Everything seems to have returned to status quo: Dill philanders with all the ladies at Infernum Press; Paprika works tirelessly (and shops online). But underneath, something is bubbling inside of her. Let’s face it—the situation is getting a little out of control with Paprika. But that could mean a lot of fun.
Neapolitan artist and writer, she is one of the most complete and eclectic Italian creators in the international field. Her upcoming Mercy is going to be published almos simultaneously in Italy (November 2019, Panini Comics), France (January 2020, Éditions Glénat) and United States (March 2020, Image Comics).
Her ControNatura (Panini Comics) is one of the most successful Italian series of the last few years. Published in the USA by Image Comics under the title Unnatural/b>, it’s a best seller hit with several reprints already. There are also Spanish, French, German, Polish, Mexican and (upcoming) Brazilian, Czech and Bulgarian editions.
Andolfo has been collaborating with DC Comics since 2015, having lent her pencil for titles such as Wonder Woman, Harley Quinn, Catwoman, Bombshells, Teen Titans, Green Arrow, R.W.B.Y. and Hex Wives (published under the cult-imprint Vertigo). Together with the writer Sylvain Runberg, she is creator of The Under York Chronicles (Éditions Glénat).
She also wrote stories for BOOM! Studios (The Amazing World of Gumball) and illustrated two issues of the award-winning Ms. Marvel series by Marvel Comics.
In 2012 she created Sacro/Profano (Edizioni Dentiblù), a huge bestseller published in United States, France, Netherlands, Germany, Serbia, Spain. As an artist she’s drawn comics for Dynamite and Aspen, as well as some short stories for Vertigo and DC’s Young Animal, and she’s actually working on covers for DC Comics, Marvel Comics, Valiant, BOOM! Studios, Aspen, Zenescope.
As a colorist, she worked on covers and comics books of important franchises such as Geronimo Stilton, Adventure Time, Ice Age, Peanuts and other series and volumes published all over the world.
During her collaboration with Topolino magazine (Disney’s Mickey Mouse), she has colored numerous covers (including the cover of the historical issue 3000) and stories, working with artists like Giorgio Cavazzano, Corrado Mastantuono and Fabio Celoni.
When she is not working, she loves good food, reading comics and… sharing photos of cats and wolves on Facebook.
I can't stand it when the plot hinges on misunderstandings that would be cleared up simply if people just talked to each other, especially when everything is based on secondhand knowledge. Confirm that shit before you flip out. And it's also Paprika's fault everything is fucked up because she's keeping so much from everyone and letting people believe things that aren't true.
Kinda was enjoying this series a bit just because of the smut, but now I'm annoyed.
1. Dill's back to his playboy ways in Infernum Press, and Paprika's got no clue how to handle it. 2. Paprika tells Za'atar that she's not interested in Dill, and he heared her. 3. Pickle, Dill's dad, is a real jerk, so there's a feeling of dependence between father and son. 4. Paprika's mom is a 120/100, and she gives her that little push to fix things with Dill. 5. Dill tells his dog Bean that he hasn't been with anyone else since Paprika because if they get back together, he doesn't want to go through all the medical tests again. 🤣 6. Paprika looked for Dill, and it took her forever to open up, but she finally let go, and things happened. 🔥😬 7. And, of course, Pickle had to stir things up between Dill and Paprika, which is pretty frustrating. 8. And to top it off, Paprika ran away to Italy, and it just so happens that Za'atar looked for her at her job, where he found out "by accident" from Anisette that she had left because she was on bad terms with her boyfriend Dill.
This entire review has been hidden because of spoilers.