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The Pendragon Cycle
Avalon: The Return of King Arthur
It has been
In the hour of Britain’s greatest need, King Arthur will return to rescue his people. In Portugal, the reprobate King Edward the Ninth has died by his own hand. In England, the British monarchy teeters on the edge of total destruction. And in the Scottish Highlands, a mystical emissary named Mr. Embries—better known as “Merlin”—informs a young captain that he is next in line to the throne. For James Arthur Stuart is not the commoner he has always believed himself to be—he is Arthur, the legendary King of Summer, reborn. But the road to England’s salvation is dangerous, with powerful enemies waiting in ambush. For Arthur is not the only one who has returned from the mists of legend. And Merlin’s magic is not the only sorcery that has survived the centuries. AVALON “A rousing postscript to Lawhead’s bardic Pendragon Cycle . . . Playing off snappy contemporary derring-do against the powerful shining glimpses of the historical Arthur he created, Lawhead pulls off a genuinely moving parable of good and evil.”— Publishers Weekly
In the hour of Britain’s greatest need, King Arthur will return to rescue his people. In Portugal, the reprobate King Edward the Ninth has died by his own hand. In England, the British monarchy teeters on the edge of total destruction. And in the Scottish Highlands, a mystical emissary named Mr. Embries—better known as “Merlin”—informs a young captain that he is next in line to the throne. For James Arthur Stuart is not the commoner he has always believed himself to be—he is Arthur, the legendary King of Summer, reborn. But the road to England’s salvation is dangerous, with powerful enemies waiting in ambush. For Arthur is not the only one who has returned from the mists of legend. And Merlin’s magic is not the only sorcery that has survived the centuries. AVALON “A rousing postscript to Lawhead’s bardic Pendragon Cycle . . . Playing off snappy contemporary derring-do against the powerful shining glimpses of the historical Arthur he created, Lawhead pulls off a genuinely moving parable of good and evil.”— Publishers Weekly
448 pages, Hardcover
First published September 7, 1999
84 people are currently reading
3366 people want to read
About the author
Stephen R. Lawhead
102 books2,743 followersStephen R. Lawhead is an internationally acclaimed author of mythic history and imaginative fiction. His works include Byzantium, Patrick, and the series The Pendragon Cycle, The Celtic Crusades, and The Song of Albion.
Also see his fanpage at Myspace:
http://www.myspace.com/stephenlawhead...
Stephen was born in 1950, in Nebraska in the USA. Most of his early life was spent in America where he earned a university degree in Fine Arts and attended theological college for two years. His first professional writing was done at Campus Life magazine in Chicago, where he was an editor and staff writer. During his five years at Campus Life he wrote hundreds of articles and several non-fiction books.
After a brief foray into the music business—as president of his own record company—he began full-time freelance writing in 1981. He moved to England in order to research Celtic legend and history. His first novel, In the Hall of the Dragon King, became the first in a series of three books (The Dragon King Trilogy) and was followed by the two-volume Empyrion saga, Dream Thief and then the Pendragon Cycle, now in five volumes: Taliesin, Merlin, Arthur, Pendragon, and Grail. This was followed by the award-winning Song of Albion series which consists of The Paradise War, The Silver Hand, and The Endless Knot.
He has written nine children's books, many of them originally offered to his two sons, Drake and Ross. He is married to Alice Slaikeu Lawhead, also a writer, with whom he has collaborated on some books and articles. They make their home in Oxford, England.
Stephen's non-fiction, fiction and children's titles have been published in twenty-one foreign languages. All of his novels have remained continuously in print in the United States and Britain since they were first published. He has won numereous industry awards for his novels and children's books, and in 2003 was awarded an Honorary Doctorate of Humane Letters by the University of Nebraska.
also write under the name Steve Lawhead
Also see his fanpage at Myspace:
http://www.myspace.com/stephenlawhead...
Stephen was born in 1950, in Nebraska in the USA. Most of his early life was spent in America where he earned a university degree in Fine Arts and attended theological college for two years. His first professional writing was done at Campus Life magazine in Chicago, where he was an editor and staff writer. During his five years at Campus Life he wrote hundreds of articles and several non-fiction books.
After a brief foray into the music business—as president of his own record company—he began full-time freelance writing in 1981. He moved to England in order to research Celtic legend and history. His first novel, In the Hall of the Dragon King, became the first in a series of three books (The Dragon King Trilogy) and was followed by the two-volume Empyrion saga, Dream Thief and then the Pendragon Cycle, now in five volumes: Taliesin, Merlin, Arthur, Pendragon, and Grail. This was followed by the award-winning Song of Albion series which consists of The Paradise War, The Silver Hand, and The Endless Knot.
He has written nine children's books, many of them originally offered to his two sons, Drake and Ross. He is married to Alice Slaikeu Lawhead, also a writer, with whom he has collaborated on some books and articles. They make their home in Oxford, England.
Stephen's non-fiction, fiction and children's titles have been published in twenty-one foreign languages. All of his novels have remained continuously in print in the United States and Britain since they were first published. He has won numereous industry awards for his novels and children's books, and in 2003 was awarded an Honorary Doctorate of Humane Letters by the University of Nebraska.
also write under the name Steve Lawhead
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Displaying 1 - 30 of 151 reviews
July 24, 2011
Oddly enough this book reminded me of the Pelican Brief. There's all these political twists and turns that I didn't expect from a book about King Arthur coming back. This isn't about modern folk fighting demons or going to the otherworld or anything like that. There's some mysticism in the book, but for the most part it's a very modern story that finds its ends through very modern means.
Not all the characters are developed as much as I'd liked. The love interest gets shafted in the beginning and then thrown in near the end, and some of the people who sacrifice the most seem to be throw around like chaff without the reader ever getting a chance to know them. But, eh, it's one book, not a trilogy, so I forgive.
If you're looking for the kind of mystical, beautiful book that Taliesen and Merlin and Arthur were, you're not going to find it here, but it's an interesting modern addition to those.
Check out my other reviews at my blog
Not all the characters are developed as much as I'd liked. The love interest gets shafted in the beginning and then thrown in near the end, and some of the people who sacrifice the most seem to be throw around like chaff without the reader ever getting a chance to know them. But, eh, it's one book, not a trilogy, so I forgive.
If you're looking for the kind of mystical, beautiful book that Taliesen and Merlin and Arthur were, you're not going to find it here, but it's an interesting modern addition to those.
Check out my other reviews at my blog
August 5, 2019
With Avalon, the final installment in Lawhead's Arthurian series, the aim was very high. It's hard to create a plausible tale of Arthur and Merlin in the modern-day world, much harder than it is to make it realistic and believable in the appropriate historical context.
Considering this default limitation, I think the author did as good of a job with it as possible. While not entirely believable compared to previous books, the story is still immersive, touching and endearing.
