“Never a mistake,” Patrick said, “to do what you think is the right thing to do.”
Spenser's uncle, Patrick - Chasing The Bear
A while back I was talking with some librarians about, oddly enough, books. Someone posed the question, “If you could be any fictional character, who would it be?”
A few of them answered with literary characters from classical literature. Without hesitation, I answered “Spenser,” Robert B. Parker's private investigator.
There are obvious reasons why a character like Spenser would appeal to me. He's a “Man,” capable of fighting, drinking, loving, and solving crimes. He's brave, heroic, hangs out with some fascinating people, is “sort of” married to a smart, sassy woman, and is generally the epitome of a Chandleresque modern-day knight. And he's always got the right words for any situation.
But, the more honest reason is that Spenser operates within a very specific, but not clearly defined, code of right and wrong. There are things he won't do, and when he does, it's because it was the right thing to do. In the novels, Spenser attributes his character to being raised by his father and uncles, who themselves are “real” men. Occasionally in Parker's novels, there is passing mention of one thing or another that he learned from them. But, little specific information is directly given the reader, (including Spenser's first name) leaving the detective a literal man of mystery.
Chasing The Bear, is Parker's foray into the world of young adult fiction. Its tagline calls it “A Young Spenser Novel”, and it gives the PI a sort of origin story.
I'm leery of origin stories, because they often fail to live up to the origins of our heroes that we've created for our ourselves. Anyone who's seen “X-Men: Origins-Wolverine” can attest to that tremendous let-down.
“Chasing The Bear” is a rare success.
Framed by a modern day conversation, as Spenser and the love of his life, Susan Silverman spend the day together, alternated by “flashback” style narration by Spenser, “Chasing The Bear” reveals the detective as a teenager, and gives us some of the events that have shaped him. The reader meets his father, and his mother's brothers, Cash and Patrick; Jeanie, who will not be the love of his life, but will be his first damsel in distress, and whose father is the titular “bear”; and, Aurelio Lopez, his first “client,” a victim of bullying.
The reader literally witnesses the events that transition Spenser from boy to man, and the steps he takes away from his father and uncles, and into his own life as a hero.
The novel itself is short and written in brief chapters, being targeted at a youth market. But, it retains Parker's gift for “real” dialogue and character-driven story. It isn't a “must-read” for fans of detective fiction, or even fans of Spenser, but it is an entertaining way to get a better sense of the “real” Spenser, and perhaps a little bit about Parker, himself.