Glorious language describing O’Keeffe’s techniques, her art, and the landscape of New Mexico infuses this book with a palatable vitality resulting in a winning Setting background, a fully-realized main CH, and blends all the climate, land, and architectural details in an escalating building of Tone and serpentine Plot. Lasky captures the 1934 New Mexican environment of the Ghost Ranch, locale of many of O’Keeffe’s famous paintings, and uses those details to great effect in producing an amateur sleuth/procedural mystery with a liberal dose of pre-WWII espionage mixing historical figures as CHs like the Lindberghs, Hoover and the BI (soon to be FBI), and O’Keeffe’s husband Alfred Stieglitz with wholly fictional CHs like local sheriff Ryan McCaffrey, assorted Native American locals, Hollywood celebrities, Catholic clergy, and a driven and wry female medical examiner. When reading historical fiction, I think it is important to remember that the author is creating a version of a real person or events, and Lasky has done her research and used her writing talents to give us a breathing Georgia: flawed, conflicted, vulnerable, intelligent, and brave. The Plot contains elements of predictability, Red Herrings, some sensual romance, and early surprises, becoming a real page tuner in the later third of the story. Lasky weaves her themes of the rise of Hitler’s Nazis and their supporters in the US, the conflict between government agencies, the exploitation of Native Americans and their lands, and more personal issues like infidelity, abortion, child abuse, misogyny, mental illness, and racism throughout the narrative with a deft hand, defining when necessary but showing far more than telling through her dialogue, Plot progressions, and Georgia’s musings on light and capturing life through her painting. Red Flags: Child molestation/abuse; graphic violent crime scenes. I would read another. Definite for any Hillerman readers, but may also appeal to fans of Winspear, Susan MacNeal, and, perhaps, Amy Stewart.