I loved both the nods and references to older tales and moments in the previous books and the nods towards modern-day Scotland. Since I recently went on a dream vacation through Scotlands, both the references to places in Edinburgh and places in the Highlands were very awww-inducing.
Considering this default limitation, I think the author did as good of a job with it as possible. While not entirely believable compared to previous books, the story is still immersive, touching and endearing.
I loved both the nods and references to older tales and moments in the previous books and the nods towards modern-day Scotland. Since I recently went on a dream vacation through Scotlands, both the references to places in Edinburgh and places in the Highlands were very awww-inducing.
March 2, 2021
Enjoyed it, but not as much as the Pendragon Cycle. This story deals with more modern politics and issues, and is much less fantasy than other Lawhead works.
January 21, 2018
A very listless, disappointing end to an otherwise spectacular and memorable series of books. While setting this final installment in modern times was somewhat daring, the characters just never came to life for me and connected in any meaningful way. It also felt that Lawhead was editorializing through his characters, rather than letting the narrative do it in a more organic way. His obvious adoration of monarchical rule became tedious after awhile.
The final quarter of the book was especially disappointing, as the threat from the villainous Morgain/Moira weakly petered out into nothing and Embries (Myrddin/Merlin) becoming an oddly impotent sideline character. Very disappointing.
The final quarter of the book was especially disappointing, as the threat from the villainous Morgain/Moira weakly petered out into nothing and Embries (Myrddin/Merlin) becoming an oddly impotent sideline character. Very disappointing.
March 27, 2016
I really enjoyed this book. It's an interesting take on the Arthur story set during the present day. Although the author does seem to view Britain through rose tinted glasses.
April 18, 2025
5/5 For those who love the happily ever after good defeats evil ending then this is the book for you! Love Arthurian tales- this is a fictional period piece where Arthur returns to Britain in 90's or early 2000's: loved it!
June 22, 2011
Awesome book! Here are a few quotes:
p.139-140 "I set the keeping of Christ about thee;
I send the guarding of the Great Light with thee,
to possess thee, to protect thee,
From death, from danger, from loss.
Let the circling of the Three encompass thee in the battle to come.
In the day of strife, let Michael militant be thy strong protector.
In the twistings of the fight, let Blessed Jesu stand between thee
and the hate of the enemy.
I set a cloak of Bright Angels around thee,
To guard thee from the back,
From the crown of thy head,
To the arch of thy foot,
A cloak of Bright Angels shielding thee always.
The peace of Christ is with thee, and his own loving arm is around thee.
The aiding of the True Spirit is with thee, and his fiery sword protects thee.
The shield of the Living God is over thee,
Now and always, wherever thou goest,
Now and always, wherever thou goest."
p. 199 "I ask only ... that our courage may be the spark that kindles the flame of hope in our kinsmen's hearts."
p. 344 "Great Light, Creator of all that is moving and at rest, hear me now! The path grows dark before me. Illumine my steps with the light of your presence, and guide me in the way of truth."
p. 345 "High King of Heaven! My shield, my defender,
be the strong tower of my strength."
p.139-140 "I set the keeping of Christ about thee;
I send the guarding of the Great Light with thee,
to possess thee, to protect thee,
From death, from danger, from loss.
Let the circling of the Three encompass thee in the battle to come.
In the day of strife, let Michael militant be thy strong protector.
In the twistings of the fight, let Blessed Jesu stand between thee
and the hate of the enemy.
I set a cloak of Bright Angels around thee,
To guard thee from the back,
From the crown of thy head,
To the arch of thy foot,
A cloak of Bright Angels shielding thee always.
The peace of Christ is with thee, and his own loving arm is around thee.
The aiding of the True Spirit is with thee, and his fiery sword protects thee.
The shield of the Living God is over thee,
Now and always, wherever thou goest,
Now and always, wherever thou goest."
p. 199 "I ask only ... that our courage may be the spark that kindles the flame of hope in our kinsmen's hearts."
p. 344 "Great Light, Creator of all that is moving and at rest, hear me now! The path grows dark before me. Illumine my steps with the light of your presence, and guide me in the way of truth."
p. 345 "High King of Heaven! My shield, my defender,
be the strong tower of my strength."
January 31, 2018
This was a very good political thriller, with plenty of suspense! However, to me, it is not up to the standard of the rest of the Pendragon Cycle. There are still plenty of thrilling heroics, and "Arthur" himself leaves nothing to be desired. You almost get the feel that the book is leading up to something much bigger.
I was also disappointed to find a lot of foul language in this book. Granted, only those whom we know to be evil use said language. Still, the author is clearly a follower of Christ, and I would prefer that as such, he find another way to show us that these people are not respectable.
Over all, if you have read the rest of the Pendragon Cycle, you will enjoy how this book ties up some loose ends. If you're thinking of reading this book as a stand alone, I would skip it.
I was also disappointed to find a lot of foul language in this book. Granted, only those whom we know to be evil use said language. Still, the author is clearly a follower of Christ, and I would prefer that as such, he find another way to show us that these people are not respectable.
Over all, if you have read the rest of the Pendragon Cycle, you will enjoy how this book ties up some loose ends. If you're thinking of reading this book as a stand alone, I would skip it.
September 19, 2021
I serendipitously found a new-to-me used book store in Kansas City when I visited my daughter for the weekend in August. And lo and behold! A book about Avalon that I had never heard of appeared on the shelf! I'm a sucker for any Arthurian-based plot, so I snatched this one up.
The Arthur legends always end w/ the promise that King Arthur is out there, waiting to return when Britain needed him most. This is the premise of "Avalon" by Stephen Lawhead.
James Arthur Stewart works as gillie on the estate of the Duke of Morven, as his father had before him. He's at loose ends, sort of marking time after his service in the Army. He has his friends and an off-again girlfriend, Jennifer. Returning home on a chilly night after meeting friends at a pub, he espies a light on a hillside and goes to investigate it. He finds a bonfire - and a very strangely-dressed man - whose cloak looks like it is made from raven feathers. The strange man, M. Embries, hands him a card w/ a London address and tells him to call him. And then... disappears?
James' strange encounter on a hillside in Scotland occurs as all of Britain is in an uproar, as the dissolute, useless last monarch of Britain has just died from a gunshot wound to the head in his home-away-from-home in Portugal. A series of referenda spearheaded by the ambitious Prime Minister has ended every perquisite of the monarchy, save the final one: the removal of the monarch himself. That final referendum is scheduled for a few months later, but the king helpfully offed himself, and the next several score of royals have all abdicated their rights to the throne. The PM's triumph is nearly complete; he can almost hear the crowds cheering as he gets elected president of Britain...
...and then Capt. Stuart decides to telephone M. Embries after all. Stuart and his best bud, Cal, head to London to meet w/ M. Embries - what DOES that "M" stand for? - and hear a fantastical tale about Capt. Stuart's actual identity and therefore, his new destiny. But will he actually achieve his destiny? Or will the PM and the evil forces against James thwart him - or even kill him? And what's up w/ all the earthquakes in the southwest of Britain?
