“so what if someone likes a pumpkin spice latte or so what if someone likes harry styles, like that’s a bad thing? that the things that young women like, we need to make them feel small for liking it. the way in which this movie takes cheerleading seriously, i think is really, really valuable.”
as someone who has always been and always will be a bring it on girlie and loves this kind of pop culture nonfiction, i’m livinggggggggg
the second half of this book is definitely the better, more engaging part, specifically the chapter on race as it’s probably the most in-depth and nuanced of all the topics discussed, and to a lesser extent, the chapter on queerness (though i forever don’t vibe with the “my queer interpretation of a text is the only and correct interpretation” attitude that pops up in this book). and of course, the general discussions of misogyny, internalized misogyny, and how the things girls like are devalued and mocked, and how this movie challenges those things.
i will say though, it’s a little....annoying that whenever valid criticisms of the movie are brought up (such as queerphobic slurs or the “digit slip” scene), the ability to criticize something you enjoy and like something that has flaws are pointed out, but almost immediately, those criticisms are lowkey dismissed (such as saying the slurs are okay because they came from antagonists or the gay character wasn’t offended, or the characters in the “digit slip” scene were clearly in a relationship and it wasn’t assault/nonconsensual). there’s a “well, yeah, it’s from the early 2000s what do you expect” vibe, as if it’s pointless to even make these criticism given the release date, and an immediate “but those things don’t take away from how important and iconic the movie is!!!” conclusion.
when discussing the sequels, it has a feel of “they didn’t have anyone from the original so they couldn’t possibly be good or important so who even cares anyways.” the author even expresses judgement of someone thinking the second movie is better than the first. the whole point of the book is exploring the movie’s legacy, so to not truly or kindly explore the franchise it spawned is very disappointing and a huge oversight, if i’m being honest.
content/trigger warnings; mentions or discussions of misogyny, sexism, racism, cultural appropriation, queerphobia, covid pandemic, body image, disordered eating, body shaming, sexual assault, pedophilia,