MY INTERVIEW WITH THE AUTHORS:
Writing crime-thriller series to a deadline
Co-authors Jon Jefferson and Bill Bass insist it’s most important, writes Nicolette Scrooby
THE Daily Dispatch chatted to American crime writers Jon Jefferson who is a journalist, writer and documentary film maker, and Dr Bill Bass, a forensic anthropologist who founded the Body Farm over 25 years ago, ahead of the South African release of their third book in the Body Farm series, The Devil’s Bones, out this month. The Body Farm is a a research facility at the University of Tennessee where dead bodies are left to decompose in various settings and the information gathered is used in crime scenes.
Q: Bill, Is the Body Farm series based on some of your experiences as a forensic anthropologist?
My students had been urging me for many years to write a book about my career and experiences, but although I’ve written a lot of scholarly articles, I’m not good at writing for a lay audience. Jon and I first worked together in 2001, when he was writing and producing two documentaries about the Body Farm for National Geographic. Jon and I hit it off well, and he’s a good writer, so we decided to collaborate on Death’s Acre, a memoir about my career. Then Jon suggested we try a fiction series, the Body Farm novels. The main character in the novels, a forensic anthropologist we call Dr Bill Brockton, is based fairly closely on me, but with some key differences – he’s not married, for instance, so he’s able to have romantic adventures that my wife, Carol, would not want me to have in real life! The cases in the novels are often modelled on real cases from my work; in some instances, a fictional case corresponds quite closely to a single actual case, but in other instances, the fictional case is an amalgam of three or four cases.
Q: The Devil’s Bones is the third novel in the Body Farm series. Are there going to be more?
In February, we published the fourth novel in the Body Farm series, Bones of Betrayal. It’s set in Oak Ridge, Tennessee, which was a top-secret military installation during the World War 2 race to create the atomic bomb. Bones of Betrayal is a more complex book than the first three novels in the series, because it includes stories within the story, and is told from two points of view: in addition to Dr Brockton, we hear stories from an elderly woman who worked on the atomic bomb during the 1940s. We’re now working on the fifth novel in the series, and are contracted to do two more after that. So we’re keeping busy and having fun!
Q: Did you encounter any difficulties while writing?
Sure. We both tend to lead active, busy lives, and it’s difficult to carve out the time to write a book. The year we wrote The Devil’s Bones, we also wrote and published a second non-fiction book, Beyond the Body Farm, and we were racing to finish The Devil’s Bones during the six weeks that we were on book tour promoting that non-fiction book. That was gruelling.
Q: Is it easy or difficult to co-write a book?
We have a division of labour that makes it pretty easy: Jon comes up with the stories – the plot and characters – and Bill makes sure the forensic science is authentic. So we start by bouncing story ideas around, then Jon starts to write a draft, and will interview Bill extensively about the forensic details. Then, once he’s got a draft, we’ll read and discuss and revise the story and the science as needed.
Q: I like Art Bohanan’s character, which is based on the real life fingerprint expert Art Bohanan. Explain your decision to base this character on the actual person.
We wanted a police presence in the books – after all, a forensic anthropologist doesn’t carry a gun and can’t arrest anybody – and we didn’t think we could invent a character as interesting and funny as the real-life Art Bohanan. When we asked Art if we could base a character on him, he agreed, on two conditions: “As long as ‘Art’ doesn’t curse,” he said, “and as long as he doesn’t do anything illegal.” Those were easy conditions to accept for the sake of such a delightful character.
Q: Is there any other interesting information about some of the other characters?
It’s interesting to see how readers (including the two of us) bond with these fictional characters. We’ve had people get quite upset with us over killing off a character (Jon’s daughter actually said, “I’m not speaking to you right now” after one character’s death), and people urging us to let Dr Brockton get together romantically with his smart, sassy assistant, Miranda. Creating a fictional character is a little like becoming a parent: there’s a certain responsibility that goes along with that, and you have to think about their future. It’s surprisingly sad to see the characters you like undergo distress or tragedy.
Q: How do you relax?
Bill: Read. Play with the dog, or take her for walks. I used to love camping, but I’m at an age now (80) where that’s getting difficult.
Jon: Take my dog for a long run in the woods. Read. Talk with Jane, the woman I love.
Q: Is there anything you’d change about yourself?
Bill: About the only thing I regret is that I didn’t take military officer’s training at the University of Virginia, so I could have been an officer in the US Army.
Jon: I’d love to change my tendency to get distracted and to procrastinate – except, of course, when I get distracted by something really fascinating or fun.
Q: What is your favourite book/s?
Bill: Ours! Actually, I really loved The Island at the Centre of the World, a history of the Dutch creation of New York City, by Russell Shorto. I’ve read it and listened to the audio version of it several times. In general, my favourite books are non-fiction and history.
Jon: The plays of William Shakespeare (not books, exactly, but close enough). The crime fiction of Robert B Parker, Michael Connelly and Dennis Lehane. The dark, literary novels of Cormac McCarthy. The poetry of Billy Collins.
Q: What book/s are you currently reading?
Bill: I just finished reading City of Thieves by David Benioff, and am about to start a David Baldacci novel, The Simple Truth. Mostly, though, I read court (legal) depositions.
Jon: Novels by two friends of mine – The Madam by Juliana Baggott, and Everyone She Loved by Sheila Curran
Q: Where do you write?
Bill: Generally in my study in my home in Knoxville (Tennessee).
Jon: Anywhere! Right now, the living-room sofa in Tallahassee, where I’m in the process of moving (to live with my new love); sometimes in coffee shops.
Q: Best time to write?
Early morning.
Q: What’s the one thing you must have to write?
A deadline!
Q: When do you find time to write?
When the deadline looms large enough to fill the windscreen!
(Published on May 16, 2009)
REVIEW:
Flesh and Bone
By Jefferson Bass
(Quercus)
THE novel has a rather gruesome start when a male corpse, dressed in fishnet stockings, stiletto heels, a blonde wig and wearing make-up is found tied to a tree – with, ahem ... his member cut off and inserted in his mouth.
At the University of Tennessee’s Anthropology Facility, more commonly known as the Body Farm, Dr Bill Brockton is replicating the murder scene to determine the victim’s time of death.
The novel delves into Brockton’s thought processes when gathering clues, which is really great because you are easily able to understand and follow the forensic process.
Just as Brockton, with the help of his good friend and fingerprint expert Art Bohanan, is making strides in discovering the identity of the deceased victim he discovers another gruesome scene. A colleague is found dead tied to the tree and body at the Body Farm, where they were replicating the original scene.
Suspected of murder Brockton has to prove he’s innocent.
This is the second instalment from the hugely popular Body Farm series. While Flesh and Bone really only has the two very gruesome death scenes, it’s a good, interesting and at times laugh-out-loud read. Get your hands on the first book in the series, Carved in Bone, because the third book, is titled The Devil’s Bones and I suspect there will be many more. — Nicolette Scrooby
(Published on May 16, 2009)