This book has it all: Stuart's "flashbacks" to an earlier time - MUCH earlier time - under Embries' gentle guidance toward Stuart's destiny; action-packed, tense scenes; and enemies both seen and unseen, especially Embries' nemesis, known as Moira in present-day London. If you remember your legends, you know who she really is.
My only quibble w/ the story is that James, Cal, and Jenny feel like Marvel Superheroes in some of the action scenes in the book. In particular, James can defend himself against attacking pit bulls, numerous skinheads, and murderous women. The lack of police presence feels unrealistic. But this was a passing irritation at best.
All the reviews I read on Amazon state that you have to read the first five books to really understand this one. I think all one really needs is an acquaintance w/ the legend of King Arthur. I thoroughly enjoyed ancient characters living modern lives, and surviving modern problems, in this novel. Yes, I would have been happy if James had found Excalibur, but I guess I can't have everything! Five stars for a delicious book hangover. I have already ordered the first two books in the series!
The Arthur legends always end w/ the promise that King Arthur is out there, waiting to return when Britain needed him most. This is the premise of "Avalon" by Stephen Lawhead.
James Arthur Stewart works as gillie on the estate of the Duke of Morven, as his father had before him. He's at loose ends, sort of marking time after his service in the Army. He has his friends and an off-again girlfriend, Jennifer. Returning home on a chilly night after meeting friends at a pub, he espies a light on a hillside and goes to investigate it. He finds a bonfire - and a very strangely-dressed man - whose cloak looks like it is made from raven feathers. The strange man, M. Embries, hands him a card w/ a London address and tells him to call him. And then... disappears?
James' strange encounter on a hillside in Scotland occurs as all of Britain is in an uproar, as the dissolute, useless last monarch of Britain has just died from a gunshot wound to the head in his home-away-from-home in Portugal. A series of referenda spearheaded by the ambitious Prime Minister has ended every perquisite of the monarchy, save the final one: the removal of the monarch himself. That final referendum is scheduled for a few months later, but the king helpfully offed himself, and the next several score of royals have all abdicated their rights to the throne. The PM's triumph is nearly complete; he can almost hear the crowds cheering as he gets elected president of Britain...
...and then Capt. Stuart decides to telephone M. Embries after all. Stuart and his best bud, Cal, head to London to meet w/ M. Embries - what DOES that "M" stand for? - and hear a fantastical tale about Capt. Stuart's actual identity and therefore, his new destiny. But will he actually achieve his destiny? Or will the PM and the evil forces against James thwart him - or even kill him? And what's up w/ all the earthquakes in the southwest of Britain?
This book has it all: Stuart's "flashbacks" to an earlier time - MUCH earlier time - under Embries' gentle guidance toward Stuart's destiny; action-packed, tense scenes; and enemies both seen and unseen, especially Embries' nemesis, known as Moira in present-day London. If you remember your legends, you know who she really is.
My only quibble w/ the story is that James, Cal, and Jenny feel like Marvel Superheroes in some of the action scenes in the book. In particular, James can defend himself against attacking pit bulls, numerous skinheads, and murderous women. The lack of police presence feels unrealistic. But this was a passing irritation at best.
All the reviews I read on Amazon state that you have to read the first five books to really understand this one. I think all one really needs is an acquaintance w/ the legend of King Arthur. I thoroughly enjoyed ancient characters living modern lives, and surviving modern problems, in this novel. Yes, I would have been happy if James had found Excalibur, but I guess I can't have everything! Five stars for a delicious book hangover. I have already ordered the first two books in the series!
April 4, 2024
《It was Avalon as it had been once long ago...and would be again.》
◇james: once and future king
◇jenny: once and future queen
◇embries: he remembers
Well, I finished the Pendragon Cycle. And I had hoped Avalon would be more interesting. Don't get me wrong- it was. But all the POVs that didn't belong to James or Embries got really tedious. Still, there's a final confrontation between Morgian and the good guys, and I did like Avalon overall- it just wasn't as gripping as it could have been. So for the series, Taliesin and Merlin are my favorite books.
Content:
Language (various British profanities, God's name in vain, p- , h- , d- , a- , one use each of b- and s- , the longer b word).
Morgian has a habit of seducing men (nothing explicit is on page). A few awkward descriptions of parts of her body.
Some romance between an engaged and married couple.
Violence.
A suicide (on page, it's in the prologue, which can be skipped).
Ages 18+
◇james: once and future king
◇jenny: once and future queen
◇embries: he remembers
Well, I finished the Pendragon Cycle. And I had hoped Avalon would be more interesting. Don't get me wrong- it was. But all the POVs that didn't belong to James or Embries got really tedious. Still, there's a final confrontation between Morgian and the good guys, and I did like Avalon overall- it just wasn't as gripping as it could have been. So for the series, Taliesin and Merlin are my favorite books.
Content:
Language (various British profanities, God's name in vain, p- , h- , d- , a- , one use each of b- and s- , the longer b word).
Morgian has a habit of seducing men (nothing explicit is on page). A few awkward descriptions of parts of her body.
Some romance between an engaged and married couple.
Violence.
A suicide (on page, it's in the prologue, which can be skipped).
Ages 18+
May 18, 2013
An astonishingly ambitious novel which beautifully blends the past with the present.
Master storyteller Stephen R. Lawhead‘s AVALON captures the magic and mystery surrounding the Arthurian Legends in a thoroughly modern, classy contemporary way. Breathtakingly epic and exciting this outstanding, new futuristic fantasy is so refreshingly original as like nothing you will have encountered before…
Set within the twenty-first Century a shocking revelation arises, when King Edward the ninth dies together with the entire British Monarchy. Ancient traditions turn republican, and as with great change comes a reshaping of the world as we know it. Yet in the remoteness of Scotland dwells one man whose impact upon our country reaches far-beyond belief. For the truth regarding his origins and the link back into the past is remarkably life-changing.
Delicately interwoven and multi-layered, the way in which the author deftly merges together the Arthurian myths and legends with magic in a modern world is simply stunning. The once and future King’s story is told with as much passion and magnitude as M.K Hume or T. H White, as a profoundly moving and sincere tale of good versus evil. With an author’s creative vision, ingenuity and inspired concepts King Arthur, Wizard Merlin and Camelot’s courage is brought boldly back to life. Historical myth and legend is twisted by modern times in a fresh new voice, so as to appeal to a wide-readership by being daring and noticeably brilliant! This gloriously assured, exquisitely drawn story has to be top reading choice of 2013.
