«Las costas misteriosas seguían siendo promesas de tinta sobre sus cartas de navegación.»
Este es un archipiélago reunido como tributo. Trescientos años después de que Defoe descubriera el potencial de una isla como motor de creación de historias, un equipo de 68 ilustradores repartidos por todo el mundo comparte por primerísima vez los contornos y las costas de sus propias creaciones.
Islas mágicas, que encarnan temores, fantasías, reflexiones, sueños y vías de escape, quedan configuradas a través del doble juego cartográfico trazado por las sugerentes ilustraciones de estilos muy diversos y por los textos, que dotan de relatos a cada una de las fascinantes tierras emergidas. Chris Riddell invita al lector: «Imagina por un momento que tú también eres un náufrago, como Crusoe, en una lejana orilla. ¿Cómo es? ¿Qué puedes encontrar allí? A partir de estas mismas preguntas, nuestros artistas cartografiaron sus islas dilectas. Como ocurre con las estrellas durante el día: aunque no podamos verlas no significa que no estén ahí…». En palabras de Huw Lewis-Jones: «En nuestro planeta hay casi medio millón de islas. Las islas ideales se apoderan del corazón, se alimentan de relatos y sueños».
Huw Lewis-Jones is a British historian, editor, broadcaster and art director. Formerly a historian and Curator of Art at the Scott Polar Research Institute, University of Cambridge, Lewis-Jones left Cambridge in June 2010 to pursue book and broadcasting projects. He is the Editorial Director of the independent publishing company Polarworld.
Lewis-Jones is now working on an exploration of classic mountain photography and a large photography project for the national charity the Royal National Lifeboat Institution. His most recent books as an author are a new history of the South Pole and an Arctic travel narrative for television with popular BBC presenter and adventurer Bruce Parry.
Lewis-Jones' first book was Face to Face: Polar Portraits, an account of historic and modern photographic portraiture, published in 2008. British explorer Sir Ranulph Fiennes wrote its Foreword. The book was The Sunday Times 'Book of the Week' and a 'Book of the Year' in The Observer and received much praise elsewhere. It was also published in Italy by De Agostini and in Germany by Geo and Frederking and Thaler. The Explorers Journal described it as 'one of the most stunning books of photography in recent times'.
The next in his series, Ocean Portraits, a celebration of the sea told through rare historic imagery and modern maritime photography, was released in the United Kingdom in late 2010 by Conway, an imprint of London-based publishing house Anova Books. It is understood there will also be French and German language editions. Its Foreword was written by pioneering yachtsman Sir Robin Knox-Johnston. Described by Wanderlust magazine as a trove of 'portraiture at its best; personal, insightful and delightfully intriguing', it was selected by The Guardian as one of 'the year's best photography books'. Lewis-Jones has now completed Mountain Heroes: Portraits of Adventure, with a significant international team of authors and mountaineers including Doug Scott, Sir Chris Bonington, Stephen Venables, and the celebrated National Geographic photographers Gordon Wiltsie and Cory Richards. It won the Adventure Book of the Year at the World ITB Awards in Germany.
He is also the author of children books (Blue Badger, Bad Apple, Croc o’Clock, etc.).
¡Hola! Soy la traductora al español de esta joyita de libro. 🙋 Lo traduje en plena pandemia, cuando todos estábamos encerrados en casa, y gracias a él pude viajar y dejar atrás, a ratos, días difíciles. Superdivertido y con unas historias-imágenes salidas de un sueño expresionista.
Mapas y textos para robinsones del siglo XXI que no saben dónde están ni dónde van... ni les importa demasiado.
Leído en español en la edición de libros del zorro rojo. Precioso monumento a la imaginación, con una antología de ilustradores impresionante y textos cuidados y divertidos. Un regalo perfecto.
I like the idea more than the execution. Most of these imagined places are just silly rather than magical, and the write-ups of their history are often cursory and lacking in any coherent world-building. This book shows the importance of a writer with a deep imagination to bring out history and story tied to cartography, as these that depend only on the input and imagination of the artist are often very superficial and lacking in any kind of substance. Too many of these maps are diagrammatic for me as well, reminding me of the old Dell Mapbacks which often did not have maps per se, but rather diagrams of a limited area.