Willow. Is. A. Lesbian! And everyone knows this! She is an iconic lesbian character. And she has to defend her identity to her friends and family?! This book questioning that identity in such a fickle way feels icky to me. And untrue to the character and what she stood for. She straight up defends her sexuality with “No! I’m gay!” during one of the times sometime speculates she’s banging Oz currently in the book. And theres at least two more speculative moments about it afterwards. Willow and Oz are shoved into romantic situations throughout the book, and it was very uncomfortable to me. Oz is hardcore still into Willow, but she does officially friend zone him near the end. To me though, it reads like her sexuality is just being treated as an obstacle keeping them apart. If a new reader picked up this book, I think they would assume and even want Willow and Oz to end up together romantically— and that sucks! This book read like it had a Willow/Oz romance agenda, and you can’t have that without erasing and being dismissive of Willow’s lesbian identity. I understand that sexuality is fluid and a journey, and honestly Willow could have been bi if the show had gone in that direction— but she and the show defined her as a lesbian. She’s a lesbian icon. The comics continued defining her as a lesbian for years. Willow is a lesbian. And to question that identity now, after 20+ years, is ignorant, especially in the context it was presented in here. I get the vibe that the writer truly loves Willow’s character, but the handling of her sexuality seemed borderline offensive to me, and I won’t be shocked if it’s extremely offensive to lesbians who grew up with the show.
- Frankie the Vampire Slayer. Besides that fact that Frankie is a result of the sloppy the-lesbian-got-impregnated-without-consent plot, she also was the least memorable new character introduced. She felt pretty basic, and I never felt like she was undergoing much character growth even when the book seemed to think she was. She constantly is saved by men in the book, and it was frustrating. Her magic/Slayer combo powers are cool and something new to explore, but that was the main thing I liked about her— and the fact that her mom is Willow, because I love Willow. I didn’t really connect with her character.
- “Murdering” all the strong female protagonists from the show off-page within the first 20 pages. Okay, so this was a complete plot device to isolate Frankie, our new Slayer, so that she could be the “Chosen ONE.” And I get it. But it still sucks! If the Buffy fandom is anything like the Terminator fandom, I think they won’t take too kindly to their strong female protagonists like Buffy and Faith being killed off off-screen at the beginning of this story. Sure, maybe they’re alive, but the longer the book goes on, the more likely it is many of them are at least really dead, including Faith. Is Buffy still alive? Probably. But we don’t get any answers in this book, so they’re all still counted as dead for now. And it doesn’t sound good for Faith specifically, and she’s one of my favorites, so I’m really upset she was treated so badly. Anyways, this whole thing was a giant plot device, and for whatever reason the writer didn’t want to explore the empowerment themes from the end of the show, where tons of women were Slayers. In order to go back to the roots of seasons 1-3, I understand why this plot device was needed to tell the story that she wanted to tell. It just still kinda sucks from the way it was handled.
- The illogical and/or incorrect references. I’m bunching these two things together; there were a handful of moments throughout the book where I went, “What? How?” or “No, that’s incorrect.” And those stemmed from me either not being able to suspend my disbelief enough based off of what we’d been told already in the narrative, or the writer wrote something that didn’t add up with something already established in the show(s). For example, Sunnydale was destroyed but was rebuilt to be brand new and different— so how can a character recognize Giles’ old Magic Box shop and the alley behind it? It’s illogical and doesn’t jive with what’s been established in the novel already. And more on me just being a know-it-all fan, for example— a character who should know better is surprised when a vampire’s detached limbs don’t turn to ash, but the show has already established cut limbs from vamp’s don’t turn to ash (re: Angel season 5).
- The cisgender/heteronormative aspects. There’s a repetitive menstruation joke narrative throughout the book, and at one point it’s played as “haha, all women deal with these issues! Feminism bonding!” And it was just super cis based because, no, not all women deal with that. I understand the miscalculation, but the Buffy fan base is so queer that this joke felt really out of place to me, especially for this franchise. And while the show is known for similar dated jokes, it was the 90s. Having gags like this one isn’t great. Virginal blood is also a huge part of this book’s plot, and while it acknowledges that that type of thinking is from the patriarchy and sucks, we really only look at it from a heteronormative POV. What makes a virgin? Just not having straight, vaginal sex? This is something I’d let slide usually, but it’s such a big part of the book that it felt unexplored; and when combined with the other issues I had with how sexuality and gender were portrayed in the book, it was worth mentioning here. Side note— there ain’t any queer rep to be found outside of Willow’s fiasco, which mainly just highlights her dead lover (Tara, RIP) from years ago. I would have loved to have seen Willow living her life with a new woman and being happy. I would have loved to see some queer rep in the new characters. I really thought Jake and Sig were going to get together for a hot moment, but nah. It’s such a shame because the Slayer YA duology had such good queer rep, despite some of its other flaws. Alas, I guess I can still headcanon anyone as bi? I’m lowering my rep expectations for book 2.
- The ending. The ending left a lot to be desired, and it just kind of ended. A lot of this has to do with things I mentioned previously, like the “are the Slayers still alive” plot and Frankie’s (lack of?) character growth. No answers are given to the “are Buffy and Faith alive” thing, but more questions are raised. It was frustrating and felt a bit mean. (And like I said, it doesn’t sound good for my girl, Faith.) I feel like we needed more answers before raising more questions, and it kind of feels like the author just doesn’t know how to handle having more than one Slayer around— but she also doesn’t want to kill them all off because it’ll anger fans. So instead, we’re left a “they’re dead, but not really, maybe not, maybe you’ll find out by the end of book 3” situation. And it’s so unsatisfying. And the ending scene hinders on the reader believing in Frankie’s growth throughout the novel, and I didn’t, so the ending note didn’t land for me.
The verdict:
As you can see, I found a lot to enjoy and not enjoy here. As an uber queer, uber Buffy fan, I came to this reading with a very specific POV, but I think it’s a POV many people are going to be coming with. I’m the target audience for this book, basically, and I was hoping to be treated a bit better in terms of queerness. The other target audience, new readers, may enjoy this book in a different way, overlook some of the problems I had (like Willow’s portrayal), and take it just as its own YA thing. I did love seeing old characters again though, and I found a lot of love in the new character of Jake and the new team dynamic. In the end, I love the old school Buffy vibe this book was determined to go back to, but it possibly sacrificed too much to get there. 3/5 stars.