*I was sent a paperback copy of Stephen R Lawhead’s AVALON to read and review, for new books Magazine.*
www.newbooksmag.com
Master storyteller Stephen R. Lawhead‘s AVALON captures the magic and mystery surrounding the Arthurian Legends in a thoroughly modern, classy contemporary way. Breathtakingly epic and exciting this outstanding, new futuristic fantasy is so refreshingly original as like nothing you will have encountered before…
Set within the twenty-first Century a shocking revelation arises, when King Edward the ninth dies together with the entire British Monarchy. Ancient traditions turn republican, and as with great change comes a reshaping of the world as we know it. Yet in the remoteness of Scotland dwells one man whose impact upon our country reaches far-beyond belief. For the truth regarding his origins and the link back into the past is remarkably life-changing.
Delicately interwoven and multi-layered, the way in which the author deftly merges together the Arthurian myths and legends with magic in a modern world is simply stunning. The once and future King’s story is told with as much passion and magnitude as M.K Hume or T. H White, as a profoundly moving and sincere tale of good versus evil. With an author’s creative vision, ingenuity and inspired concepts King Arthur, Wizard Merlin and Camelot’s courage is brought boldly back to life. Historical myth and legend is twisted by modern times in a fresh new voice, so as to appeal to a wide-readership by being daring and noticeably brilliant! This gloriously assured, exquisitely drawn story has to be top reading choice of 2013.
*I was sent a paperback copy of Stephen R Lawhead’s AVALON to read and review, for new books Magazine.*
www.newbooksmag.com
June 15, 2009
This book would have earned more stars if it hadn't been so frustratingly anticlimactic.
It took me a while to get into it, as it's been a long time since I've read any fantasy and the language tends to be a little more... verbose... than most. Once I got into it, tho, I was intrigued by the premise.
Unfortunately, it didn't really fulfill on it's potential. It's every little kid's dream at some point to grow up and become a King or Queen, but the lead character's awe and discomfort with the sudden change in social standing lasts only a few pages and after a walk through the country he mysteriously has no stagefright, no nervousness, no uncertainty. He becomes a pompous, lofty speaker spouting off about Avalon in 20th century Britain, and mysteriously, everyone eats it up?
Not to mention that the most climatic scene takes place in about the middle of the book and the rest of it is the lead-up to.... an election. Yep. An election.
Don't get me wrong; there are some great scenes that are beautifully written, but there are some real stinkers too.
I have two thoughts on this as a whole: Either A) this was never meant to stand on its own as a book and a publisher saw it as a chance to make some more money or B) This is just how he writes. If B), I definitely won't be reading the rest of the series. If anyone can clarify, I would appreciate it.
It took me a while to get into it, as it's been a long time since I've read any fantasy and the language tends to be a little more... verbose... than most. Once I got into it, tho, I was intrigued by the premise.
Unfortunately, it didn't really fulfill on it's potential. It's every little kid's dream at some point to grow up and become a King or Queen, but the lead character's awe and discomfort with the sudden change in social standing lasts only a few pages and after a walk through the country he mysteriously has no stagefright, no nervousness, no uncertainty. He becomes a pompous, lofty speaker spouting off about Avalon in 20th century Britain, and mysteriously, everyone eats it up?
Not to mention that the most climatic scene takes place in about the middle of the book and the rest of it is the lead-up to.... an election. Yep. An election.
Don't get me wrong; there are some great scenes that are beautifully written, but there are some real stinkers too.
I have two thoughts on this as a whole: Either A) this was never meant to stand on its own as a book and a publisher saw it as a chance to make some more money or B) This is just how he writes. If B), I definitely won't be reading the rest of the series. If anyone can clarify, I would appreciate it.
This entire review has been hidden because of spoilers.
July 6, 2010
This is the story of the return of Arthur after the death of King Edward, who supposedly commits suicide. It begins with a man named James Arthur Stewart who is working to retain his inheritance, Blair Morven. All looks bleak until he meets Enbries (alias Merlin) whose tale is too strange to believe. James is to be the next king of England! He who cannot even retain his inheritance? Enbries totes out the proof - birth certificate, parents, marriage certificate, and all paperwork pertaining to his past to prove it. Once James believes the fun has only begun. The political wheels turn rapidly to discount the claim and smudge his reputation. James has difficulty coping with all of this but while he is a fair, honest, and courageous man who has the interests of the people foremost in his heart he must prove it to the people of England. Enter the evil Moira (Morgian) his ancient foe in another life who strives to thwart James in his quest to be crowned king. This is quite a good read and if you enjoyed the original story of Arthur, Merlin and Morgian you will find this updated version most entertaining. I did.
January 11, 2020
An unexpected , “Wow”
Having enjoyed the previous Pendragon book series I was highly skeptical of the idea of continuing the story in a modern setting. I was also apprehensive that we would lose the depth and richness of the characters in attempting to revive them in this modern revival of the story line. But my skepticism was pleasantly laid to rest and I was once again enthralled by yet another Lawhead page turner. I don’t know how Lawhead pulled it off but I can confidently say, “Avalon” is another riveting addition to the Pendragon Series. But I do give a warning, Avalon is not a stand alone book. Meaning that the story will make no sense if you have not read the previous books in the series.
Having enjoyed the previous Pendragon book series I was highly skeptical of the idea of continuing the story in a modern setting. I was also apprehensive that we would lose the depth and richness of the characters in attempting to revive them in this modern revival of the story line. But my skepticism was pleasantly laid to rest and I was once again enthralled by yet another Lawhead page turner. I don’t know how Lawhead pulled it off but I can confidently say, “Avalon” is another riveting addition to the Pendragon Series. But I do give a warning, Avalon is not a stand alone book. Meaning that the story will make no sense if you have not read the previous books in the series.
May 25, 2023
Though the storytelling was fantastic, the depth of Faith and Truth was sorely missing in this concluding segment of Arthur’s return. Without this element, I found myself entertained but not deeply moved as I had been by the previous books.
March 29, 2024
God save the king! Amen says Lawhead. (4 stars)
In Avalon, Stephen Lawhead has modernized the king Arthur of his delightful Pendragon cycle, and transported him to a futuristic and contemporary twenty-first century Britain, which is on the verge of throwing out the monarchy for good. But Lawhead is convinced that the monarchy is not all bathwater, but that there’s a baby in there somewhere that should be preserved. Make the legendary Arthur come back to life to be that baby, and save the monarchy. There in a nutshell, is the plot of Avalon.
Of course there’s much more to it than that, and it’s impossible to summarize in a few words a plot that is ingeniously original. The Pendragon Cycle is clearly a prelude to this story, and I would suggest that it is required reading for readers of Avalon. Lawhead makes frequent and obvious allusions to the characters and events of the Pendragon Cycle (eg p.89ff), and readers unfamiliar with his earlier work are likely to find themselves perplexed without this background. At any rate, readers familiar with Lawhead’s earlier works are sure to get the most of this new tale.
