Another Year of Wonder isn’t a book I read so much as one I lived alongside for a year. I experienced it as an audiobook, beautifully read by Eddie Redmayne, using it as a quiet daily ritual: listening to Clemency Burton-Hill’s introduction to each piece, then sitting with the music itself as a form of meditation.
Burton-Hill has a rare gift for making classical music feel intimate and accessible without ever flattening its emotional depth. Her reflections are brief, personal, and deeply human — often anchoring each piece in a story, a moment of vulnerability, or a reminder of why music matters in everyday life. Paired with Redmayne’s calm, measured narration, the audiobook format felt particularly well suited to this slow, attentive way of listening.
I undertook a similar year-long project a couple of years ago with Burton-Hill’s first book, A Year of Wonder. While I slightly preferred the musical selections in the first volume, both books introduced me to a wide range of classical composers and performers, many of them entirely new to me. More importantly, both reinforced the value of the practice itself: showing up daily, listening closely, and allowing the music to shape the rhythm of the year.
Taken slowly, Another Year of Wonder becomes more than a guide to classical music. It’s a companion through the seasons, offering moments of stillness, beauty, and emotional clarity — a gentle reminder that wonder often reveals itself when we take the time to listen.