Andrew Bennett was Lord of Queen Elizabeth's court some 400 years ago. He held the heart of her handmaiden, Mary Seward, and the future seemed bright for the two lovers. Then he met a vampire, and his life ended, for all intents and purposes. When Mary discovered his ailment, she begged him to make her into a vampire so that she may spend all eternity at his side. Once the bloodlust consumed her, she changed, becoming Mary, Queen of Blood.
Fast forward 400 years, and Mary has built herself an international vampire empire called the Blood Red Moon, whose dealings include running a heroin ring. Andrew Bennett and his two sidekicks, Deborah Dancer and Dimitri Mishkin, chase Mary and/or her vampires across the globe and even throughout time. This has a real soap opera/ drama vibe but remains an edge of your seat read.
The writing is superb, with this series being more character driven than many other mainstream comics of the day. It is the artwork by Tom Sutton which holds this series back, though. Sutton is serviceable at best, sloppy at worst. He works best when he is inking somebody else. When he handles all of the art chores it is a chore to sit through his work. Ernie Colon is better suited to this material.
The Brave And The Bold issue, while published during the last few months of the series, is held until the end of the book so as to avoid interrupting the cliffhanger serial feel of the main story. The brilliant Jim Aparo does the artwork on that issue, and one can only dream of how beautiful this series could have been if an artist of his caliber were given free reign on the title. The team up with Batman only shows how this series works best as being on the outer fringes of the DC Universe. Indeed, it didn't even occur to me that the events took place within the confines of said universe until The Brave And The Bold issue. It worked better as taking place on its own little island, free of involvement and entanglement with superhero continuity.
I found it fascinating that, according to this series, vampires will show up on videotape while they do not on regular film, the faux-scientific reasoning being that regular photographic film is silver based and videotape is not. Taking this a step farther, I would guess that vampires will show up in digital pictures as well. There is much debate on this topic, and I found myself wasting more time than I would like to admit reading up on it.
While many of the tried (tired?) and true Horror cliches show up (mummies, werewolves, etc.), they are all handled in a smart manner and never come off as schlocky. The most obvious comparison for this series is Marvel's Tomb Of Dracula. That series benefited from having a consistent creative team (Marv Wolfman and Gene Colan), while I...Vampire! moves from strength to strength with each new writer or artist without missing a beat. It is impressive how the number of different writers kept everything cohesive and within this series' established continuity.
This book was released to coincide with the new I...Vampire series. It is one of those collected editions that I would not put off buying if you are interested in owning it. It is nothing short of a small miracle that it was ever released at all, and I doubt that it will ever see a second printing. If the purpose of this book was to pique folks' curiosity on the new series, then it worked.