Yet this is far from a modernized Pendragon – it’s definitely a story on its own, and fans of the Pendragon Cycle are treated to a completely new tale. The story begins shortly after the death of the last of a series of corrupt and selfish monarchs, with Britain on the verge of abandoning the monarchy for good. Suddenly the unknown James Stuart discovers that despite his ordinary and obscure childhood, he is the rightful king of Britain, and the modern-day Arthur. Although James has a modern-day Merlin at his side, victory of the monarchy is far from assured, because there’s a modern-day Morgian and a host of evil powers against him in his quest for kingship and the restoration of Arthurian Britain.
As a followup to the Pendragon Cycle, Avalon is equally suspenseful and exciting, sparkling with originality, action and intrigue, although some characters and sequences lack imagination and depth. But on the whole it is not as successful. The return of Arthur into a contemporary world bears the suggestion of reincarnation, although Lawhead clearly distances himself from reincarnation and leaves the idea of the “same life in another time” as an unsolved mystery (p.159-160). Likely the premise of the return of Arthur and his companions into a modern world is not intended to be a serious religious or philosophical idea, but a literary device. But one can not be so gracious to Lawhead with respect to other modern elements of the story – the sexual allusions (p.178-9) and frequent use of blasphemy (over two dozen instances) detracted strongly from this novel and its Christian message.
Certainly the vision of the Kingdom of Summer is clearly expressed (p.265ff). Furthermore, the struggle to establish the kingship over against the forces of evil is clearly intended to be a conflict that parallels the universal spiritual conflict between the kingdom of light and the kingdom of darkness (p.396). James’ struggle for kingship has definite overtones of the Biblical struggle of David before him (p.343), and overtones of the Christ whom he shadows. But sadly, although the kingdom of summer is presented as a vision, we don’t get to see this vision become a reality, because the accession to kingship marks the end of the novel (whether we are treated to another novel where we see a modern kingdom of summer is yet to be seen).
On the whole, Avalon lacks the profound religious depth that made the Pendragon Cycle so captivating. With some exceptions, it is less religious and philosophical and more political. In a contemporary era where the monarchy is largely perceived as irrelevant, one cannot but wonder whether the lengthy and passionate diatribes in Avalon defending the monarchy as a legitimate institution by divine right are in fact an articulation of Lawhead’s own opinion on the subject. Is the defence of and vision for the monarchy and the biting criticism of the corruption of today’s politicians Lawhead’s own? Perhaps there’s a pro-royalist and anti-democrat message here for leadership in our own time. One thing is certain: just like “Arthur”, “Avalon” will not only entertain you with a nail-biting ride, it will fuel a passion for a king and a kingdom! God save the king!
In Avalon, Stephen Lawhead has modernized the king Arthur of his delightful Pendragon cycle, and transported him to a futuristic and contemporary twenty-first century Britain, which is on the verge of throwing out the monarchy for good. But Lawhead is convinced that the monarchy is not all bathwater, but that there’s a baby in there somewhere that should be preserved. Make the legendary Arthur come back to life to be that baby, and save the monarchy. There in a nutshell, is the plot of Avalon.
Of course there’s much more to it than that, and it’s impossible to summarize in a few words a plot that is ingeniously original. The Pendragon Cycle is clearly a prelude to this story, and I would suggest that it is required reading for readers of Avalon. Lawhead makes frequent and obvious allusions to the characters and events of the Pendragon Cycle (eg p.89ff), and readers unfamiliar with his earlier work are likely to find themselves perplexed without this background. At any rate, readers familiar with Lawhead’s earlier works are sure to get the most of this new tale.
Yet this is far from a modernized Pendragon – it’s definitely a story on its own, and fans of the Pendragon Cycle are treated to a completely new tale. The story begins shortly after the death of the last of a series of corrupt and selfish monarchs, with Britain on the verge of abandoning the monarchy for good. Suddenly the unknown James Stuart discovers that despite his ordinary and obscure childhood, he is the rightful king of Britain, and the modern-day Arthur. Although James has a modern-day Merlin at his side, victory of the monarchy is far from assured, because there’s a modern-day Morgian and a host of evil powers against him in his quest for kingship and the restoration of Arthurian Britain.
As a followup to the Pendragon Cycle, Avalon is equally suspenseful and exciting, sparkling with originality, action and intrigue, although some characters and sequences lack imagination and depth. But on the whole it is not as successful. The return of Arthur into a contemporary world bears the suggestion of reincarnation, although Lawhead clearly distances himself from reincarnation and leaves the idea of the “same life in another time” as an unsolved mystery (p.159-160). Likely the premise of the return of Arthur and his companions into a modern world is not intended to be a serious religious or philosophical idea, but a literary device. But one can not be so gracious to Lawhead with respect to other modern elements of the story – the sexual allusions (p.178-9) and frequent use of blasphemy (over two dozen instances) detracted strongly from this novel and its Christian message.
Certainly the vision of the Kingdom of Summer is clearly expressed (p.265ff). Furthermore, the struggle to establish the kingship over against the forces of evil is clearly intended to be a conflict that parallels the universal spiritual conflict between the kingdom of light and the kingdom of darkness (p.396). James’ struggle for kingship has definite overtones of the Biblical struggle of David before him (p.343), and overtones of the Christ whom he shadows. But sadly, although the kingdom of summer is presented as a vision, we don’t get to see this vision become a reality, because the accession to kingship marks the end of the novel (whether we are treated to another novel where we see a modern kingdom of summer is yet to be seen).
On the whole, Avalon lacks the profound religious depth that made the Pendragon Cycle so captivating. With some exceptions, it is less religious and philosophical and more political. In a contemporary era where the monarchy is largely perceived as irrelevant, one cannot but wonder whether the lengthy and passionate diatribes in Avalon defending the monarchy as a legitimate institution by divine right are in fact an articulation of Lawhead’s own opinion on the subject. Is the defence of and vision for the monarchy and the biting criticism of the corruption of today’s politicians Lawhead’s own? Perhaps there’s a pro-royalist and anti-democrat message here for leadership in our own time. One thing is certain: just like “Arthur”, “Avalon” will not only entertain you with a nail-biting ride, it will fuel a passion for a king and a kingdom! God save the king!
July 8, 2019
This is the final book so far in a series of stories spanning thousands of years of history from fabled Lyonesse featuring Merlin's father Taliesin, to modern times.
The concept is that Great Britain is facing a huge crisis and Arthur returns as the myth states, to save the kingdom. He's involved in a mostly political struggle just as a referendum is about to take place removing the monarchy entirely. In this alternate universe, the crown has been held by a series of dissolute empty shells the last of which commits suicide in Spain (or Portugal? I wasn't ever sure).
Overall the writing is good and there are some very interesting bits in it like where the stone that once held Excalibur ended up in modern times. Everything from the previous books finally ties together and resolves including some plot lines from the first novel that took place so long ago.
However, while those bits were good enough to pull it past 2 stars, this was a disappointing novel for a lot of reasons. First off, its hard to buy that after all England has been through, a vote on the king is the crisis that brings back Arthur. WW2, Napoleon, none of those things counted, but a referendum?
