A scan of the chapter titles reveals the book s reach, which ranges across the rehearsal schedule from auditions to opening night and beyond. How to use variable rhythms to make your work more interesting, how to get along with your director, how to work between the lines with your scene partner.
The best acting book BDJ recommended me and the best acting book I’ve read so far. It does exactly what it sets out to do. In the words of the foreword, it asks you to “pretend [acting’s] not mysterious and poetic …pretend it’s more like designing a toaster.” And the little quirks like the typos and the fact that one chapter is included twice make you feel like you’re getting to know Jon Jory as a teacher and a person along the way.