Joan R. Mertens is a curator and administrator in The Metropolitan Museum's Department of Greek and Roman Art. She became curator in 1981, and served as an administrator from 1983 to 1990. For the comprehensive gallery reinstallation (1990s–2007) and subsequently, her work has focused on the collection of Greek vases and Cypriot art.
I had a nice experience recently while intoxicated: when I looked in the mirror after a workout and noticed how my newly generated beard had grown I thought I looked like Poseidon. Certainly while sober I look less like him. Nonetheless that experience set my taste agenda for Summer 2025. And that experience's auxiliaries too: after Poseidon appeared in my reflection I went back to my bedroom, which is on the side of the house that the sun barely strikes, and its one-year-long decadent interior design style clashed intensely with the Grecian health I had just perceived. I felt anxious, even nauseous about those unhealthy colors, royal purple and a certain shade of turquoise and black, inspired obliquely by À rebours, and that cheap jewel-encrusted tapestry from Thailand—it all created a most powerful mood, but the wrong one, for Poseidon recommended an urgent escape from all of it, offered a chariot I ought to ride up out into the daylight: and I thought then that he was right. So I went upstairs, and since the clouds had parted and the sun came out at 3 PM that afternoon, and as I let my strawberry-blonde cat in from outside, I understood the importance of orange, of warm colors, and of white marble. Therefore as a simulacrum of the ocean god I became friends with Apollo.
Wonderful, vibrant reference book. I love how it zeroes in on specific works and looks at them from all angles. Incredible as artistic reference material because the pictures are also large and high-res. I appreciate the chronological ordering as well, which gave me a better understanding of the various eras and trends.
This is a very useful book if you want to know more about ancient art. I learned the difference between black-figure, red-figure, and white ground pottery in ancient Greece, and quite a bit more about how to interpret the images on Greek vases and pottery. And I feel like I've become much more competent in this area.