Second, while Lawhead tries to make the case that a monarchy is so important, he doesn't do a very convincing job of it, particularly from the perspective of an American. The best he can argue is "look how bad things got when you took away the power of the king" but I mean... nations like the USA never had a king and its done quite well.
And the entire tone of the book and its interactions feels incredibly naive and unlikely, particularly in light of recent developments in England. The stirring speeches are well written, but would have been met more with horror and shock than cheers and adulation with references to nationalism, God, and England being great again (literally, that phrase is used). Things were different in 1999 when this was written, but not that different.
Plus, this book has one of my least favorite tropes: the romantic interest who has zero actual romantic appeal beyond being described as beautiful. She literally is abusive and unpleasant to the Athur character through almost the entire book and demonstrates zero charm or appeal.
And finally, the cast of characters who are essentially reincarnations of legendary figures such as Arthur and Merlin (although merlin never died) are very pale, weak versions of their past. Merlin is nearly worthless in this entire book, despite a scene of mystical battle featuring Lawhead's usual curious mix of Druidism and Christianity. He's an adviser who gets the ball rolling and that's about it.
So, overall a disappointment particularly from this author who I thought did quite well with his previous Arthur stories, and a story concept that should have been far more compelling.
The concept is that Great Britain is facing a huge crisis and Arthur returns as the myth states, to save the kingdom. He's involved in a mostly political struggle just as a referendum is about to take place removing the monarchy entirely. In this alternate universe, the crown has been held by a series of dissolute empty shells the last of which commits suicide in Spain (or Portugal? I wasn't ever sure).
Overall the writing is good and there are some very interesting bits in it like where the stone that once held Excalibur ended up in modern times. Everything from the previous books finally ties together and resolves including some plot lines from the first novel that took place so long ago.
However, while those bits were good enough to pull it past 2 stars, this was a disappointing novel for a lot of reasons. First off, its hard to buy that after all England has been through, a vote on the king is the crisis that brings back Arthur. WW2, Napoleon, none of those things counted, but a referendum?
Second, while Lawhead tries to make the case that a monarchy is so important, he doesn't do a very convincing job of it, particularly from the perspective of an American. The best he can argue is "look how bad things got when you took away the power of the king" but I mean... nations like the USA never had a king and its done quite well.
And the entire tone of the book and its interactions feels incredibly naive and unlikely, particularly in light of recent developments in England. The stirring speeches are well written, but would have been met more with horror and shock than cheers and adulation with references to nationalism, God, and England being great again (literally, that phrase is used). Things were different in 1999 when this was written, but not that different.
Plus, this book has one of my least favorite tropes: the romantic interest who has zero actual romantic appeal beyond being described as beautiful. She literally is abusive and unpleasant to the Athur character through almost the entire book and demonstrates zero charm or appeal.
And finally, the cast of characters who are essentially reincarnations of legendary figures such as Arthur and Merlin (although merlin never died) are very pale, weak versions of their past. Merlin is nearly worthless in this entire book, despite a scene of mystical battle featuring Lawhead's usual curious mix of Druidism and Christianity. He's an adviser who gets the ball rolling and that's about it.
So, overall a disappointment particularly from this author who I thought did quite well with his previous Arthur stories, and a story concept that should have been far more compelling.
September 27, 2018
The last book of the Pendragon Cycle, this one stands completely alone. Some scenes are referenced from previous books in vision-like flashbacks, but the previous books are not needed to enjoy this one.
This book is completely different from the previous ones because it takes place in modern Britain. While the others were patterned after legends of very early knights battling barbarians, this book is mostly political with a few exciting fight scenes thrown in.
At times, this book reminded me of books by Fletcher Knebel, especially Seven Days in May. I say that because both books used inspirational, but unlikely, speeches to change the political landscape. This aspect makes this book, to me, even more impossible than the ancient 6th century legends of Arthur.
If you can lay aside that disbelief, then it is a good story. While some of the broad strokes are predictable, getting there is not. It is unlike the previous books where the legend of Arthur and the history of England set restrictions on the possible outcome. In this book, anything can happen. (Is there enough left unfinished for another sequel? Since at least 18 years have passed since the publication, I'd say no.)
There are elements of romance but almost no relationship building and the attempt at providing a rival is clumsy.
A lot happens in the last few chapters and it feels rushed. At 442 pages, I can see why there is pressure to wrap things up, but even though it is a necessary part of the story, chapter 47 reads like an afterthought.
This book is once again Christian and the King's vision is the establishment of a Kingdom of Britain that glorifies God and people live with integrity and respect for one another. Merlin attempts, through God's power, to bind Morgian (Moira) and her demonic powers. However, Morgian seems to use physical tools more often than mystical ones. Other than visions and the fact that Merlin and Morgian are both more than a dozen centuries old, this book doesn't rely on magic or mystical elements. Since James remembers events of the past from Arthur's point of view, there is a hint of reincarnation, but that isn't stated outright.
Mature themes: there is no sex, but there are a couple of instances of attempts at sensual seduction and it is implied that Morgian used that tool previously. There is a suicide. There are vicious fights, but nothing nearly as gruesome as some descriptions in the previous books.
This book is completely different from the previous ones because it takes place in modern Britain. While the others were patterned after legends of very early knights battling barbarians, this book is mostly political with a few exciting fight scenes thrown in.
At times, this book reminded me of books by Fletcher Knebel, especially Seven Days in May. I say that because both books used inspirational, but unlikely, speeches to change the political landscape. This aspect makes this book, to me, even more impossible than the ancient 6th century legends of Arthur.
If you can lay aside that disbelief, then it is a good story. While some of the broad strokes are predictable, getting there is not. It is unlike the previous books where the legend of Arthur and the history of England set restrictions on the possible outcome. In this book, anything can happen. (Is there enough left unfinished for another sequel? Since at least 18 years have passed since the publication, I'd say no.)
There are elements of romance but almost no relationship building and the attempt at providing a rival is clumsy.
A lot happens in the last few chapters and it feels rushed. At 442 pages, I can see why there is pressure to wrap things up, but even though it is a necessary part of the story, chapter 47 reads like an afterthought.
This book is once again Christian and the King's vision is the establishment of a Kingdom of Britain that glorifies God and people live with integrity and respect for one another. Merlin attempts, through God's power, to bind Morgian (Moira) and her demonic powers. However, Morgian seems to use physical tools more often than mystical ones. Other than visions and the fact that Merlin and Morgian are both more than a dozen centuries old, this book doesn't rely on magic or mystical elements. Since James remembers events of the past from Arthur's point of view, there is a hint of reincarnation, but that isn't stated outright.
Mature themes: there is no sex, but there are a couple of instances of attempts at sensual seduction and it is implied that Morgian used that tool previously. There is a suicide. There are vicious fights, but nothing nearly as gruesome as some descriptions in the previous books.
