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Doga #28
Lomdee
डोगा के पीछे पड़ गई है एक चालाक लोमड़ी जो उसे सलाखों के पीछे पहुंचाने की ख्वाहिशमंद है और डोगा पीछे पड़ा है लेब्रा के जो कुत्तों को नृशंसता से कत्ल करके किए जा रहा है चोरियां! क्या होगा इस टकराव का अंजाम? क्या डोगा रोकेगा लेब्रा के पागलपन को या डोगा को बेनकाब कर देगी चालाक लोमड़ी!
32 pages, Paperback
Published January 1, 2022
11 people want to read
About the author
Sanjay Gupta
105 books20 followersLibrarian Note: There is more than one author with this name in the Goodreads database.
Sanjay Gupta (born December 7, 1966) is an Indian comic book writer, editor and the studio head and co-founder of Raj comics. He is famous for establishing the superhero comics genre in India and in Hindi language. He provided the platform for many comics book writers to create the popular superheros such as super commando dhruva, Bhediya, Parmanu, Tiranga etc. He is one of the key people of Raj Comics, along with his brothers Manish Gupta and Manoj Gupta. He created the characters Nagraj, Doga, Bhokal, Yoddha etc.
Sanjay Gupta (born December 7, 1966) is an Indian comic book writer, editor and the studio head and co-founder of Raj comics. He is famous for establishing the superhero comics genre in India and in Hindi language. He provided the platform for many comics book writers to create the popular superheros such as super commando dhruva, Bhediya, Parmanu, Tiranga etc. He is one of the key people of Raj Comics, along with his brothers Manish Gupta and Manoj Gupta. He created the characters Nagraj, Doga, Bhokal, Yoddha etc.
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May 28, 2022
The Fox
This story explores the will, grit and endurance of Doga, the characters that set our hero apart from the regular vigilantes.
The prowess of Manu's art is such that the intensity of the violence is captured merely through facial expressions and figure anatomy without unnecessary blood and gore.
This story explores the will, grit and endurance of Doga, the characters that set our hero apart from the regular vigilantes.
The prowess of Manu's art is such that the intensity of the violence is captured merely through facial expressions and figure anatomy without unnecessary blood and gore.
Displaying 1 of 1 review