June 1, 2020
I found that Lawhead really built up a lot of anticipation throughout the series as to what would happen in this book, and although it was written well, it didn’t fulfil that anticipation.
Looking back on Arthur book 3, Grail book 5 and this book, I found that these three seemed a bit scatterbrained. The ending for Arthur, first of all seemed totally out of place in the series, and created a lot of confusion and didn’t satisfy the reader. Throughout Grail I found myself thinking many events were foreshadowing to greater events that would happen later in the book or series; however, these events didn’t seem to even be needed when I finished the book and looked back on it.
As for Avalon, the name didn’t even seem very significant in the end. I found it was well written but there as a lot of unnecessary scenes in it. For instance, everything about Llyonesse rising seemed out of place. First of all, the readers didn’t even know it had sunk in the first place. Second, wasn’t Llyonesse always a place for evil? Why is it so important then? Also, the part where Moira is looking for something, supposedly the grail, in the watery ruins of Llyonesse never amounted to anything, when at the time it seemed very significant. Another question I had after finishing the book was, what happened to Waring? Lawhead never says what happened to him in the end and this seemed odd since we had been in his perspective several times. The ending also felt very lame to me, and I felt myself being bored at the end. If Moira had been killed at the car attack by James I think it would have felt much more fulfilling than the death we received at the end.
I think if Lawhead had left out everything about Llyonesse, killed Moira at the car attack, and ended the book at the coronation it would have felt much more complete. As it is, it felt very scatterbrained and unfulfilled.
Looking back on Arthur book 3, Grail book 5 and this book, I found that these three seemed a bit scatterbrained. The ending for Arthur, first of all seemed totally out of place in the series, and created a lot of confusion and didn’t satisfy the reader. Throughout Grail I found myself thinking many events were foreshadowing to greater events that would happen later in the book or series; however, these events didn’t seem to even be needed when I finished the book and looked back on it.
As for Avalon, the name didn’t even seem very significant in the end. I found it was well written but there as a lot of unnecessary scenes in it. For instance, everything about Llyonesse rising seemed out of place. First of all, the readers didn’t even know it had sunk in the first place. Second, wasn’t Llyonesse always a place for evil? Why is it so important then? Also, the part where Moira is looking for something, supposedly the grail, in the watery ruins of Llyonesse never amounted to anything, when at the time it seemed very significant. Another question I had after finishing the book was, what happened to Waring? Lawhead never says what happened to him in the end and this seemed odd since we had been in his perspective several times. The ending also felt very lame to me, and I felt myself being bored at the end. If Moira had been killed at the car attack by James I think it would have felt much more fulfilling than the death we received at the end.
I think if Lawhead had left out everything about Llyonesse, killed Moira at the car attack, and ended the book at the coronation it would have felt much more complete. As it is, it felt very scatterbrained and unfulfilled.
This entire review has been hidden because of spoilers.
August 6, 2020
Some people falsely put this as part of the Pendragon Cycle. It is not never will be. Inspired by maybe. But the Pendragon Cycle for now is a 5 book series. Ending with Grail I see the error above but there is no book 6.
Putting that bad error aside, the book took me nearly 20 yrs to get round to reading it. near half way it became a page turned and I was hooked. As usual with these books at the time, the cover started changing color. Bout the second or third book to do this and white being the worst of all to do so with. The book plot itself. Way more interesting than I thought it would be. I'd toast it to a 5 star but I thought Jenny should have had more flashbacks as well. That area was it's weakest. It got better from there I have I think besides this one. 3 other Alternative Authurian novels. Most of them set in modern times. I'm an open minded King Arthur nut so naturally I have to start with the guy who started me off on it with Taliesin. Way back in 1992. Okay technically that belongs to Mists of Avalon, however the original 3 books had me hooked, but the first one was the best Charis was her name? That was the best one period. This one I found unique and of all the Alternates. This one is the most plausible. Not boring by any means And plenty of action , which literally starts off with a bang. I didn't want to put it next to the Pendragon cycle but I will. But there is no book 6 . This is similar to what Mary Stewart did with her Arthur Trilogy. With Wicked Day. It's not part of the Trilogy it's not book 4 but it is connected. Possible much more than this book is. The cover literally says it is a Post Script to Pendragon Cycle but it is not part of it.
Putting that bad error aside, the book took me nearly 20 yrs to get round to reading it. near half way it became a page turned and I was hooked. As usual with these books at the time, the cover started changing color. Bout the second or third book to do this and white being the worst of all to do so with. The book plot itself. Way more interesting than I thought it would be. I'd toast it to a 5 star but I thought Jenny should have had more flashbacks as well. That area was it's weakest. It got better from there I have I think besides this one. 3 other Alternative Authurian novels. Most of them set in modern times. I'm an open minded King Arthur nut so naturally I have to start with the guy who started me off on it with Taliesin. Way back in 1992. Okay technically that belongs to Mists of Avalon, however the original 3 books had me hooked, but the first one was the best Charis was her name? That was the best one period. This one I found unique and of all the Alternates. This one is the most plausible. Not boring by any means And plenty of action , which literally starts off with a bang. I didn't want to put it next to the Pendragon cycle but I will. But there is no book 6 . This is similar to what Mary Stewart did with her Arthur Trilogy. With Wicked Day. It's not part of the Trilogy it's not book 4 but it is connected. Possible much more than this book is. The cover literally says it is a Post Script to Pendragon Cycle but it is not part of it.
This entire review has been hidden because of spoilers.
May 13, 2021
I am a fool for books about the return of King Arthur, but this one was written without regard to how people actually behave. The hero, James Stuart, is repeatedly contemptuous of those who bring him good news. Uh, no. The things he is told may well induce disbelief, but it would be the kind of disbelief that wants to believe, not the kind of disbelief that says "How dare you try to trick me." Who reacts that way to a mysterious stranger setting a beacon fire to signal him? To being told he is heir to a dukedom? To being told he is king? When he finds out the last, he cuts the conversation short and storms out in a rage.
Uh, no.
There is lots of good stuff in this book about the people of Great Britain deciding to abolish the monarchy (and about time). However, since the hero, such as he is, is going to assume the throne, it's safe to assume that this dissolution will not take place.
I'm sick of reading books by people who can write but don't think about what they're writing.
Uh, no.
There is lots of good stuff in this book about the people of Great Britain deciding to abolish the monarchy (and about time). However, since the hero, such as he is, is going to assume the throne, it's safe to assume that this dissolution will not take place.
I'm sick of reading books by people who can write but don't think about what they're writing.
June 16, 2024
I almost did not read this. I had just read the Pendragon Cyle, and I didn't think Arthur would fit into the modern world. Not only does he fit, but this story became one of my favorites of Lawhead's Autherian stories. The language isn't beautiful or poetic like the previous books. That language wouldn't fit a modern story, though, and everything about this fits. I devoured this book. It might be the best paced book out of all of them. I would have liked more of our known characters in this, which is probably my only critique. Bedvyr's modern counterpart has a tiny role that doesn't fit with the relationship from the previous books. However, fitting three books into one, there are bound to be some bits left out. The critique of modern government hit home, and much of the discussion of social issues and governmental criticisms are highly relevant in 2024. It felt like it could be happening right now, which made the story all the easier to wrap myself in.
This is not your fantasy story like the rest of the series is; it isn't meant to be. It is still an excellent read.
This is not your fantasy story like the rest of the series is; it isn't meant to be. It is still an excellent read.
October 26, 2024
I will say rereading this particular book in the era of Trump and the resurgence of Christian nationalism with all its problematic features and none of the nobility of Arthur hits a little different. While the picture of a King and a glorious, God-given destiny for particular nations is painted in an altruistic light by Lawhead, we've seen the ugly side and it's hard not to draw parallels. That said, this iteration of King Arthur at least stands up to Nazis. But the book is still enjoyable. Lawhead brings his story full circle and we begin to believe there might be a happy ending. This Arthur stares down a ruthless political machine powered by the same dark forces that stalked his kingdom in older days. And we get a little more of the workings of Arthur's inner mind in this volume than we do in any of the others, narrated as they were by his advisors or warriors. The idea of a returning King Arthur has been tantalizing for centuries and Lawhead does an intriguing job of imagining HOW it might happen in these latter days.
December 23, 2022
Disappointed at this turn in the plot
I've been reading this series from the beginning. I do not desire to give away any of the plot, bout have to say I was very disappointed that it did not resume the story of Arthur in his day but rather, moved to the story to modern times with some sort of past life regression device that remained unexplained.
To me, it was very unsatisfactory. It did not seem consistent with the Christian themes already present in the series and caused me to suspend belief at many points in the story.
As well, the scenes of a sexual nature were far too graphic, not what I expected from this author.
The writing is still excellent, and the storytelling imaginative and gripping, but I do not think I will ever read this series again or recommend it, because of this book.
I've been reading this series from the beginning. I do not desire to give away any of the plot, bout have to say I was very disappointed that it did not resume the story of Arthur in his day but rather, moved to the story to modern times with some sort of past life regression device that remained unexplained.
To me, it was very unsatisfactory. It did not seem consistent with the Christian themes already present in the series and caused me to suspend belief at many points in the story.
As well, the scenes of a sexual nature were far too graphic, not what I expected from this author.
The writing is still excellent, and the storytelling imaginative and gripping, but I do not think I will ever read this series again or recommend it, because of this book.
December 11, 2024
I am honestly not even sure how to rank this. You have a series that's pretty much fantasy and then you switch genres and times to a modern day political thriller that still has ties to its religious roots and has its fantasy elements. Rating the book on its own merit I can't say I totally bought in to the monarchy idea that they were trying to present but I think I have a fair understanding of it but I was having a hard time being convinced. James Stuart is a good character that takes a bit to see where he's going but I think the book didn't dip enough into the political side and didn't dip enough into the fantasy side either. I thought the book tried to balance between the fantasy, political and even religious themes and I don't think it quite succeeded but it gave it a fair try. Definitely something I have never read before so I will give it that.
April 17, 2020
I have yet to read a book by Stephen Lawhead that I haven't enjoyed. His easy style turns everyday people into heroes and makes heroes of legend seem familiar, as if we have known them our whole lives. "Avalon: The Return of King Arthur" does the same.
In a modern day England struggling with global identity and nearly devoid of hope, we are introduced to a new cast of characters that seem vaguely familiar. The story is a valiant and hopefully tale about a man who discovers he is next in line for throne, in a country where the monarchy is about to be eliminated. The one common theme between these new characters and the ones that seem so familiar is the twisting political intrigue, and the single mindedness the enemies of chivalry, justice, mercy, compassion, and truth. [4/5]
In a modern day England struggling with global identity and nearly devoid of hope, we are introduced to a new cast of characters that seem vaguely familiar. The story is a valiant and hopefully tale about a man who discovers he is next in line for throne, in a country where the monarchy is about to be eliminated. The one common theme between these new characters and the ones that seem so familiar is the twisting political intrigue, and the single mindedness the enemies of chivalry, justice, mercy, compassion, and truth. [4/5]
November 8, 2025
Would make a fantastic movie!
I am so at home in the Arthurian world (because it is tinged with Heaven) and this one was extra fun with all the Scottish additions, and modern Guinevere as a potter!
“This is who I am. This is how it was meant to be. God in heaven, I have come home!” 140 I was just listening to a charisms podcast today where they talked about how God gives specific gifts to people and this is such an example of what living in those gifts can be like/Heaven!!
“He glimpsed the possibility…that the train had left the station, and he wasn’t on it.” 161 will be adding to my repertoire
I am so at home in the Arthurian world (because it is tinged with Heaven) and this one was extra fun with all the Scottish additions, and modern Guinevere as a potter!
“This is who I am. This is how it was meant to be. God in heaven, I have come home!” 140 I was just listening to a charisms podcast today where they talked about how God gives specific gifts to people and this is such an example of what living in those gifts can be like/Heaven!!
“He glimpsed the possibility…that the train had left the station, and he wasn’t on it.” 161 will be adding to my repertoire
February 20, 2021
Long story short, it sucks. Ever read a novel where the heroes are so dull you're cheering for the villains, especially ones that don't seem that villainous in the face of the heroes ambitions? Here ya go. Ever read a novel where the central premise is mysterious and fascinating, and waved off in the last 30 pages with a "I dunno"? Here ya go. Ever wanted to read a book set in the future but the characters act like repressed people from the 50s? You're sorted bruv.
I give it 1 Bard out of 5 :(
I give it 1 Bard out of 5 :(
October 1, 2021
Hugely problematic
This could have been a good book but the lack of attention to detail really ruins it. In an attempt to have King Arthur return to modern day Britain to save the monarchy and stop a republic forming, the author manages to create a story riddled with plot holes and cliches.
When talking about royalty, a monarch is always "Majesty" and never "Highness". Highness is for the children of the Monarch.
The author also struggles to understand how parliament works, basic mathematics and parliamentary athrimametic.
This could have been a good book but the lack of attention to detail really ruins it. In an attempt to have King Arthur return to modern day Britain to save the monarchy and stop a republic forming, the author manages to create a story riddled with plot holes and cliches.
When talking about royalty, a monarch is always "Majesty" and never "Highness". Highness is for the children of the Monarch.
The author also struggles to understand how parliament works, basic mathematics and parliamentary athrimametic.
June 17, 2020
Dreadful. He's a good writer, but frankly the endless exposition on the values of a monarchy grew tedious. It's a shame. I seriously enjoyed the original Arthur sequence, and the Celtic trilogy are on my to read again pile. In my opinion, there was little in the way of tension, and more seriously, especially considering that this is a book approaching 500 pages, not much in the way of plot either.
Displaying 1 - 30 of 151 reviews